Comparative Literature

The 19th century saw the reinvention of the subterranean. From the sewers in Victor Hugo’s Les Misérables to the striking miners of Émile Zola’s Germinal, novelists began exploring the space beneath their feet. By the turn of the century, the opening of the Paris catacombs to the public and the construction of the metro system fueled the collective imagination, while the hidden strata of history and consciousness were being charted by the developing fields of archaeology and psychoanalysis. In the early to mid-20th century, the subterranean was as much a metaphor as it was a reality, with artists and philosophers drawing inspiration from newly discovered prehistoric cave paintings and the French Resistance returning once again to Hugo’s sewers. This class follows modernity as it goes underground. This course discusses topics including French and Parisian history and culture, urban text and its expressions in literature and film, and historical events and reinterpreting them in the context of their reliance on hidden historical and cultural undercurrents.

Postcolonialism first emerged as a discipline in the United States in the 1980s, but it has its roots in the work of anticolonial writers from the first half of the twentieth century. Postcolonial theory looks at the interaction between European nations and the societies they colonized and, in doing so, raises questions about concepts such as power, race, language and identity. Literature plays a key role in the anti-colonial struggle as it can offer an alternative vision to the official history of colonization. This course introduces students to some of the key concepts in postcolonial theory through the study of two novels, THE SECRET RIVER (2005) by the white Australian author Kate Grenville and THE WHALE RIDER (1987) by the Maori writer Witi Ihimaera.

This course examines contemporary literary works, phenomena, and 'events'. Topics include Why do we read Literacy?, How to read Poetry, How to read a Novel?, what is poetic, Korean Literature as World Literature, Adventure and Survival Epic, Fantasy and Science Fiction, Literature in the Age of Climate Change, Disaster, Apocalypse, Dystopia, and Inside and Outside literature. 

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrolment is by permission of the instructor. Students selecting the Italian subject area must select the course readings in Italian. The course examines gender studies (theories and methodologies) in diverse cultural contexts with specific reference to the analyses of the notions of identity and otherness, difference, and diversity. The course favors the capability to deconstruct these notions in diverse texts (theoretical, literary, and visual). The course presents case studies in which texts (literary and visual) are in dialogue with theories and methodologies of gender and postcolonial studies. The texts elaborate on the issue of gender, identity, difference, race, and politics of the body in the representations, transmissions, and elaborations of traumatic events in literary and visual texts (with specific reference to utopian and dystopian fictions). Lessons make reference to memory and trauma studies, dystopia, and science fiction within a gender and postgender perspective. The course elaborates on debates on the intersectionality of gender(s) and race in theories, and visual and literary texts, and to analyze issues related to utopia/dystopia/science fiction within a postcolonial and posthuman perspective. The main theoretical issues discussed by the course include critical theories and methodologies of gender and women's studies and queer studies; re-reading of the notion of identity, difference, and diversity; gender as a social construction; women’s and postcolonial re-visions of the symbolic and social order; the construction of sexual difference as a deconstructive strategy; re-writings of the body; French Feminism(s) and African American and Postcolonial responses; postcolonial and African American critical debates on the representation and deconstruction of the notion of gender and race. New politics of identity and difference; intersectionality of race and gender(s); and the interconnection of gender, ethnicity, and race in trauma and memory studies.

This course offers a study of the principal literary movements in the second half of the 19th century: realism and naturalism. It examines the fundamental characteristics of each movement including the works of representative authors.