Communication

The course is designed to equip students with experience, knowledge, and skills for succeeding in globally interdependent and culturally diverse workplaces. During the course, students are challenged to question, reflect upon, and respond thoughtfully to the issues they observe and encounter in the internship setting and local host environment. Professional and personal development skills as defined by the National Association of Colleges and Employers (NACE), such as critical thinking, teamwork, and diversity are cultivated. Assignments focus on building a portfolio that highlights those competencies and their application to workplace skills. The hybrid nature of the course allows students to develop their skills in a self-paced environment with face-to-face meetings and check-ins to frame their intercultural internship experience. Students complete 45 hours of in-person and asynchronous online learning activities and 225-300 hours at the internship placement.

This course explores the important roles media play in our everyday life, and considers a wide range of issues, including (but are not limited to): 
How do we incorporate various forms of media into our daily lives? 
How does media influence our perceptions of ourselves, others, and society?
What is so “new” about “new media”? 
What is so “social” about social media?
Why does media matter? 

This course provides an opportunity to reflect critically on one's media use, and helps them investigate the relationships between media, individuals, and society. 

This course provides a study of expository techniques and documentation processes that allows for the dissemination of information of local scope to a community. It examines the concept of local journalism; the relationship between the media and local corporations; impact of the internet on journalism; approaches and genres of journalism in the future; impact and role of social networks.

This course is part of the Laurea Magistrale program and is intended for advanced level students only. Enrolment is by consent of the instructor. The course focuses on how a conflict as an “event,” along with its representations, is a semiotic and cultural phenomenon. In other words, it is also a conflict on the significance to be attributed to events and to the actors participating in it as, for example, when mediated discourse labels or sanctions one of the concerned parties as “the barbarian,” “the oppressed,” or “the oppressor,” “the victim,” or “the perpetrator,” “the bystander," and “the implicated subject,” thus influencing the effects and the affects that international public opinion lives and feels in confronting and interpreting the conflict itself. The course focuses on how conflicts – their regulation, repression, and particularly their visual representations – constitute privileged loci for a semiotic analysis, arguing how conflicts challenge and rearrange pre-existing systems of cultural control, not only in the first explosive moments of violence or spontaneous civil disobedience, but also, subsequently, when they encounter modes of historicization linked closely to unifying discourses of national identity. Focus is given to the relationship between still and moving images (photograph, cinema) and conflict; on how and to what extent images and icons inspired by the examination of issues of memory and oblivion experienced in the last century respond to the challenges imposed by 21st-century conflicts.

This course addresses applied ethical issues arising in digital journalism, social media, “big data” surveillance and privacy, algorithmic bias, and software design. As digital media expand beyond the personal computer, there is an increase of ethical issues pertaining to mobile devices, GPS navigation, biometric modelling, artificial intelligence, and the ever-expanding range of wired devices tracking us through the so-called ‘internet of things’.

This course explores the interconnectivity between the rapid evolution of media outlets and content, the contemporary “banalization” of terrorist and other types of violence, and their fallout over issues related to social justice in France and Europe. The course examines some recent forms of social confrontation and the way these confrontations are channeled on a grand scale through mass media, both old and new. Students interrogate the political, economic, cultural, and psychological implications, as well as the “spectatorship component,” related to the growing, constant sharing of violence over public platforms, and political agendas. Different cases of social controversies are studied and compared as we probe their relevance to some larger, technological, and globalized frames of analysis. The course examines the adjustments political institutions, social bodies, and media actors have practiced when faced with these forms of protest in moments of crisis. The course attempts to understand how, and to what extent, all these altered notions have impacted national, sectorial, and class-oriented identities.