French

This course, the sixth in our intensive summer language program sequences, with its continuous course FR170, is roughly equivalent to the sixth quarter of lower-division French language instruction and an upper-division French composition course on students’ home campuses. FR60 and FR170 provide students who have completed the better part of a university-level second-year French course or its equivalent the opportunity to expand and improve their speaking, listening, reading, and writing skills, as well as expand their cultural knowledge of the French and Francophone world. The course is based on a presentation of advanced intermediate-level forms of grammar, an expansion of students’ working vocabulary, and practice of oral and written communicative skills, with a particular emphasis on their writing skills. Placement in this course is determined by students’ previous experience and the results of a language assessment taken prior to arrival. Textbook and Course Materials for the course include: RÉSEAU: COMMUNICATION, INTEGRATION, INTERSECTIONS, by J.M. Schultz and M.P. Tranvouez,. Grammar, vocabulary, and cultural topics are discussed, including art, literature, cinema, vernacular French, multicultural society, Francophilia and Francophobia, and France’s role in the European Union. Students engage in class discussions, write summaries, dialogues and essays, in addition to group and individual oral presentations.

This course studies theoretical texts regarding communication and media from a sociological standpoint. The course takes both a theoretical and methodological approach to analyzing communication and media.

This course examines the relationship with history using a perpetual round-trip between modern times and its challenges. Modern representations are based on numerous Greek and Roman categories, but the terms "democracy" and "republic,” and the historical relationship with the body, sexuality, religion, and the environment, have been used with various means to an end, depending on immediate news or justification of interests with certain groups. Historical figures have thus become hostages in a world looking for landmarks. Using historical documents (texts, images, films, series) and contemporary sources, this course begins with current problems (the pandemic, democracy in crisis, the refugee issue, the #Metoo movement) to examine their supposed relationship with the antique world, before moving towards a critical reading of the habits we now have that existed during ancient times.

This course focuses on the general economic structure of cinema and the audiovisual industry in France. It includes an overview of the production of cinematic film, the CNC (National Center for Cinema and Moving Images), and the financing and distribution of films. The course includes industry professionals as guest speakers.

This course focuses on the geography and impact of the Mediterranean sea on its surrounding countries. It examines the environmental and geopolitical impacts of the Mediterranean.