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This course presents western sketch and Chinese white sketch as the simplest forms of expression in painting, with plaster and still life as the main objects of expression, and introduces artistic quality of monochrome expression in painting. The course is a combination of classroom teaching and studio practice.
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This course focuses on objects and space. Through exercises, experiments, and various situations, students graphically present natural or constructed objects (observed or imagined) and represent space according to prospective codes of different eras and places. Additionally, the course discusses color theory. Students create a notebook for observation and research as a tool to support various exploratory steps and reveal an investment in a diversity of practices.
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This course offers a study of the digitization and processing of still images. It covers structure and manipulation of static bitmap and vector images as well as file input, output, formats, and conversion
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This course looks at how colors, materials, and finishing (CMF) is applied in the design industry, in particular to consumer products. Students learn how to rationalize the best choice of colors and materials to engage the user. They will be able to objectify how the colors, materials and finishing that strongly link to the context of the design.
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In this studio course students explore and articulate issues and creative considerations through illustration. Students develop and apply techniques, skills and processes in the use of storytelling in their drawing practice. Topics: narrative theory to the relationship between creative work and audience; storytelling and narration; skills and processes of storytelling in the production of creative work.
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This course takes the form of a tour of the city and the environment near the Maison des Arts. Beginning with architecture and covering portraits staged in various buildings from the 15th, 19th, 20th, and 21st centuries, students create an urban alphabet book. Each session refers to two or three artists, photographers, or painters. Students learn to handle the device, exercise the gaze, and situate their work in relation to old or current references.
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