Italy

The course is part of the Laurea Magistrale Program and is intended for advanced level students. Enrolment is by consent of the instructor. The course aims at developing an encompassing knowledge of the outcomes that social mobilizations have at the level of politics and policies. At the end of the course, students are able to: critically discuss the main approaches related to the outcomes of social mobilizations at the level of politics and policies; compare the political effects of social mobilizations across different countries and different territorial levels; and valuate specific cases of social mobilizations with regard to their intended and unintended political effects. The course focuses on both theories and practices related to the political effects of social mobilizations.

This course examines and unpicks the memory of Fascism and the Holocaust from the Italian perspective. Through a combination of class lectures and discussions, film screenings and readings, and site visits, students connect decisions taken in Fascist Italy with the end result of forced labor and mechanized killing that occurred principally outside of the country’s borders. The course explores pre-Fascist and Fascist Italy’s relationship with its Jewish population, the repressive nature of the dictatorship, its involvement in the Second World War, and its alliance with Nazi Germany to gain a thorough grounding how scholars have sought to explain Italy’s Holocaust. Having established the history of the Jews in Italy and the processes and practicalities by which they were rounded-up and deported from occupied Italy, the course reflects upon debates surrounding guilt and how this has been used to excuse or deflect responsibility for the deportation and murder of religious and political prisoners. The memory, or otherwise, of the Holocaust in Italy has been heavily influenced by domestic identities, politics, and culture and the course examines this through film. As arguably the most important artistic medium of modernity, cinema allows one to construct and deconstruct many myths and identities. This course analyzes some of the most relevant Italian film productions relating to the memory of Fascism and the Holocaust in Italy, primarily as socio-historical documents. Instruction consists of a series of lectures and class debates around assigned readings and film analysis.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course focuses on the theoretical skills necessary for placing twentieth-century Italian poetry within the context of European history of thought and ideas. Special attention is placed on the appropriate methodology for analyzing modern and contemporary poetry. The course emphasizes the role of rhetoric, stylistics, and linguistics and favors intertextual and interdisciplinary comparisons. The topic for the Spring 2018 semester is: Origins, Poetry, Verticality, and Perception. This course focuses on a selection of Italian poetry from the second half of the twentieth century that highlights the idea of origin, and in particular the feelings of unbridgeable distance, and loss. The idea of distance and loss is also analyzed through the formal choices that shape the texts as well as their friction and opposition to the literary codes of the time. Prerequisite for the course is basic knowledge of twentieth-century Italian literature at the undergraduate level. Poetry selections are from the following sources: ORAMAI and DICIASSETTE VARIAZIONI SU TEMI PROPOSTI PER UNA PURA IDEOLOGIA FONETICA by Emilio Villa, LA BUFERA E ALTRO and SATURA by Eugenio Montale, LABORINTUS and POSTKARTEN by Edoardo Sanguineti, IL SEME DEL PIANGERE and IL MURO DELLA TERRA by Giorgio Caproni, SU FONDAMENTI INVISIBILI and PER IL BATTESIMO DEI NOSTRI FRAMMENTI by Mario Luzi.

This course is part of the Laurea Magistrale program and is intended for advanced level students only. Enrolment is by consent of the instructor. The course focuses on how a conflict as an “event,” along with its representations, is a semiotic and cultural phenomenon. In other words, it is also a conflict on the significance to be attributed to events and to the actors participating in it as, for example, when mediated discourse labels or sanctions one of the concerned parties as “the barbarian,” “the oppressed,” or “the oppressor,” “the victim,” or “the perpetrator,” “the bystander," and “the implicated subject,” thus influencing the effects and the affects that international public opinion lives and feels in confronting and interpreting the conflict itself. The course focuses on how conflicts – their regulation, repression, and particularly their visual representations – constitute privileged loci for a semiotic analysis, arguing how conflicts challenge and rearrange pre-existing systems of cultural control, not only in the first explosive moments of violence or spontaneous civil disobedience, but also, subsequently, when they encounter modes of historicization linked closely to unifying discourses of national identity. Focus is given to the relationship between still and moving images (photograph, cinema) and conflict; on how and to what extent images and icons inspired by the examination of issues of memory and oblivion experienced in the last century respond to the challenges imposed by 21st-century conflicts.

