Italian

The course discusses two main topics. The first topic is on Etruscans and the Italic peoples: Ancient Italy between Bronze Age and Iron Age. Topics include the transition from the protovillanovian to the villanovian period; transformations of the population, origin of the proto-urban centres and “formation” of the Etruscan ethnos; cultures, languages, and peoples of the pre-roman Italy; Etruscans and their relationships with the other italic peoples: commercial exchanges and cultural connections; and cultural and chronological periods. The second topic is on History and culture of the Etruscans Culture: The Villanovian period (IX-VIII c. BCE). Topics include from the hut to the house and from the village to the town; the early forms of social and political organization; the Orientalizing period (VIII-VII c. BCE): the rise and consolidation of the aristocracy; the culture of the princes; palaces and big funerary architecture; different expressions of the aristocratic ideology; the Archaic period (VI c. BCE): the end of the aristocracies and coming of the demos; big works of urban monumentalizing; cities and their harbors; relations with the oriental Greek Culture; the Classic period (V-IV c. BCE): the dominance of the inner Etruria and the crisis of the coastal Etruria; the artistic issue and the relationships with Greece; the Hellenistic period (IV-III c. BCE): the great “crisis” of the Fourth Century and the return of aristocracies; the relations with Macedonia and Magna Graecia and last great season of the Etruscan culture; and conflict with Rome and decline of the Etruscans.

The course has 2 parts A and B. Students must take both parts. No partial credit is possible. Students who complete a paper on a pre-approved topic are awarder1 extra quarter unit per part. Maxim units for this course are 12, 6 for each part. The course focuses on the history of photography from its origins to the present with particular attention to technical and aesthetic developments. Special attention is placed on the role of photography in 20th century art and the application of photography in cultural industries such as fashion, publicity, and media. A section of the course is dedicated to contemporary artistic research and its applications in the field of communication. Part A of the course focuses on photography and art and the topics include the relationship between photography and art, definition/s of artistry in the 20th century, the role of the author and the production of the work of art, the contribution of technology in contemporary art, and contaminations between visual arts and other disciplines. Part B of the course focuses on photography and reality and discusses topics including the role of photography in 19th and 20th century art, the relationship with reality, the role of technology, painting and “ready-made” art, and the work of art and behavior.

The course is part of the Laurea Magistrale program and is intended for advanced level students. The course is taught in Italian. Enrolment is by consent of the instructor. The course has two separate modules on two different topics, PART A and PART B. Students who complete a research paper on a pre-approved topic are awarded 1 extra unit for the course. Maximum units for the course are 8, 4 for each part. The course focuses on diachronic aspects of the Italian literary tradition, the critical discussion regarding key issues about texts and authors, and the use of the principal tools of methodological analysis of texts and contexts. The topic for spring 2022 is on types of identity and women writings. Through a conceptual and thematic point of view, the course focuses on female identity in literature. PART A: The first module is dedicated to the writings of Elena Ferrante, Goliarda Sapienza, and Maria Rosa Cutrufelli. PART B: The second module is devoted to Sibilla Aleramo and Anna Banti. The course includes traditional lectures and seminars on specific texts as well as the use of audio and visual materials.

This intensive language course is conducted in Italian and is designed to provide students with basic knowledge of Italian. The course follows the language proficiency guidelines set up by the Common European Framework of Reference for Languages (CEFR).  Students in this course generally have an entrance exam that places them between the A1.3 and the A2.1 levels. The course is intended for students who have familiarity with Spanish or French and who have a strong background in grammatical structures which allows them to proceed at a slightly faster pace compared to ITAL 10. At the end of the four-week intensive program, students are expected to be able to express themselves in a simple, fluid, and clear manner and to be able to describe events that have taken place in the past and express personal preferences. The course covers the present tense (regular and irregular verbs), the past tense (regular and irregular) and the use of the correct auxiliary verb and the concordance as well as the future tense. The course is designed to cover the first semester of Italian, roughly akin to Italian 1 and a portion of Italian 2 in the quarter system. All four abilities including speaking, listening, reading, and writing are emphasized with the support of authentic materials (videos) and real-life situations such as visits to local venues and cultural sites. The course follows a communicative approach to language acquisition and involves opportunities for role playing, group activities, games, class discussions, and exchanges with local University of Bologna students. Activities outside the classroom are organized in order to reinforce observation and communication skills that facilitate immersion in Italian culture. The course includes a major field trip. Students select the number of quarter units from a minimum of 3 to a maximum of 6. The course is organized by inlingua with supervision from the Study Center. Course materials are provided by inlingua. The basic text for the course is: NUOVO CONTATTO A1 (Loescher, 2018)

The course focuses on the conceptual apparatus regarding linguistic studies based on authentic data. Emphasis is placed on the role of linguistic corpora for language analysis with the support of computational tools. The course highlights methodologies for developing language teaching materials in advanced learning environments. Course topics: what is a corpus, how to use it and the kind of information it provides; parameters for corpus design; representativeness; syntagmatic and paradigmatic analysis; concordances, collocations, and lexical association indexes; annotations; electronic texts, coding, mark-up format, and conversion methods; how to collect electronic texts; corpus access and text retrieval; case study: the corpora CORIS/CODIS, BoLC e DiaCORIS; web as corpus; laboratory: querying a tagged corpus; procedures for reading concordances; introduction to machine learning; part-of-speech tagging–parsing and formal grammars; lexical semantics–wordnets; laboratory of computational linguistics.

This is a semester-long course organized by the UCEAP Bologna Study Center that offers students a chance to practice and improve oral communication skills in Italian. The course is open to all students. Small groups are organized to accommodate all linguistic levels - from beginners to advanced. The course is taught by experts in the field of language acquisition. P/NP grading only.

This course introduces students to the grammatical structures and vocabulary necessary to understand and use familiar everyday expressions and very basic phrases in Italian. Students learn to express themselves using verbs in the present tense. They introduce themselves and others and ask and answer questions about personal details such as where they live, people they know, and things they own. They engage in simple interactions as long as the other person talks slowly and clearly. They ask for or pass on personal details in written form and produce short and simple texts like postcards, greetings messages, isolated phrases, and sentences. Attention is given to the correct pronunciation of the language. All four abilities (writing, speaking, listening, reading) are developed in the class, also with the support of authentic audiovisual materials such as Italian movies, short videos, tv programs, and songs. The course uses a communication-based approach: students engage in daily role-plays, group activities, games, and class discussions. Out of class activities are designed to take advantage of the opportunities for interaction and language practice, as well as immersion in Italian culture, that the city provides.

The first part of the course is introductory and provides the general outlines of the historical development: political, economic, and social of the European continent, as well as of the interaction and circulation of peoples and of the international relations between multinational states and nation-states, from the second half of the nineteenth century to the end of the twentieth century, focusing in the final part also on the processes of European institutional and economic unification. A second part is devoted to an analysis of the early postwar period in Europe, which saw profound political and institutional crises, a new geopolitics on the continent with the emergence of new states, and a phase of revolutions and counterrevolutions in which political violence and social conflicts took on particular magnitude. Starting with Wilsonian proposals and the decisions made at Versailles and imposed by the peace treaties, attention goes to the crisis of democracies, the rise of a new internationalism and trans-nationalism, and communism, and the rise to power of fascism in Italy. On the centenary of the March on Rome, the course takes a close look at 1922 in Italy and at the long repercussions of that historical event on the continent. In addition to an examination of the most recent historiography, the course focuses on sources and especially on analyses, reconstructions and memories relating to fascism's seizure of power written by contemporaries, both opponents and protagonists of the early fascist movement, in the 1920s and 1930s.