History

The course focuses on the new media technologies that have emerged and spread from the time of the Second World War and onwards. A clear emphasis is on digital media and network cultures, as well as the broad influence of television. Highlighted themes are the cultural understanding of technological development, convergence culture and intermedial relations. Different aspects of media and communication as moral panic, paper bureaucracy and tourism are also discussed. Finally, the arguments of some of the most influential late 20th century media theorists such as Raymond Williams and Marshall McLuhan are analyzed.

This course examines the history of British radicalism, with a focus on two moments: the late 19th century around the work of William Morris, and the post-war years, up to the 1980s. It explores the intellectual, artistic, and material production both of Morris and his circle and of alternative cultures in the post-war period. The course first examines the evolutions of radicalism in post-war Britain through the development of alternative cultures and “new social movements,” while exploring intellectual debates within the British left. It pays close attention to artistic expression and cultural practices within radical cultures. The themes covered include the intellectual debates of the New Left in the late 1950s and early 1960s; the cultural politics of the underground in the 1960s; the challenges of feminism; the emergence of participatory forms of political action around “community politics” and “community arts” practices; the influence of Black and Asian political and cultural organizations on a post-colonial critique of Britain’s imperial legacies; the cultural and class politics of Punk and the question of its position in the British history of radicalism. The second part of the course focuses on the work of William Morris. NEWS FROM NOWHERE (1890), “a Utopian romance” as well as a book supporting anarchist ideology, details the radical reconstruction of society. It serves as a base for the exploration of late-Victorian aesthetics and politics, and highlights the contemporary scope and significance of William Morris’s revolutionary cultural legacy.

This course traces the main historical contexts in which democracy has emerged as an idea, practice, and set of institution. Main thinkers on democracy are read and discussed on the basis of primary sources. Their ideas are interpreted in the historical context of transforming practices and institutional change. Historical explanations and philosophical interpretations of democratization and de-democratization are analyzed in their interaction.

This course introduces students to the environmental humanities, a multidisciplinary formation that brings the visual arts, literature, theatre, history, music, languages, philosophy, politics, law, film, media/cultural studies, anthropology, and cultural geography, into relation with the sciences in response to the environmental crisis. The course focuses on how history/history of art and architecture have responded to the challenge described by Chakrabarty and how these disciplines now contribute to the project of the environmental humanities by rewriting histories and reimagining futures. Students will learn about the climate crisis as a product of modern histories, including histories of science, extractive economies, technology, and media. The course also critically appraises concepts that feature prominently in public and academic debates about the climate crisis, such as Sustainable Development, the Anthropocene, and Planetary Boundaries. 

In this course the views of a number of classical thinkers on capitalism will be discussed: Adam Smith, Karl Marx, Max Weber, Friedrich Hayek, John Maynard Keynes, Milton Friedman and Thomas Piketty. What was, in their view, the nature of capitalism? Which problems does the system have? And how should these shortcomings be remedied?

This course examines the history of East Asian civilization from earliest times to 1600, with emphasis on China and Japan, including social, intellectual, and economic developments as well as political history.

The course covers the development of European integration after the Second World War with a special focus on questions concerning national and supranational identities and values. The aim is to study the EU's development from the time of the European Coal and Steel Community to the UK's withdrawal in 2020, partly chronologically, but also based on a present-day perspective.

This course combines seminars and site visits to take students on a cultural, literary journey through the many layers of Berlin. The course takes a historical look at 1920s Berlin, the liberal republic and how the Fascist government came to be. It then goes on to post WW2, when it became a frontline of the Cold War. Students explore the fall of the Wall in 1989 and the birth of Berlin in a new era as a center of creativity. 

Students will study and analyze the dictatorships of the southern cone (Argentina, Chile, and Uruguay) from a comparative and regional perspective, using sources especially appropriate for the study of recent history and memories, such as cinema, literature and music.