Italian

This course explores the relationship between cinema and literature based on a comparative analysis between the two systems of meaning. It discusses strategies for adapting literature to film. Additionally, it focuses on the basics of cinematographic language in relation to the films studied in this course.
 

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor.  The course deals with the study of the Aegean civilizations of the Bronze Age (third and second millennium B.C.E). Lessons firstly deal with geography and history of the researches; then with the Cycladic civilization; the Cretan sites and the different paths that brought about the formation of the first Minoan palaces; the impact of the Cretan civilization outside the island and on the Greek mainland communities; and eventually the Mycenaean civilization, with the analysis of a few key-sites, such as Lerna, Mycenae, Tiryns, and Pylos. Last but not least, attention is given to the causes and long-lasting factors that brought about the decline and eventual collapse of the Mycenaean palatial states.

At the end of the seminar, students are able to interpret issues related to specific historical phenomena in a diachronic and transversal perspective within the Aegean Bronze Age framework, thought the elaboration and synthesis of the data coming from the analysis of written records and material sources and from the collective debate originated from the contact with other people, especially the civilizations originating in the Near East and Anatolia. They are able to formulate autonomously and in an organized way a research path or an intellectual work, using the specific acquired tools with methodological rigor, precision, and accuracy.

This course is broadly equivalent to A1 Basic User, Breakthrough Level of the Common European Framework of Reference for Languages. 

This is an advanced level art studio course in sculptures for students with prior experience in sculpturing techniques. Enrollment is by permission of the instructor and  Accademia di Belle Arti (ABABO). The course is held at ABABO during the first and second semesters. Students are required to attend both the theoretical part and the studio laboratory and to complete individual projects. The main aim of lectures and laboratory activities is to provide students with the necessary techniques to independently execute their works in various contexts and conditions, such as: public and private settings, or enclosed and open spaces. Students learn the complexity and compositions of traditional and modern techniques. incorporating various disciplines and using different materials. Students are graded on the artistic capacity of their projects as well as the understandings and manners of the techniques chosen. 

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The course focuses on some main issues of the contemporary geographical thinking, starting from authors like David Harvey, Edward W. Soja, Neil Brenner, Ash Amin, and Nigel Thrift. Specific topics concerning the spatialization of the ideas of city, sovereignty, and border will be analyzed during the lessons. Theories, models and their implications will be connected to specific case studies. The course offers advanced critical instruments to understand some issues affecting contemporary geographical space both at local and global scale.

The course provides:

• Sources, methods and tools for the study of Greek history 
• Themes and prominent figures of Greek history through the analysis of selected and translated sources pertaining to the Archaic, Classical and Hellenistic periods (approximately 20 hours).
• Specific topic: Demetrius the Besieger and the creation of the Hellenistic state (approximately 20 hours).

The program includes the knowledge, acquired through the students' independent study, of the key events in Greek history, from its origins to the first century BC, focusing on the evidence for the reconstruction of these events. By the end of the course, students are broadly familiar with the development of Greek history, using the basic interpretive categories towards critical analysis of issues pertaining to the Greek world and working from historical and documentary sources read in the original and in translation. Students have a good knowledge of the main themes, events, and phenomena of Greek history in a broader context, possess precise spatio-temporal coordinates and know the main tools of information, research, and updating. They also read works by historians in at least one language other than Italian and are able to speak in the appropriate technical terminology.

The course investigates the relationship between twentieth-century political-social movements and the artistic imaginary that these contribute to create, disseminate, transform and by which they are in turn influenced. Each artistic expression (from painting to design, from theater to music, from architecture to literature) has its own specific relationship with the historical conditions in which it was born and which in turn it contributed to create. The course presents a series of specific conjunctions between artistic forms and political-social events of the last 150 years. By the end of the course, students are expected to know the history of Italian and international social movements of the last century; how to analyse the cultural and artistic forms of these movements; how to relate the political transformation to the production of the artistic imagination; and to recognize the influence of social movements on contemporary art forms.