Germany

Hannah Arendt's work has become a classic of modern political theory, drawing on themes of totalitarian rule, flight, and statelessness. In the context of current crises, such as the climate crisis and the global conflict between authoritarianism and liberal democracy, Arendt's concept of politics reemerges as relevant.  At the heart of this conflict is Russia's attack on Ukraine and Hamas's attack on Israel. Moscow has become the center of a new form of fascism. Russia's aggression against Ukraine is, alongside man-made climate change, the greatest catastrophe of our time. Why were we unable to recognize the signs of impending disaster? Everything is possible, even in this century. The elements and origins of totalitarian rule remain relevant. "The meaning of politics is freedom," wrote Hannah Arendt, a meaning that we have lost sight of in times of peace and prosperity. But what does the controversial term freedom actually mean? How is the distortion of freedom at the expense of people and nature connected to the destruction of a free society? Arendt's thoughts on freedom go beyond today's understanding of liberalism: individual freedom and community spirit are interdependent. Hannah Arendt allows us to rethink freedom.

This course seeks to examine the meaning and significance of “architecture” in one of the most historically marked cities of Europe. Berlin has been subject to many waves of renewal, some gradual, some democratic and some totalitarian. All of these have left their traces on the city’s buildings.

Although we may notice or like the appearance of particular buildings we see everyday or as tourists, their size often makes it seem as though “they have always been there.” Still, these buildings are the result of many individual, social and communal decisions. A building says a lot about the ideas held during the time it was built in. Therefore, the course will include formal and stylistic analysis of the architecture as well as focus on the historical, ideological and individual context of the works through the prism of the following question: What kind of message was this building meant to convey? In this perspective, the course gives a wide overview of the development of public and private architecture in Berlin during the 19th, 20th and 21st centuries.

Following an introduction to the urban, political and cultural development and architectural history of Berlin since the middle ages, the Neo-Classical period will be surveyed with special reference to the works of Karl Friedrich Schinkel. This will be followed by classes on the developments of the German Reich after 1871, which was characterized by both modern and conservative tendencies and the manifold activities during the time of the Weimar Republic in the 1920s such as the Housing Revolution. The architecture of the Nazi period will be examined, followed by the developments in East and West Berlin after the Second World War and the traces of the Berlin wall, which are partly re-enacted. The course concludes with a detailed review of the city’s more recent and current architectural profiles, including an analysis of the conflicts concerning the re-design of Berlin after the Cold War and the German reunification.

Several walking tours to historically significant buildings and sites are included (Unter den Linden, Gendarmenmarkt, Potsdamer Platz, Holocaust Memorial, Humboldt-Forum etc.). The course aims to offer a deeper understanding of the interdependence of Berlin’s architecture and the city’s social and political structures in its historical development. It considers Berlin as a model for the highways and by-ways of a European capital in modern times.

This course will introduce fundamental concepts and techniques in the content of remote sensing and image processing for Earth observation from space. The course starts by introducing core concepts in remote sensing (describing the processes by which images are captured by sensors mounted on satellite and airborne platforms and key characteristics of the acquired images). Then, fundamental methodologies for processing, analyzing, and visualizing remotely sensed imagery are introduced. Topics include representation of high-dimensional remote sensing images, time domain representations, filtering and enhancement. Practical applications will be provided throughout the course. Participants of this course will gain theoretical and practical knowledge on fundamental concepts and techniques for processing and analysis of remote sensing images acquired by Earth observation satellite and airborne systems.

This course will investigate the ways in which the policing of gender and sexuality intersected with the policing of (ethno) national boundaries in Central-Eastern Europe, with a focus on the state-socialist period (1945-1990) but including the interwar period and the post socialist period as contextual bookends. At the same time, it will explore the ways in which the socialist ideologies of gender equality and internationalism were actually (and selectively) implemented in these countries, the effect this had on women and men from both ethnic majority and minority populations in these countries. Finally, it takes a transnational approach, looking at the role of gender and sexuality in positioning Central Eastern Europe within the (white) West, and in the West’s perception and ‘othering’ of the region.

Around the globe, right-wing populist and extremist movements and parties are on the rise. In some democracies, they have marginalized or even replaced mainstream conservative parties, in others – like in the US – they have radicalized them. In light of their typically ultranationalist (“America first”) and frequently isolationist and protectionist policy positions, it is somewhat counterintuitive that these actors would form cross-border alliances. And yet, the transnational networking of radicalized conservatives, right-wing populists and even extremists has increased in recent years. Gatherings such as the US-based Conservative Political Action Conferences (CPAC) have featured more and more international participants and high-level speakers. Common themes such as the “anti-woke agenda” can be observed across many different countries. In the seminar, we will explore the extent and relevance of these transnational networks, focusing on ideological exchanges and cross-border learning of strategies and tactics, including political communication.

