German

In this course, students gain an integrative understanding of the field of Artificial Intelligence (AI), with equal emphasis on data-driven AI (especially machine learning) and model-based AI (especially planning and reasoning). They come to understand AI from the perspectives of decision theory, machine learning, optimization, and classical problem solving. Students learn to independently implement and understand core algorithms from these areas and can identify appropriate problem formulations and AI algorithms for a given application. Course topics include problem formulations and algorithmic approaches from decision theory (including reinforcement learning, multi-armed bandits, control theory), machine learning, optimization, and inference, classical planning, and problem solving. The class also discusses fundamental and recurring algorithmic principles such as dynamic programming, optimization-based vs. sampling-based methods, and decision trees.

 

This course starts with the question of what is understood by “gender” in gender studies and a systematization of the field of gender studies in STEM/planning. In the second part students examine studies of gender studies in STEM and planning in different disciplines. The course concludes with a project phase in which students are in working groups on topics from the field of gender studies on STEM/planning using the materials provided and present the results.

This seminar explores the interface between queer identity, music, and history and investigates how musical spaces may serve as mirrors and critiques of societal norms. Students investigate the experiences of queer artists through a historical perspective and see how they use music as a form of social critique and expression. Beginning with operatic roles in the 17th century, through contexts like the 19th century cakewalk, the cabaret of the Weimar republic in the 1920s-1930s, as well as hip-hop culture, the seminar uncovers how gender transgressivity and performance art are reflected in music. Students analyze queer and transgressive music scenes as “heterotopias” (Foucault) – places of resistance against societal norms – and discuss the role of music in the construction of community and identity. Important texts by Audre Lorde, Michael Foucault, and Theodor W Adorno offer theoretical foundations through which the interventional power of music in the negotiation of identity and difference can be understood. Students develop their own case studies of queer artists and their visual, cultural, musical, and/or social moments of intervention.