English

This course examines Japanese schooling from sociological and comparative perspectives. The first section focuses on the socializing role of schooling. What kind of values and skills are learned in Japanese schooling? How do they differ from other societies? How do they change from preschool to high school? The second section focuses on the sorting mechanism of schooling. To what extent is Japanese education system an egalitarian system, in terms of social class or gender, when compared with other OECD countries? How do countries differ in their conceptualization or educational equality or mechanism of stratification? The last section addresses some recent educational reforms that have been widely debated in Japan.

This course introduces an overview of the cultural tradition of East Asia by examining classical Chinese narratives translated into English. It explores how these narratives depict the essence of humanity and the world, discussing their influence on modern East Asian culture. Through the course, students identify the cultural characteristics inherent in East Asian civilization and develop a critical understanding of its contemporary discourses. 

Student will be able to: 1. Understand the cultural concepts that underlie the individual, the family, and the state in East Asia 2. Learn the historical development of China, Japan, and Korea and their relationships with each other 3. Practice reading East Asian texts in their own literary tradition and relating them to cultural contexts 

This course explores the main algorithmic design paradigms and teaches students to apply algorithmic techniques to practical and unseen problems. Students quantitatively analyze the performance of algorithms. They also model the mathematical structure of computational tasks and apply the right algorithmic tools on them, and develop their algorithmic thinking and problem solving skills.

This course considers how artists, filmmakers, and photographers have reacted against and dealt with the presence of the audience, focusing on post 1960s art, photography, and art film up to our present days. Video and performances of Bruce Nauman, happenings of Allan Kaprow, participatory art of Marina Abramovic, video work by Rineke Dijkstra, photography of Thomas Struth, and relational aesthetics are examined. Theories and ideas that deal with the presence of (mass) audiences, reception aesthetics, and the educational turn are reviewed. The course consists out of lectures, excursions, guest lectures, student experiments on the reception of art and so on. This course includes excursions. This could possibly involve costs (travel expenses and museum admission). Art history students are advised to purchase a museum year card or an ICOM pass (https://icom.nl/nl/lidmaatschap/individueel-lidmaatschap). The latter pass allows you to visit museums at home and abroad free of charge. Other students should take into account that extra costs are possible. 

This course covers basic concepts in real estate finance, including basic concepts in mortgages, time value of money, income producing property taxes, and real estate investment and accounting issues. In addition, this course covers current issues in real estate finance, such as household debt or sub-prime crisis in the US. At the end of this lecture, the course briefly introduces how to manage micro-level data and calculate some statistical moments. Topics include Mortgage loan foundation: The time value of money, Fixed interest rate mortgage loan, Adjustable and floating rate mortgage loans, Mortgages: Additional concepts, analysis, and applications, Single-family housing: Pricing, Investment, and tax consideration, Underwriting and financing residential properties, Understand a toy mortgage default model (one-sided limited commitment model), Income-producing properties: Leases, rents, and the market for space, Investment analysis and taxation of income properties, Financial leverage and financing alternatives, and Risk analysis. 

Prerequisite: Macroeconomics, financial economics, econometric, and economic mathematics are recommended. 

Students explore some of the repertoires that are at the heart of post-war American pop music, including mainstream pop, the blues, hip-hop, funk, country, and rock. Students consider the extent to which American popular music has influenced other pop music cultures, and how a sense of American identity is both fostered and communicated in its music. Students also connect specific kinds of repertoire to major events in American history, such as the Civil Rights Movement. The course is organized according to topics such as the music industry, the blues continuum, identity in country music, urban music, and Afrofuturism. Students learn to identify and describe a range of American popular music genres, and position them in their socio-historical context. 

The course provides a fundamental understanding of the environment in which international business operates and of the business practices required to compete successfully in global markets. This course gives an overview of challenges and opportunities of competing in the global marketplace. It helps students develop the decision-making skills associated with managing different aspects of international business. Furthermore, the course exposes students to the cultural, economic, political environment of international business and internationalist strategies, and the management of international business.

This course explores the history, form, and function of writing systems from around the world: Ancient Egyptian hieroglyphs, Chinese pictograms, Ancient Greek and modern Japanese syllabaries, the vowelless alphabets of Hebrew/Arabic, the "fusional" alphabets of Sanskrit/Hindi, the "separational" alphabets of Modern Europe. Students also look at various attempts to create "perfect" writing systems, such as that of Korea and the IPA and its rivals. Through the course, students gain an understanding of the phonological/morphological demands that languages place on their writing systems and how this leads to innovation and development. The course also examines sociological aspects of different systems (particularly in relation to the spread of systems and the role of writing in language preservation/endangerment) and what writing reveals about the organization of the mind/brain.

Foreigners, in particular people from the US or Canada, are often astonished when they hear how fascinated Germans are with Native Americans. So-called “hobbyist” events with Germans “playing” at being and dressing up as North American Indians, shows with Native Americans performing traditional dances or other rituals, but also theatrical festivals devoted to stories around the fictional Mescalero Apache Winnetou and his white (German) blood brother Old Shatterhand draw thousands of visitors, and it is still fair to say that most Germans have some memory of playing Indians when they were children. The creator of Winnetou, Karl May, is more widely read than Goethe or Thomas Mann, although the literary value of his texts is disputed. As puzzling as this may be from the outside: For more than 150 years, America and, in particular, North American Indians have played an important role in narratives about German national identity. Examining these narratives, students discover a complex web of fascination and identification with Native Americans on the one hand, fascination and ambivalence regarding the culture, politics, and economics of the US and white Americans on the other hand. Students study extracts from literary texts depicting Native Americans from the 19th and 20th centuries and analyze films based on Karl May and other authors, produced in the FRG and the GDR (West and East Germany). They discuss the political implications of images of Native Americans in the context of imperial Germany, in National Socialism, and in the GDR, and they review and evaluate concepts such as the “Noble Savage”, “cultural appropriation” and racial/ ethnic stereotyping and exoticism.

This course provides an introduction to developmental psychology, which seeks to understand and explain changes in an individual’s physical, cognitive, and social capacities across the lifespan. The overarching themes are to describe changes in an individual’s observed behaviour over time, and to uncover the processes that underlie these changes. The course begins by introducing the historical and conceptual issues underlying developmental psychology and the research methods used for studying individuals at different ages. It then proceeds to address physical development in the prenatal period, followed by cognitive and social development during infancy. The course then examines change during childhood by introducing major theories of cognitive development and addressing the social contexts of development (parents, peers, and social relationships; morality, altruism, and aggression). The course concludes by addressing the physical, cognitive, and social changes of adulthood and ageing.