Trinity College Dublin

In this course, students look closely at one point in the very distant past and at the early origins of Western civilization, at Homer and the Greeks, at ancient Greek language and culture, at its strange and yet (as we shall see!) familiar words, its structure and its thought. Homer and the ancient Greeks are part of our world, our language, our thought, and our lives. If you are studying chemistry or English, history, economics, or maths, and want to know why the past, Greek, and the Greek culture matter, this Trinity Elective is the course for you.

A century of politeness and Enlightenment, but also one of revolution and filth, the 18th century was a period of excitement and change. The literature of the time both reflects and shapes this perception, and the Irish literary scene is particularly striking for the variety and richness of its literary productions. Many of the 18th century’s greatest writers attended Trinity College Dublin – Oliver Goldsmith, Edmund Burke, Jonathan Swift – while many also attended the city’s brothels and taverns, as well as frequenting Smock Alley Theatre or visiting Marsh’s Library. Different urban and rural venues provide the setting, the stage, or the inspiration for a variety of literature across genres, including poetry, plays, life writing and novels. Many of the male and female writers on this course also had cosmopolitan aspirations, and several moved to London to pursue careers there. The course will highlight these connections between Ireland and England, and indeed France, investigating the realities of authorship and readership across the 18th century. As well as familiarizing students with the literary developments taking place in Ireland, and Dublin in particular, the course also engages with issues such as gender, sexuality, and the commodification of the female body; performance and the self; and politics and national identity. It also draws on the wonderful richness of built literary heritage from eighteenth-century Dublin, and includes a research visit to Marsh's Library. 

As critics including Eric Hayot have pointed out, it can be difficult to analyze and write about contemporary culture because we lack the critical distance to gain perspective on works that depict our own historical moment. This course provides some of that critical distance, or "leverage" as Hayot describes it. Through its comparative approach, the course explores how socio-political topics that are of pressing concern to writers, artists, and thinkers now were also examined in earlier periods. The course illustrates how studying the ways in which these themes and issues were represented and understood in the past enables us to enrich our engagement with the contemporary iteration of those topics today. The course considers a different socio-political topic each week, examining how it has been explored in a pair of texts. The course covers a range of creative works, critical concepts and cultural theories from the 20th and 21st centuries. The genres covered by the course include novels, films, essays, autofiction, memoir, a play, TV episode, and photo-text book. 

This course traces the blues from its birth in the late 19th century to the present day. Sweeping through America in the early 1910s, the genre was a pervasive influence on the popular mainstream until the 1970s and continues to be played and heard today. The course draws on social history, cultural studies, and musicology. Topics include the blues’ musical characteristics, its verbal lexicon, its performance standards, its ties with African-American culture, and its intersection with other popular music genres. Alongside a historical approach, lectures also consider some of the blues’ regional variants (Chicago, Mississippi, Memphis), along with its most significant artists, such as pre-eminent pre-war performers like Robert Johnson and Bessie Smith, stars of the electric era like Muddy Waters and Howlin’ Wolf, and the genre’s most notable acolytes in the 60s and beyond.

This course introduces students to Wilkie Collins's THE WOMAN IN WHITE (1859‐60), widely considered to be the first and best Victorian sensation novel. Using online resources, the class reads Collins's novel in instalments, as Victorian readers would have done. Students read 40 instalments over 10 weeks, reading four instalments per week. This relatively small amount of primary text reading per week is guided by specific questions about theme and genre and supplemented with contextual reading from ALL THE YEAR ROUND magazine, other historical sources, and secondary reading on periodical theory. Students examine issues such as women's property and inheritance rights, the marriage market, emerging proto‐feminism, alongside themes of madness, criminality, class, and national identity.  This slow and detailed method of reading and studying the novel not only allows for deep examination of the novel's many plots and subplots, themes, motifs, and generic influences, but also allows students to experience the thrill of the novel's many twists and cliffhangers in the same way as contemporary Victorian readers would have done. 

This course investigates some of the events and processes which have led to a more integrated world order between the mid-19th century and the later 20th century. For most of that period much of the world was carved up between a number of inter-continental empires centered in Europe. How those empires grew, exerted control and in due course retreated will be the particular focus of the course. But other processes, too, are considered, as are the evolution of such ideologies as imperialism or communism and whether such ideologies impacted upon changing global power relationships.

This course offers students the opportunity to consider the ways in which the arts, and specifically music, can play a part in relation to the challenges we face in contemporary society, including climate change, mass migration, civil unrest, social exclusion, and navigating power relations. Students explore ways in which citizens can engage in the arts to engender social change. They question whether artists have an obligation to serve communities and how they might do this. Students are guided from engagement with theoretical concepts, multidisciplinary literature, and real-world examples (in the lectures), through action, creation and communication (the in-person music creation sessions and the group assignment), to reflection (the individual assignment).

This course is designed to guide students through a fascinating and fast journey from Middle Ages to current times to show and let them understand the extraordinary peculiarity of a language which was born many centuries before the effective geopolitical birth of the Italian nation in 1861. The focus of this course it to show through a selection of short popular Italian texts how all this affected the current use of written and oral Italian. 

This course is an exploration of Italian art – painting and sculpture - from c.1300 to c.1700 in the major centers of Florence, Rome, Venice, Naples, and Milan. The era is distinguished by a revived interest in Italy’s classical past and the emergence of humanist philosophies. The evolution of religious subject matter is analyzed via a number of different typologies – the fresco cycle, the altarpiece, the sculpted figure. The emergence and development of secular themes, including representations of classical mythology, are considered. The course examines evolving stylistic debates around the values of naturalism and classicism over time, and the ways in which artists reflected on the very concept of the “Renaissance” in different artistic centers. The role of patronage, both civic and private, and the rising status of the artist feature prominently, and particular attention is paid to artistic processes and means of production. The “long” of the title of the course touches on the idea of the iteration and reiteration of the themes summarized here over an extended timeline.

This course focuses on the Roman Empire from the first to early third centuries AD. In this period the hegemony of the city of Rome grew, spreading over almost two million square miles: a vast territory encompassing almost all of modern Europe and also North Africa, Egypt, and the Near East. This course traces the evolution of this political unit and explores the consequences for those who lived under its control. In what ways did the inhabitants of the empire become "Roman"? What were the benefits and drawbacks of inclusion? How did the systems of governance work? What held things together, both practically and ideologically? Students also discuss shifts in modern approaches, from the glorification of the Roman state to more critical post-colonial approaches to imperial rule.