Germany

This course is about Berlin, and the story of its tumultuous and epoch defining twentieth century. This history is examined through various lenses: the biographies of individuals; the words of writers who bore witness to the vertiginous social, political, and physical changes the city underwent; and buildings and monuments whose physical construction, destruction and reconstruction reflected the ideological turmoil and conflict of twentieth century Berlin. Famous Berliners covered include the murdered Communist leader Rosa Luxemburg, the artist Käthe Kollwitz, the actress Marlene Dietrich, the Nazi filmmaker Leni Riefenstahl, the adopted Berliner David Bowie, and the famous East German dissident musician Wolf Biermann. The contextualized stories of these individuals offer a unique perspectives politically, artistically, and socially into the tumult and struggle that marked their times in the city. These figures occupy a range of different positions as Berliners, as radicals, as artists of resistance to or collaboration with Nazism, and Communism, as drifters and exiles whose stories reflect Berlin's unique position in the twentieth century as no man's land, frontier, a city adrift in the sands of Central Europe. In a similar way, the course examines the words of writers who bore witness to the extremism and societal upheaval that marked twentieth century Berlin. From the witnessing of Roth and Isherwood to life in Weimar and Nazi Berlin, to the social and political commentary by Christa Wolf and Peter Schneider on the moral struggles of life lived on different sides of the Berlin Wall, the course assesses their writings in their historical contexts. Finally, the course covers the story of places in Berlin whose physical building, destruction, and rebuilding can be situated in the wider systems of ideology, power, and social relations that so cataclysmically defined the physical landscape of Berlin after 1933. In this, the focus is on the story of Potsdamer Platz, the Palace of the People and as an opposite postscript to Berlin's twentieth century, the Holocaust Memorial in Mitte. Structured largely chronologically, the course works with films and novels whilst building on a clear historiographical base provided in class seminars. The teaching is augmented by physical excursions into Berlin to trace the stories encountered and class discussions form the basis for a seminar paper that students are required to submit at the end of the course. This history course approaches the story of Berlin through the reflections and refractions of individual humans' lives who struggled upon the immense stage of a city at the very symbolic and literal heart of the catastrophes of the twentieth century.

Islamic feminism is a field of study that has been marginalized in both contemporary Islamic and feminist discourses. This course counters this marginalization by exploring the diverse theoretical frameworks and methodologies used in Islamic feminist scholarship. It takes an intersectional perspective to examine the different strategies that Islamic feminists have developed to challenge multiple constellations of power, such as sexism, patriarchy, and (feminist) neo-Orientalism. The course aims for the decolonization of knowledge on Islam, gender, and feminism. This is achieved by the inclusion of life experiences and knowledge production from different regions in and outside the "Muslim World."

This course covers a frequently neglected aspect of the middle-high German literature, namely its Bebilderung. Scripts and multimedia works of art are illuminated, and students question how these works influence the text and our understanding of it.