Germany

Ignorance looms large in our current political discourses. From the ignorance of epidemiological facts shaping pandemic policy and public compliance or willful ignorance of climate change which continues to perpetuate the reliance of fossil fuels to naive ignorance of epistemic exclusions that to reproduce marginalizations on the basis of race and gender, ignorance takes center stage in key public debates. With so much putative ignorance around, one might get the impression that ignorance more than knowledge gives shape to contemporary political cultures. Yet, with a more careful eye towards how ignorance functions, it is clear that we are not dealing with a singular idea. Rather, there are multiple discourses around, definitions of, and practices built on ignorance. This seminar distinguishes between two particular modalities of ignorance: positive and negative ignorance. That is, 1) ignorance defined through the absence of specific forms of knowledge, and 2) ignorance defined in terms of someone’s positionality in and situated knowledge of a complex system. The course traces the first modality of ignorance via its deployment in current political debates such as climate change, racial marginalization, and intersectional feminism. In these discourses, ignorance functions as a foundation for critique, as a moral imperative, and even as basis for political activism. The second modality of ignorance, perhaps better understood in terms of aporia, can be found today in a variety of positive programs for dealing with complexity (aporetics) such as administrative decentralization, neoliberal economics, and even public sector design. The course introduces some of the epistemological and practical preconditions for such aporetic governance. Finally, the seminar asks what forms of research, ethical conduct, and political practices may be mobilized in response to or built upon ignorance and aporia.

This course is designed for students who have successfully completed the intermediate level of German and who have a sound knowledge of German. This course is intensive and is intended for dedicated, highly self-motivated students who will take responsibility for their learning. The course deepens students competence in speaking and writing and to expands and refines their vocabulary usage. Through this course students are able to express and discuss ideas, opinions and information at the academic level. Special attention is given to the consistent use of self-correction. Furthermore, the course helps students to develop effective reading and listening strategies and deepen their knowledge of grammar structures. In addition, students analyze and interpret cultural, political, and historical topics in German-speaking countries and compare them with their own cultural background. Students develop and regularly use new strategies for language acquisition and improve their ability to choose the right linguistic register for different situations, topics and communication partners. At the completion of the course students are able to lead and participate in academic discussions about certain course-related topics. In addition, students expand and refine their essay writing skills and are able to write, revise and proofread essays that meet the standards of academic writing.

This pre-semester course prepares foreign students for academic study at a German university. The focus is on the improvement of oral and written expression as well as grammar and lexical proficiency. The course covers selected topics on German politics and society within a historical context. In addition, excursions are planned to introduce students to German culture. Students work with cultural topics in everyday situations and broaden their intercultural knowledge. They are introduced to independent learning methods and familiarize themselves with typical learning situations at German universities. In this class at the B1 level according to CEFR, students consolidate and systematically build further basic grammar points and vocabulary. They expand their proficiency in all four skills. The B1 level is split into two courses, the B1.1 course covers the first half of the level and the B1.2 course covers the second half of the level.

Where do we pick up after the complete moral, physical, and psychological devastation brought on by World War II? How do we compose poetry in the shadow of the Holocaust, a genocide beyond imagination? How do we write poetry in a language that was used by the Nazis to justify an unjust war and the murder of millions? What forms can suffering and trauma take in literary texts? Young German writers asked themselves these questions starting in 1945 and proposed a number of solutions – or produced a number of attempts – that today are known as "Kahlschlagliteratur" (the literature of clear-cutting) or Zero Hour Literature. This course reviews texts of various genres in translation, considers them in their historical and literary contexts, and identifies common properties and tendencies. The course also questions the validity of the label "Zero Hour," along with its implicit assumption of a complete reset. The focus is on better-known writers (whose texts are available in English), such as Wolfgang Borchert and the Nobel-prize winning Heinrich Böll.

Just as much as the city is a physical reality we all deal with in our daily lives, it is, and always has been, an idea. From ancient history onwards, planned cities (Caliph Al-Mansur's legendary Round City of Baghdad, Brasília) were thought up before they were built, and many cities of the imagination, such as Jonathan Swift's magnetic island of Laputa, were never built at all. While the biblical New Jerusalem was meant to inspire awe and glorify God, and Renaissance utopias illustrated a particular type of social organization, the modern imaginary cities that can be found in experimental urban planning, in literature and film offer a critique of contemporary urban life or serve as models for change. This course explores the history of the imaginary city from ancient times to the present, highlights a number of historical futuristic concepts such as Constant's New Babylon, and explores ideas ranging from a "velotopia" to the libertarian dream of seasteading. Student presentations round out the discussion by "visiting" imaginary cities in literature, film, land art, and gaming.