Italian

The course is divided into two sections. The main themes and methodologies of Medieval Archaeology in Italy and Europe are presented during the first section. The lessons therefore address the ways of city dwelling and farming the countryside since the Early Middle Ages to the Modern age (5th-15th c.); Archaeology of craftsman, production and building techniques; the evolution of funerary practices and ritual. The second section focuses on a number of specific insights about the material culture in different European regions. By the end of the course, students have a basic knowledge of archaeology and the history of medieval art from the 5th-6th to roughly the 12th century. From specific cases, they are able to describe the cultural encounters and understand multicultural contexts on the basis of surviving artworks and products of material culture. They learn to listen, understand, and debate respectfully with different viewpoints, and learn to spot tie-ups among different disciplines.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The course focuses on the analysis of geopolitics and international politics from a geographical perspective. By linking the history of geography and geopolitics to colonialism and European imperialism, the course introduces the students to critical human geography and the understanding of how spatial theory and spatial practices are related to power and culture. Students learn how to critically reflect and analyze contemporary cases of geopolitical interventions and discourses.

The course is divided into four parts:

• In the first part, the course introduces the origins and the development of geography and political geography since the end of the 19th century.
• In the second part of the course, the course explores the crisis of modern sovereignty and the emergence of a new power horizon associated with biopolitical governmentality.
• The third part is dedicated to the geographies of otherness. This part discusses the relation between traveling, field trips, and geographical exploration in their connection with European colonialism.
• The fourth part of the course will be dedicated to the history and the contemporary use of Geopolitics and the different stages of geopolitical theories.

The course outlines Archaeology and Greek Art History, from the Protogeometric period to Hellenism. During the starting lessons, the teacher gives advice on the studying, explains the exam carrying out, and gives the outlines of the basic elements of the discipline, in order to fill in possible gaps in students' knowledge: Introduction to Greek civilization through its historical and geographical framework; the periodization and the specific terminology; and main aspects of architecture, urban planning, artistic, and handcrafted production of the Greek World (sculpture, painting, mosaic, pottery) in the Protogeometric, Geometric, Archaic, Classical, and Hellenistic periods.

By the end of the course students have a basic knowledge of Greek civilization, in its historical and artistic development. They will be familiar with the history and geography of the first millennium BC, according to the traditional periodization of Greek civilization: Protogeometric, Geometric, Archaic, Classical, and Hellenistic periods. They will also have mastered the languages, topics, and methods of the discipline when interpreting artistic and cultural phenomena from a historical angle. They will be able to use cultural material to describe cultural encounters, be able to speak and write using terminology appropriate to their scientific discipline, and also have learned to listen, understand, and debate respectfully with different viewpoints, and know how to spot tie-ups among different disciplines.

The course is focused on the principal themes of the discipline with particular attention to typologies, functions, and significance of the Roman monuments and artistic expressions with spots on history of research, methods, and chronological questions. By the end of the course, thanks to the presentation and discussion of the basic components and main manifestations of Roman art, architecture, and town planning, students are familiar with the main themes of the discipline serving as a basis for the definition of the problems in a context of historical–cultural interaction. Moreover, students acquire the basic skills for independent use of the research tools and scientific bibliography and are able to reason critically and analyze or interpret data. They also learn to listen, understand, and debate respectfully with different viewpoints, and know how to spot tie-ups among different disciplines.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrolment is by permission of the instructor. At the end of the course unit students have the tools for an integrated approach to the study of the archaeological sites around Vesuvius, attentive to their specific nature of historic sites, which have their status as the best sample of classical archeology, not because of their real excellence in the ancient world, but because of the fate and their exceptional material preservation. Students demonstrate critical consciousness about the “vulgata” and develop a self-sufficient ability to review their “topoi”, enabling them to read the Vesuvian archaeological sites back to their actual nature as privileged case-study, but not as a benchmark of universal value. At the end of the course students are able to orientate themselves in the rich scientific literature, to identify potential research topics, to independently design a circumscribed research project, and to elaborate the results in an original form, both oral and written.

The course explores the Vesuvian area, well known but still poorly investigated and studied. After an introduction about the status quaestionis, the course follows the analysis of some specific cases study, both investigated by other research institutions and equips, and in regard to the projects (Pompeii, Herculaneum, Torre del Greco) of the Vesuviana program lead by the University of Bologna.

This course involves singing with the choir of the University of Bologna. Students are invited to join the choir after they pass an audition with the Choir Director. The course involves weekly and biweekly practices as well as public performances. There are about 60 members in the choir every year, and musical selections change yearly. Local performances are held in various locations around Bologna.

This is an advanced level art studio course for students with prior experience.  Students are required to attend both the theoretical part and the studio laboratory and to complete individual projects. The course focuses on historical and traditional techniques and methods used in contemporary works in the visual arts and in design, as well as a reconceptualization of methods using new technologies, materials, and products.  Final assessment is based on the student's artistic work, employing the techniques and methods discussed in class.