COURSE DETAIL
This course presents traditional Irish step dances, introducing students to both their technique and a study of their history. Students receive instruction in small groups in Irish step dancing. There is a practical exam at the end of the term. Students in this option undertake only one term of STEP DANCING 2.
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
This course examines major concepts in the theory of computation. Topics covered include deterministic and nondeterministic finite state automata, regular expressions, context-free languages, pumping lemma and push-down automata, equivalence of context-free grammars and push-down automata, Turing machines, decidable languages, reducibility, computational complexity, and NP-completeness. Textbooks: INTRODUCTION TO THE THEORY OF COMPUTATION by M. Sipser, INTRODUCTION TO AUTOMATA THEORY, LANGUAGES, AND COMPUTATION by J. Hopcroft, J. Ullman. Assessment: homework, midterm exam, final exam.
COURSE DETAIL
This course explores the weaponization of non-military means to interfere and destabilize countries, including economic competition, social agitation, propaganda, and foreign interference; and how intelligence, security, and defense capabilities adapt to irregular warfare to deter and secure societies. Establishing the basics of conflicts in our contemporary times, this course covers numerous case studies around the world to understand their diversity, evolution, and structuring impact on international relations.
COURSE DETAIL
COURSE DETAIL
This course studies the ways in which montage sequences create emotions in film and show not only the work of the editor but also the specific film language and philosophy of its director. This course studies excerpts from well-known films that express interestingly extreme and emotional life situations, set moods and themes, and introduce characters. Students choose one typical emotional situation (fight, sex, death, falling in love, loneliness) and shoot and edit the same scene in two different editing methods, resulting in two short sequences expressing the same emotion, each up to three minutes long and each done in a different cinema style.
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