Italian

By the end of the course the student: knows the categories and practices of contemporary art, both in terms of technical-linguistic and theoretical aspects; understands the role assumed by the visual arts in the transition between the 19th and 21st centuries, in their specific development and relation to the parallel trends of other artistic disciplines; is able to understand the contribution made by contemporary art to the development of visual culture with particular attention to technological, media, and social issues.

Course contents: contemporary art, i.e., the aspects that have developed and have been commonly accepted, in the transition between the 19th and the 21st century, as fundamental to defining artistic practices. In particular, the definition and meanings of contemporary art, the mediums and the characteristics of the work, the role of the artist, the dynamics of the art system—from the market to the different forms of circulation—and the evolution of a pluralistic and global perspective.

In the first unit, the main parameters of periodization of contemporaneity are exposed, the forms and contexts are identified, and the meanings usually attributed to contemporary art are discussed. The second unit is devoted to the work of art, i.e., the mediums commonly adopted by artists, issues related to the uniqueness of the work, and the rise of forms of expression that understand the work as an experience. The third unit considers the perception and social role of the artist, with a focus on the convergences between art and life, collective practices, and the evolution in the working methodologies of visual artists. The fourth unit considers the founding features of the art system, from the role of the public to the art market and the idea of the exhibition. Finally, the fifth unit examines the emergence of a pluralistic perspective in light of issues related to feminism, gender identity, postcolonialism, and globalization.

This is an advanced level art studio course for students with prior experience. The course focuses on creating a product through an understanding of user needs, form, function, and aesthetics. Students practice sketching products and complete design projects (plant pot, lamp). This is a year-long course that runs for the entire year. Part A, offered during the fall semester, is worth 6 quarter units.

This is an advanced level photography course in the Laurea Magistrale degree program for students who have experience in photography techniques. The course focuses on film photography and darkroom printing techniques. Course contents include experimental printmaking, pinhole camera, and lectures on influential photographers and photographic methods. Students are required to present their work. 

The course provides students with the fundamental coordinates of modern political conceptuality (individual, the State, conflict, freedom, people, representation, etc.). The lessons focus on a series of classic authors of the history of political thought, addressed in their specific characters and supported by the reading and commentary of texts in the classroom. The course follows a monographic red thread - the birth and (presumed) end of modern political conceptuality - and does not claim to cover the entire history of political thought. Fundamental authors live in the eighteenth and nineteenth centuries, just as essential foundations are laid by ancient and medieval thought. The purpose of this monographic choice is to investigate those passages that best allow the questioning and exposition of the implicit assumptions of our contemporary political life. In particular, two key moments are analyzed: the birth of modern political conceptuality (16th-17th centuries), and the point of greatest tension of this conceptual apparatus in the XXth century. In outlining its fundamental passages, we constantly wonder about the persistence or the crisis of this conceptual apparatus in our contemporaneity: how modern is the implicit assumptions of our political action? What contemporary transformations have instead radically changed the scenario? How have the relationships between society, the State and market changed historically? Are there constants of human action and is it possible to study them?

At the end of the course, students: know the fundamental features of the modern and contemporary History of Political Thought; know the main forms of political communication and understand the complex relationships between ideas and facts; know the most important political doctrines and are able to critically analyze them in connection with the relevant cultural, institutional, historical and social context; are able to understand the most important political and institutional changes in Western history.

The course provides advanced knowledge to the archaeology of Mesopotamia, Syria-Palestine, and Anatolia. It focuses on civilizations and artistic cultures of Mesopotamia, Syria-Palestine, and Anatolia during the Bronze and Iron ages. Students learn the methodologies and the perspectives of near eastern archaeology and art history. They learn to recognize and critically examine archaeological and visual materials, to characterize material culture, and acquire the necessary tools for framing data within their chronological, historical and political framework.

Students must have attained the equivalent of A2 Italian language level as a prerequisite. This course is graded pass/no pass only.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. In Spring 2025, the main topic of this course was Soul and Body: Metaphysics of the Person in Plato and Aristotle. The aim of the course is to verify these attributions through the “slow reading” of an anthology of passages taken from the works of the two Greek philosophers, also in light of the most recent critical literature on this topic.

At the end of the course the student has acquired (1) the in-depth knowledge of a philosophical topic or problem typical of Greek and Roman antiquity and (2) three types of skills: (a) philological – he/she knows how to analyze an ancient text using the advanced philological tools needed for the study of Greek and Roman philosophy; (b) dialectical – he/she is trained to discuss a philosophical problem in a synchronic and diachronic way, through the comparison between ancient and modern philosophers; (c) rhetorical – he/she is capable of arguing exegetical and philosophical theses in oral and written form.

This section of the course focuses on art and fascism: critical debate and operational choices. The course investigates the ways in which, in an increasingly pervasive way, the fascist regime influenced artistic production and exhibition policies, increasingly eroding the margins of autonomy of artists. The course provides critical and methodological tools to address the analysis of the relationship between art and fascism; enables students to grasp and verify the changes in the critical fortune of artists and works along a diachronic axis; and encourages the identification of autonomous paths of study, applying the knowledge and method acquired to personal research, which are shared through a seminar-type comparison. This course is taught in Italian and is part of the Laurea Magistrale degree.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The course analyzes urban spaces through the use of semiotic tools, with special regard to urban forms, urban practices, and representations.

Main topics of the course:

• Urban semiotics: development of the discipline, approaches and methods.
• The form of the city: evolution, permanence, transformations.
• Cities between text and practice: semiotic tools for analysis of (urban and non-urban) space. Lived/represented/designed city: the city as text versus the city as subject/object of discourses.
• Interdisciplinary dialogues: urban ethnography, cultural geography, urban studies.
• City, memory, identity: (urban) places of memory and cultural heritage.
• City and conflict: spaces of power and spaces of protest - places and dynamics of urban conflicts (peripheries and banlieue) - city and war.
• The multicultural city: spaces of inclusion/exclusion - immigration and urban conflict.
• Digital city: Smart Cities and impact of ICT in urban practices.
• City between commons and places for consumption: public/private dynamics - urban creativity (street art and grassroots cultural production) - commercial and cultural tourism and strategies of city branding.