French

This course analyzes the "Hollywood" system of move making and its strict adherence to genre films during its golden age. Additionally, it studies multiple film genres, their repeated formulae, and their global reception through reviews and economic trends.  Along with film viewings, coursework includes theoretical texts and primary source documents.

This is a graduate level course that is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. Students who complete a research paper on a pre-approved topic are awarded 1 extra unit. Maximum units for this course are 8. The course has 2 parts: A & B. Students must take both parts. No partial credit is possible. Part A of the course focuses on the history and development of non-European literature in French, with particular attention to the relationship between literary texts and the historical, artistic, and linguistic context. Special attention is placed on the different methodologies useful for the analysis and interpretation of literary texts. Part B of the course focuses on the issues of diversity and inclusion in French-speaking migrant literatures with particular attention to Quebec, Lebanese, and Senegalese literatures. Special attention is placed on literature written  by migrant authors and literature written by those born in exile. Voluntary or forced mobility generates a literature with a dual focus: towards the country of origin and towards the country of adoption. Migrant writings, in a French-speaking context, give rise to a third space in which identity is renegotiated through writing, a space for the elaboration of diversity in search of similarities. Principal texts by Marco Micone, Antonio D'Alfonso, Fulvio Caccia, Amin Maalouf, and Wajdi Mouawad.

This course focuses on the relationship between the environment and planning, particularly on zoning policies, construction methods, target objectives, and effects on the desired territories. It discusses policies of the European Union regarding zoning, development and environmental risks, and the connection to game theory to address the link between land development projects, the environment, and justice.

This course involves building a project using complex installation devices that fundamentally question plasticity, setting and space, and the place of the spectator in relation to the production. Students respond to a subject, incentive, problem, or theme through increasingly personal mediums, postures, gestures, and tools to situate this realization in the field of contemporary creation.