Please note that the course extends into January, available for year students only. The course focuses on the following topics: the geological evolution of the planet earth and the formation of sea basins; the physical and chemical characteristics of the water masses; physiography and geomorphology of the seabed, genesis, and characteristics of rocks and sediments; sedimentological processes and distribution of benthic environments; the interactions between marine organisms and the abiotic environment; the main types of marine ecosystems and their functional characteristics; and the processes of formation of populations and their distribution in space and time. The course is divided into lectures and practical sessions, in the field and/or in the laboratory, with collection and analysis of samples/data and interpretation of results. Visits to the ISMAR (Institute of Marine Sciences) of the CNR of Bologna where the tools used in oceanographic and marine biology campaigns and the principles and techniques for the analysis and interpretation of the acquired data are presented. Visit to the Environmental Sciences Laboratories, of the Master's Degree in Marine Biology, at the Ravenna Campus.

This course is part of the LM degree program and is intended for advanced level students. Enrollment is by consent of the instructor. The course covers molecular, cellular, and “-omics” aspects of the following topics (considering both theoretical and methodological points of view): 1) Cell-cell communication in bacteria (quorum sensing): basic principles and components of quorum sensing (QS); role of the QS in microbial pathogenicity, genome plasticity (horizontal gene transfer), stress response, and microbial interaction with the host; and application of quorum sensing circuits in biotechnology and synthetic biology of single bacteria and microbial communities. 2) Microbial biofilms: distribution and diversity of biofilms; mechanisms of biofilm formation and persistence; microbial metabolism and physiology in biofilm; role of QS in biofilm formation; biofilm resistance and tolerance; in vitro systems to grow and study the microbial biofilm; and the role/importance of biofilms in medical and industrial fields. 3) Bacterial second messengers: molecular mechanisms of the nucleotide second messenger (NSM)-based intracellular signaling in bacteria; the different components involved in the NSM-based signaling; and essential and emerging roles of NSMs in bacterial sensing and cellular response, biofilm formation, and microbial interactions. 4) Signaling and interactions within microbial communities: “-omics” to study microbial communities and microbial interactions; and designing and construction of synthetic microbial communities for the application in medical, industrial, and environmental fields.

This is a graduate level course that is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. Students who complete a research paper on a pre-approved topic are awarded 1 extra unit. Maximum units for this course are 8. The course has 2 parts: A & B. Students must take both parts. No partial credit is possible. Part A of the course focuses on the history and development of non-European literature in French, with particular attention to the relationship between literary texts and the historical, artistic, and linguistic context. Special attention is placed on the different methodologies useful for the analysis and interpretation of literary texts. Part B of the course focuses on the issues of diversity and inclusion in French-speaking migrant literatures with particular attention to Quebec, Lebanese, and Senegalese literatures. Special attention is placed on literature written  by migrant authors and literature written by those born in exile. Voluntary or forced mobility generates a literature with a dual focus: towards the country of origin and towards the country of adoption. Migrant writings, in a French-speaking context, give rise to a third space in which identity is renegotiated through writing, a space for the elaboration of diversity in search of similarities. Principal texts by Marco Micone, Antonio D'Alfonso, Fulvio Caccia, Amin Maalouf, and Wajdi Mouawad.

This course explores the theoretical background of the development of the neural basis of cognitive function, and basic knowledge of neural development of cognitive functions and methods to study the neural mechanism of cognitive development. The course considers questions such as: What is the nature of developmental change? What are the brain mechanisms underlying cognitive, perceptual, social, and emotional development during infancy and childhood? The course evaluates implications of findings from developmental cognitive neuroscience for broader scientific issues including nature vs. nurture, critical periods in development, and the modularity of mental functions. An integral part of the course is careful consideration of the major methods of developmental cognitive neuroscience including functional magnetic resonance imaging (fMRI), recordings of evoked response potentials (ERPs), and behavioral marker tasks. The course devotes particular attention to the unique challenges of applying these methods to the study of infants and children in typical and atypical development. The course requires students to have basic knowledge on general cognitive functions such as perception, attention, language, and memory as a prerequisite.

The course examines the notion of “Made in Italy” as an intangible asset and traces its evolution in time, starting from its creation in Florence in the 1950s up to the current global success of Tuscany-based icons such as Vespa, Gucci, Ferragamo, and Chianti. The main aim is to explore the appeal of “Made in Italy” as a global brand and the marketing of “Italian Style” throughout the world. To this purpose, students analyze important Italian companies in specific sectors – fashion, food, wine, leather, design and art – and discuss their innovative branding practices. The focus is on key Italian cultural products, their significance and symbolism, as well as the concept of “Country Branding” within the industrial, leisure, lifestyle, food, and fashion industries. An array of educational tools – lectures, class discussions, fieldtrips and visits to food and fashion retailers, corporate museums, design studios –allows students to acquire an in-depth knowledge of trendsetting communication strategies and gain first-hand experience with some iconic products commonly associated with the idea of “Italianness”, from concept to consumption.