Italy

This course is part of the Laurea Magistrale program in History and Oriental Studies. The course is intended for advanced levels students only. Enrollment is by consent of the instructor. The course focuses on neoliberal political economy and its social impacts on local contexts. Emphasis is placed on a critical approach to the aid industry as a key issue for understanding global governance processes. Students create a research project and bibliography autonomously on a topic related to the course. Since the end of the cold war and the triumph of a neoliberal order, Africa has faced a huge number of conflicts and devastating social effects. Starting with the analysis of selected ethnographic cases (Congo, Somalia, Liberia, Sierra Leon, etc.), the first part of the course explores the etiology of contemporary African wars focusing on the link between local violence and global economic and political processes. Special attention is placed on the relationship between youth and war and the social imaginary. The course explores topics including neoliberalism and inequality, the African State, globalization in Africa, African conflicts, war economy, young people and children in Africa, witchcraft in contemporary Africa, and development enterprise. The course includes traditional lectures and group discussions. The instructor focuses on the general topics in order to introduce the various scholarly debates. Specific examples are discussed in order to give a concrete idea of the different topics. Students are encouraged to work autonomously, comment, and ask questions. The course includes visual resources (i.e. documentaries, maps and photos).

This is an advanced level course for studio art students who already have experience in drawing techniques. Enrollment is by consent of the instructor. The course is held at the Accademia di Belle Arti during the first and second semesters: 160A for fall and 160B for spring. Students are required to attend the theoretical part and the studio laboratory, and to complete individual projects. The course teaches students to perceive the human form through a structural view in order to grasp and identify the structural and plastic components and to reach an interpretation of the form in both analysis and synthesis.

The course focuses on Modern British Literature, and in particular the relationship between literary texts and their historical, linguistic, and artistic context. Special attention is placed on the critical methodologies useful for interpreting and analyzing literary texts. Students are expected to be able to elaborate complex analyses and formulate independent reflections on specific research topics. The topics vary each term, access the University of Bologna Course Catalog for the current topic.

The first part of the course introduces the concepts of evolution and adaptation applied to an animal and human behavior and the fundamental principles for the study of development, evolution, and genetics of behavior. Then follows the eco-ethology that deals with the ecology of behavior in natural environments, from territorial, predatory, alimentary, sexual, and social behavior both in animals and in humans. In the third phase, topics of sociobiology are explored. The adaptive value of sociability, sexual behavior, and reproductive strategies (both in animals and humans) is further explored. Wedding strategies such as polygamy, polyandry, and monogamy is investigated. The course compares the underlying genetics to the ecology of animal behavior and introduce evolutionary psychology. The course compares the underlying genetics to the ecology of animal behavior and introduce evolutionary psychology. The course requires students to have basic knowledge of genetics and biology as a prerequisite.

The course offers an introduction to Italian culture and history and focuses on both the city of Bologna and Italy as a nation. The course emphasizes basic knowledge of crucial aspects of the Italian cultural heritage across different disciplines and an awareness of the complexities of Italian history and society. The course is interdisciplinary in nature with weekly guest lectures on a variety of topics. The course is graded pass/no pass only.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrolment is by permission of the instructor. At the end of the course, the student has a deep knowledge of industrial applications that benefit from the use of machine learning, optimization, and simulation. The student has a domain-specific knowledge of practical use cases discussed in collaboration with industrial experts in a variety of domains such as manufacturing, automotive, and multi-media. The course is primarily delivered as a series of simplified industrial use cases. The goal is to provide examples of challenges that typically arise when solving industrial problems. Use cases may cover topics such as: anomaly detection; Remaining Useful Life (RUL) estimation; RUL based maintenance policies; resource management planning; recommendation systems with fairness constraints; power network; management problems; epidemic control; and production planning. The course emphasizes the ability to view problems in their entirety and adapt to their peculiarities. This frequently requires to combine heterogeneous solution techniques, using integration schemes both simple and advanced. The employed methods include: mathematical modeling of industrial problems; predictive and diagnostic models for time series; Combinatorial Optimization; integration methods for Probabilistic Models and Machine Learning; integration methods for constraints and Machine Learning; and integration methods for combinatorial optimization and Machine Learning. The course includes seminars on real-world use cases, from industry experts. The course contents may be (and typically are) subject to changes, so as to adapt to some degree to the interests and characteristics of the attending students.

What is the relationship between a city’s structure and the way it is represented? This course investigates this question by analyzing Florence’s urban history and its visual representation in paintings, frescoes, maps, photographs, and films from the 1200s to today. As the city has been in turn the site of a proud communal society, the main center of the Medici and then Lorraine rule, the capital of newly unified Italy and the repository of national and international cultural and ethical (and touristic) values, we examine how Florence has been both shaped by and represented according to different political and cultural agendas, and how the city’s structure and its representation have constantly affected each other. Special emphasis is devoted to the emergence of photography and cinema and the radical visual and conceptual shift that these media have produced in the city’s image. Some of the issues this course explores are: the role of linear perspective as a scientific and political tool for representing, conceptualizing, and controlling urban space; the ways in which the city has been reconfigured and portrayed by foreigners from the 1600s on; and photography’s and cinema’s potential for addressing compelling urban issues such as the contrast between memory and urban modernization, the elusive relationship of past preservation and mass tourism, and the enmeshment of notions of tourism and surveillance. 

The course is part of the Laurea Magistrale Program and is intended for advanced level students. Enrolment is by consent of the instructor. The course aims at developing an encompassing knowledge of the outcomes that social mobilizations have at the level of politics and policies. At the end of the course, students are able to: critically discuss the main approaches related to the outcomes of social mobilizations at the level of politics and policies; compare the political effects of social mobilizations across different countries and different territorial levels; and valuate specific cases of social mobilizations with regard to their intended and unintended political effects. The course focuses on both theories and practices related to the political effects of social mobilizations.

This course examines and unpicks the memory of Fascism and the Holocaust from the Italian perspective. Through a combination of class lectures and discussions, film screenings and readings, and site visits, students connect decisions taken in Fascist Italy with the end result of forced labor and mechanized killing that occurred principally outside of the country’s borders. The course explores pre-Fascist and Fascist Italy’s relationship with its Jewish population, the repressive nature of the dictatorship, its involvement in the Second World War, and its alliance with Nazi Germany to gain a thorough grounding how scholars have sought to explain Italy’s Holocaust. Having established the history of the Jews in Italy and the processes and practicalities by which they were rounded-up and deported from occupied Italy, the course reflects upon debates surrounding guilt and how this has been used to excuse or deflect responsibility for the deportation and murder of religious and political prisoners. The memory, or otherwise, of the Holocaust in Italy has been heavily influenced by domestic identities, politics, and culture and the course examines this through film. As arguably the most important artistic medium of modernity, cinema allows one to construct and deconstruct many myths and identities. This course analyzes some of the most relevant Italian film productions relating to the memory of Fascism and the Holocaust in Italy, primarily as socio-historical documents. Instruction consists of a series of lectures and class debates around assigned readings and film analysis.