Denmark

This course investigates how human societies adapt to climate change and variability. Central concepts and theories in current adaptation research are presented and discussed using case studies from different parts of the world. In doing so, central actors, policies, and management strategies are analyzed. This includes private and public stakeholders and institutions, and adaptation strategies and initiatives at different geographical scales (local, regional, national, and supranational).

This course introduces the components and structure of an Environmental Impact Assessment (EIA) and discusses how national guidelines and requirements for EIAs influence the outcome. Current EIAs include an evaluation of environmental, economic, social and cultural impacts of development projects, hence the course is interdisciplinary by nature and is relevant for a range of academic disciplines. The course provides a comprehensive overview and thorough knowledge of EIA procedures and methodologies, introduces basic concepts and generic methodologies, and focuses on EIA within the fields of agriculture and forestry, natural resource management, infrastructure and water resource management projects. The problems and pitfalls of EIA are also discussed. The course mainly focuses on EIA in developing countries, but examples from Denmark and other countries are also used.

This course focuses on plant knowledge in a broad sense covering recognition/identification, geographical distribution, ecology, and human use of plants. It covers important crop plants, timber trees, non-timber forest products, medicinal plants, pasture grasses, ornamentals, as well as ecological important plants. During a series of lectures and exercises, the course discusses taxonomic principles, botanical terminology, plant morphology, occurrence of plant families around the world as related to climate, evolution, and continental drift, plant ecology, pollination, fruit and seed dispersal. It introduces various web-based information sources, floras, and apps. Parallel with these overall principles, the course goes through a large number of selected plant families with a highlight on characters, genera, and species. Dry material, and to the extent fresh plant material is available from the Botanical Garden, these materials are integrated parts of presentations and exercises. Students elaborate a report on an in-depth study of a selected topic, plant family, or group of families during the progression of the course that includes several elements of the course curriculum.

This course examines multiple interactions/connections/confrontations between popular culture products and acts of political and social protest/resistance in the historical and contemporary English-speaking world. It demonstrates how the political and cultural worlds collide/intersect as they study the uses, meanings, symbolic language, motives, and activations of popular culture works in the context of collective acts of protest. The course not only looks at the obvious tension between popular culture and protest, when the former is defined solely along the lines of the "mainstream," but the overlooked and fertile infusion of the two, as in the connections between the abolitionist movement and slave narratives, between the Harlem Renaissance, Jazz, Civil Rights and the Black Arts Movement, between working class activism and realist writing, between modernist experimentation and feminism, between carnivalization and the LGBT movement, between the Windrush Generation, Reggae, Black British poetry, etc. It also explores the activation and sometimes adaptation of popular culture within contexts of collective acts of protest for greater rights/influence/power for marginalized groups organized around gender, sexuality, ethnicity/race, class, generation/age, etc. Employing an interdisciplinary approach, this course draws on concepts and theories from history, literary studies, political communication (among potentially other options), applied to the study of the connections between popular culture actors and their works and sites of collective action. The course firsts gives a general introduction to the core concepts and theories of the course, followed by modules organized around various genres of cultural production, including (but not exclusively) music (e.g. slave songs, Jazz, Reggae, Hip Hop), theatre (e.g. musical theatre, Vaudeville, literature (e.g. slave narratives, Harlem Renaissance, performance poetry, post-colonial texts, graphic novels), visual arts (e.g. Black Arts Movement, protest graffiti), physical monuments (e.g. Confederate statues, imperial figures). The course thus examines the ways that popular culture is mobilized to advance the collective causes of marginalized and disadvantaged groups in their historical and contemporary struggle for liberation and equality, and how "high" as well as "popular" literature play a role in this.

This course provides in depth knowledge of fundamental results and methods in discrete dynamical systems, knowledge of the concrete dynamical systems presented during the course, and an understanding of the many and diverse appearances and applications of discrete dynamical systems. It develops skills to analyze and argue for results on discrete dynamical systems, produce proofs for theorems, and solve exercises posed during the course.

The objective of the course is to develop the student’s knowledge of English morphology, syntax, semantics, and pragmatics at an advanced level, as well as their knowledge of the history of the English language. The course introduces the detailed grammatical analysis of English, which includes the analysis of the constituent structure of English words and clauses. It also introduces historical variants such as Old English, Middle English, Early Modern English, and Late Modern English, as well as the historical basis for the present-day social and regional variation in English.

This course examines the cultural fascination with the supernatural from the nineteenth century to the present. It explores a range of topics including the publication of important horror novels such as Mary Shelley’s FRANKENSTEIN (1818) and Bram Stoker’s DRACULA (1897), studies of séances and psychic investigations, as well as paranormal media and its online culture. Themes such as the otherworldly, monsters, magic, and supernatural forces continue to feature regularly in our modern society. Therefore, the course asks: how does the fascination with horror manifest itself in culture? And why are humans so drawn to the dark, evil, and macabre? By delving into the intersection of science, literature, media and the occult, this interdisciplinary exploration provides a deep understanding of the multiple contexts and social factors in which supernatural phenomena and the occult emerged and grew over the past two centuries. The course has a significant digital humanities component that takes up around 50% of the course.

This course provides an introduction and overview of the physics of strong and electroweak interactions and their experimental foundation. These fundamental forces underlie the rich phenomenology of nature's smallest components: elementary particles and atomic nuclei. The course outlines the theoretical and experimental advances which have led to the current understanding of physics at the subatomic scale. These topics are covered at a mathematical level appropriate for undergraduates students of physics. The focus is more on the understanding of phenomena rather than their rigorous mathematical description. The course touches upon selected topics of current interest, including: symmetries and conservation laws in nuclear and particle physics; relativistic kinematics and applications in high-energy reactions; the Standard Model theory: fundamental matter particles and their interactions by strong and electroweak forces; the Higgs mechanism and the origin of mass; neutrino oscillations and masses; effective nucleon-nucleon interactions and models of nuclear physics; alpha, beta, and gamma decay and fission; form factors and structure functions; and selected applications of nuclear and particle physics.

This course provides a basic and broad introduction to the representation, analysis, and processing of sampled data. The course introduces statistical analysis, mathematical modeling, machine learning, and visualization for experimental data. Examples are taken from real-world problems, such as analysis of internet traffic, language technology, digital sound, and image processing.