English

The course focuses on the consequences of media in armed conflicts and the importance of armed conflict for the media, in both historical and contemporary perspectives. The course provides tools to analyze and understand different cultural, social, and technical aspects of the relationship between the media and armed conflicts.

This course presents the essentials of Biochemistry. It covers the structures, functions, and interactions of biomacromolecules, including proteins, lipids, carbohydrates, DNA, and RNA, which perform many of the activities associated with life. The course provides insight in the specificity and action of enzymes, the bio catalysts of the cell. Further, it explains metabolic pathways that result in the generation of ATP, the major energy currency of the cell. Finally recent biochemical understandings on genome editing are presented that revolutionize treatment of diseases at the level of correcting mutated genes (gene therapy). Prerequisites for this course are an introduction to biology or chemistry.

The course introduces students to the work of some of the key writers dealing with faith and fiction in Scotland from the Romantic period to the late 20th century. Students are encouraged to explore the connections between a varied range of Scottish poets, authors, and dramatists in their evolving national, historical, social, and theological contexts. This interdisciplinary course enables students to trace and examine the rich and constantly evolving nature of religious thought in Scotland through selected literary texts published from the Romantic period to the late-20th century. In order to achieve this, the work of a variety of writers from different religious (and non-religious) perspectives is considered in historical, theological and social contexts. By analyzing key critical terms and concepts which inform Scottish literary texts, including plays, poetry, novels, and short stories, students relate texts to the religious environments which shaped them. In this way, they gain a fuller and more enriched understanding of the relationship between Scottish literature and religion.

As for other species, many abilities and behaviors that we take for granted - from perception to learning, communication, handedness and sexual preferences - are the result of our evolutionary history. Our history has shaped our psychology and influences our daily behavior. Are we the only species that is deceived by visual illusions? Who is the most intelligent species? Are we the only ones that exhibit handedness? Which are the mechanisms of learning? To understand what makes as human, we have to look at ourselves from a broader perspective. In this course, students explore differences and similarities between humans beings and other species. Students learn how to access and compare the mind and behavior of individuals that do not possess language such as human neonates, newly-hatched chicks and other models currently used in understanding of healthy and pathological behavior.

This course facilitates students in the formulation of their own, critically aware, understanding of the nature of law and its features. Students develop their ability to articulate a reasoned position on distinctive features of law and a legal system and on questions such as the relationship between law and morality, law’s legitimacy and function in a social order. Among topics that may be explored are the concept of law, the rule of law, authority, and connections between law and morality. 

Course goals

After successful completion of this course, the student has:
 
•          developed a critical understanding of theories and philosophies dealing with visuality and the hierarchy of the senses 
•          developed a critical understanding of theories of visual culture and the relation they has with the visual arts
•          practiced with making critical understanding of visual culture theories and theories, criticism and philosophies dealing with visuality, the senses and the hierarchy of the senses
 

Content

The aim of this course is to make students familiar with and learn them to look critically at theories of visuality and theories that consider the senses, the importance of sight and the anti-ocular impulse. Today sight seems to be the most importance sense in our culture. But has this, from a historical point of view, always been so? Which theories and philosophies have questioned the dominance of sight and why? How has modern and contemporary art dealt with its own historically grown inclinations towards the eye? We will be considering ideas developed by philosophers such as Rene Descartes, Maurice Merleau-Ponty, Jean Baudrillard, Guy Debord; psychoanalysts such as Jacques Lacan and look at art from amongst others Gustave Courbet, impressionists, Marcel Duchamp, Jasper Johns, Andy Warhol, Donald Judd, Bruce Nauman, Martin Kippenberger…