King's College London

Jews and Christians in the ancient, medieval, and modern world were fascinated, scandalized, and inspired by religious difference and the challenges it posed to their intellectual, moral, and cultural projects. In this course, students focus on explorations of Jewish-Christian relations in various literary genre, and students discuss how they take up, question, and disrupt prevalent representations of "the other" and themselves.

This course explores why it is that the coming of age narrative is such an enduring form in US culture. It covers a range of different modes, including autobiography, fiction, film, and music and crosses over the past two centuries to capture the varied historical experience of entering into adulthood within the United States. It has a particular interest in identities, selves, and experiences whose testimonies are antagonistic to the developmental objectives of the genre in its most canonical renderings. Students are also encouraged to reflect on their own experience at university—their own coming of age tale—in order to elucidate and theorize the central critical issues of the course. 

This course traces the history of gothic, ghost stories, and science fiction literature through the 19th century, giving students the chance to consider the development of a range of dark and frightening imaginaries in this period. Exploring the political, psychological, and creative functions of these dark imaginings in writings by Charles Dickens, Hannah Crafts, George Eliot, Charlotte Perkins Gilman, Jean Toomer and others, students consider the role and function of monsters, ghosts, werewolves, and the uncanny in 10th-century culture (and in culture at large). 

This course offers an introduction to key aspects of film history and film cultures in Spain from the Transition years to democracy (1973-1982) to the present day. Drawing on methodological topics such as film style, authorship, genre, and gender, the course has a dual focus: on the one hand, it looks at the challenges to the idea of nation that shaped film history after the Civil War and during the Transition in order to contextualize the transformations that Spanish cinema undergoes in the 1990s; on the other, the course explores the new configurations (digital, transnational) that have come to shape the label "Spanish cinema" in the 21st century, in the context of the global image markets.

This course introduces definitions, concepts, and debates relating to museums and heritage, and associated cultural organizations and industries. It draws on both theory and contemporary practice to encourage students to think critically and reflexively, and to interrogate the roles of museum and heritage institutions in the past, present and future. It poses questions, such as: What are the different roles played by museums and heritage, and the people who work in these sectors? Who and what are these institutions for? Who do they reach and speak to, and who is excluded or marginalized in the spaces and discourses of museums and heritage? Scholarly texts are combined with policy and industry materials, and lectures and seminars are augmented by visits to museums and heritage sites.

The course introduces students to the extraordinary variety of Irish literature produced during the 20th century.  Students study major writers such as James Joyce, W.B Yeats, J.M Synge, Elizabeth Bowen and Seamus Heaney, and place their work in the context of a period that included such traumatic events as colonial occupation, a war of independence, partition, civil war, and a protracted period of social violence in Northern Ireland. The course is organized thematically around significant events, cultural movements and social phenomena. No prior knowledge of Irish literature or history is assumed.  

Why do people move from one country to another, and what are the economic and political implications of the movement of people? This course introduces students to the economics of immigration; how and why people decide to migrate; what the impacts of migration are on labor markets, public services, and other aspects of the countries to which they move; and what drives public attitudes and political decisions on immigration management and control. It also examines the evolution of "free movement" within the EU, its impact on the Brexit referendum, and where next for UK immigration policy. This course is primarily empirical (covering the causes and effects of immigration and of attitudes to immigration) rather than normative (ethical questions about the desirability or undesirability of immigration from a philosophical perspective). 

The course provides an introduction to the modern German polity. In the first part students survey the historical and cultural contexts in which German politics is embedded. The second part turns to the institutions and policy-making processes in the Federal Republic, including the Europeanization of German governance. The third part focuses on policy content by discussing important issues and policy fields in greater depth. This course is about key debates and arguments relating to German politics and society. It is assumed that students familiarize themselves with the basic elements of the German polity. 

The course is structured around four core texts, each of which relates to the "ontological argument" for the existence of God.  These texts are: Anselm, PROSLOGION; Descartes, MEDITATIONS (selection); Spinoza, ETHICS, Part I; and Kant, RELIGION WITHIN THE LIMITS OF REASON ALONE (selection).  The "ontological argument" provides a guiding thread for reflection on how these four philosophers approach religious faith philosophically, and for critical discussion of conceptions of enlightenment and modernity used to characterize developments in European philosophy from Descartes onwards.  Particular attention is paid to ideas of illumination or enlightenment within each core text, through a consideration of literary features such as metaphor alongside rational arguments.

The course examines contemporary social theoretical explanations of the salience of risk within so-called "late modern" society.  The course then explores the factors that shape the politics, processes, and outcomes of risk governance, as well as the factors that shape public perceptions of environmental risk and the associated problems posed for policy-makers, businesses, and other stakeholders in communicating risk issues.  The course finishes with reflections on the future management of environmental risk issues.