The course focuses on various land use and system dynamic topics to guide class discussions in the weekly seminar meetings. Lectures are watched outside of scheduled meeting times to maximize time for discussion and expansion of ideas in class. The topic focuses include the following: global urbanization dynamics, global land use and change, urbanization, global land take of urbanization, urban expansion, urbanization in regards to climate change, urban climate change economics (including subtopics of buildings emissions and urban heat), as well as urban transport. 

At the end of the 19th century, Britain was in many ways at the pinnacle of its power, having established global supremacy thanks to advances in industrialization and its vast colonial empire. However, cultural texts from the period project a number of profound anxieties about deviancy, degeneracy, decadence, and indistinct threats from adversaries both at home and abroad. Sociopolitical reasons for these uncertainties include the suffragette movement, socialist and anarchist action, campaigns for national self-determination in the form of e.g. Irish Republicanism or the Indian National Congress, as well as geopolitical tensions and technological changes. In this class, we examine narratives that represent, respond to, and process late Victorian cultural anxieties with a particular view to the violence that results from perceived threats to cultural hegemony. We situate a number of late Victorian novels in relation to emergent contemporary concepts such as (social) Darwinism, the unconscious, and (homo)sexuality, exploring how these concepts both shaped and were shaped by cultural anxiety. Additionally, we adopt frameworks from more recent theoretical approaches such as postcolonial and trans*queer studies to understand how cultural anxieties negotiate the boundaries between normative structures and their Other. Primary texts include Oscar Wilde: Lord Arthur Savile's Crime and Other Stories, 1891, Florence Marryat: The Blood of the Vampire, 1897, Joseph Conrad: Heart of Darkness, 1899.
 

At the zenith of the civil rights movement in the USA and de-colonizing movements in Africa, the Carribean  and Asia, just prior to the advent of second wave feminism, gay and lesbian liberation, and other social movements linking political liberation to embodied physical differences, something new was born. There arose a new vision of the body as precisely the obverse of how we now consider it—a single, universal human body shared by all, ungendered, unraced, unsexed. This new body-in-common, unmarked even by such core physical differences as biological sex, became legible as radically dissident under a new political ideology that has thus far largely escaped historical attention: Eros. As a potent challenge to a number of repressive orthodoxies, not least capitalism, Eros was also, perhaps not surprisingly, a central theme in a number of art works of the period, from Carolee Schneemann’s nude performances to Claes Oldenburg’s erotic public sculpture, Yayoi Kusama’s immersive environments, Helio Oticica’s Tropicales and Kenneth Anger’s films. This course examines the relationship among art, sex, gender and revolution from the vantage point of Eros’ brief historical moment, a vista now largely obscured by our contemporary fixation on a politics of social distinction and bodily difference. Reading the work of Herbert Marcuse, Susan Sontag, Norman O Brown and others, we will also study the art, film and performance of such key figures as Yoko Ono, Jack Smith, Franz Erhardt Walters and Rebecca Horn.  As such, this period constitutes both the theoretical prehistory of the sexual revolution, as well as perhaps the defining episode in our ongoing transubstantiation of flesh into politics.

Classical music is the only art form that goes directly to the human spirit, states Pierre Bourdieu. More than any other genre, classical music has been stated to divide society by race and class. Orchestras base their business model typically on a visions of a white middle-class (and middle-age) audiences.. At the same time, even modern pop musical forms often presume but rarely do cross racial lines. Why is that so and where does the racial divide in music stem from? This course examines the interplay of music and race in North American history. We will examine different genres of music across time and space with a particular eye on agency and target audience, sound and word. We will look at mostly classical musicians of the African-American diaspora and North America, including their their experiences, their art and politics, and their receptions. Through an interdisciplinary approach using history, critical race theory, and cultural sociology, we will discuss and define racism, bias, inequality, and scripts of exclusion and inclusion in both pop and classical music. Moreover, we will examine to what extent and how shared empathy through sound may have the potential to influence, perhaps even change racial conscience, decreasing discrimination and exclusion in and outside stages ranging from street gigs to the concert hall. The seminar seeks to fulfill two objectives: first, we will spend a significant amount of time considering some of the most recent literature dedicated to the history and present experience of music and race. Both historians and musicologists have identified peculiar factors informing the interplay of music and politics. These include specific music genres, minstrelsy, jazz clubs, the music industry, and the interplay of music and civil rights. What cocktail, we’ll ask eventually, does it take to activate music as an instrument of both power and suppression and how do race and music interplay? Second, we will try to understand the mechanism of sound in the name of identity, discrimination, political action and discuss whether there are particular lessons for the impending future.

Trust is a central part of our daily lives as social and rational animals: we trust friends and partners, experts, and our devices; sometimes we even say that our devices trust other devices. But what is trust? What is it good for, and under what conditions? When is trust warranted? How is trusting agents different from trusting artifacts or institutions? Our readings and discussions will range widely, covering the significance of trust for our lives in general but especially for inquiry, drawing from psychological literature on trust, extending to applied questions, and comparing trust with similar things such as faith, reliance, and the ancient Greek concept of pistis (together with a discussion in Plato of misology as a disease of trust).