French

This course investigates how benevolent conduct is enacted in the world, despite the typical focus on power, war, economic domination, and indifference towards distant foreigners in the study of international relations. This concept is approached from political theory, international relations, as well as artistic endeavors, to explore the tension between interest and sympathy concerning both human nature and the foundations of politics, the traces of which can be found consistently in philosophical debates between the 17th century and today. This course provides a deeper understanding of international relations by exploring an underinvested historical, empirical, and philosophical dimension. It considers benevolence as sensitivity, conduct, and project in the global space to cultivate a clear and optimistic view of the scope of benevolence in the contemporary world.

This course provides an overview of the use of quantitative methods in sociology. It alternates between presentation and discussion of quantitative sociology methods and the techniques most used in this discipline (univariate and bivariate descriptive statistics, logistic regressions), and practical application using R software. Students conduct their own research project implementing these methods with research topics based on the 2018 European Values Survey highlighting the values, political opinions, and representations of the French. 

This course, the sixth in our intensive summer language program sequences, with its continuous course FR170, is roughly equivalent to the sixth quarter of lower-division French language instruction and an upper-division French composition course on students’ home campuses. FR60 and FR170 provide students who have completed the better part of a university-level second-year French course or its equivalent the opportunity to expand and improve their speaking, listening, reading, and writing skills, as well as expand their cultural knowledge of the French and Francophone world. The course is based on a presentation of advanced intermediate-level forms of grammar, an expansion of students’ working vocabulary, and practice of oral and written communicative skills, with a particular emphasis on their writing skills. Placement in this course is determined by students’ previous experience and the results of a language assessment taken prior to arrival. Textbook and Course Materials for the course include: RÉSEAU: COMMUNICATION, INTEGRATION, INTERSECTIONS, by J.M. Schultz and M.P. Tranvouez,. Grammar, vocabulary, and cultural topics are discussed, including art, literature, cinema, vernacular French, multicultural society, Francophilia and Francophobia, and France’s role in the European Union. Students engage in class discussions, write summaries, dialogues and essays, in addition to group and individual oral presentations.

This course studies theoretical texts regarding communication and media from a sociological standpoint. The course takes both a theoretical and methodological approach to analyzing communication and media.

This course examines the relationship with history using a perpetual round-trip between modern times and its challenges. Modern representations are based on numerous Greek and Roman categories, but the terms "democracy" and "republic,” and the historical relationship with the body, sexuality, religion, and the environment, have been used with various means to an end, depending on immediate news or justification of interests with certain groups. Historical figures have thus become hostages in a world looking for landmarks. Using historical documents (texts, images, films, series) and contemporary sources, this course begins with current problems (the pandemic, democracy in crisis, the refugee issue, the #Metoo movement) to examine their supposed relationship with the antique world, before moving towards a critical reading of the habits we now have that existed during ancient times.

This course focuses on the general economic structure of cinema and the audiovisual industry in France. It includes an overview of the production of cinematic film, the CNC (National Center for Cinema and Moving Images), and the financing and distribution of films. The course includes industry professionals as guest speakers.