Chinese University of Hong Kong

This course addresses the business and social issues related to the use of modern biotechnology. Topics include business development in the industry, operations in running a bio-business, manufacturing practice, drug development process, regulation and policy, intellectual property issues, environmental aspects of biotechnology, ethical and public concerns.

This course offers students insights and different perspectives that can help explain why, over the centuries, some nations and cities succeed in our global economy while others fail. The course is divided into three parts. The first part introduces theories of global economics and the determinants for a nation/city to achieve power and prosperity versus poverty from a historical perspective. The second part examines specific case studies to enhance our understanding of concepts and broad intellectual perspectives to do with international trade, and monetary and financial systems. The course ends with current challenges in the global economy and the way nations and cities might resolve those problems. Special attention is given to the emergence of the world economy in the 21st century and the changing world economic order over time.

This course introduces the nature of economic problems and how society and man deal with the economic problems. It covers resource allocation and the concept of economic efficiency, product and factor markets, macroeconomic indicators and the nature of macroeconomic problems, and macroeconomic policy. Economic concepts and theories are applied to various social and economic issues such as marriage, crime and government policies.

This course examines the relationship between the film and their directors regarding their creativity, aesthetics and influences. It focus on different directors from different eras, origin and countries. The emphasis of the director's effort and beliefs together with their professionalism and techniques will also be discussed.

This course examines digital humanities. It will introduce the resources available at CUHK for digital humanities (DS Lab, VR Studio, 3-Printing space, etc.). It will also involve the study of some exciting applications of tools, like VR, text analysis, 3-D modelling and printing, historical mapping, etc. 

This course examines some of the major issues concerning the role of the youth and the challenges confronting them in modern society. The nature of the conventional wisdom of the “youth problem” is critically examined, with the help of concepts and theories in sociology and related fields. 

This course examines the East Asian philosophical and religious traditions of Confucianism, Daoism, and Buddhism both from an internal perspective – how did each tradition represent its own values, goals, practices and methods of devotion – and external perspectives – how did the traditions spread across the East Asian subcontinent, assimilate with traditional cultural norms, and influence art and architecture. In addition to these so-called “three teachings,” we also discuss popular religion in South-east Asia, new combinatory religions such as Aum Shinrikyo and Cao Đài, and the impact of East Asian religious ideas on the West. We will also address religion in modern times, understanding how traditions continue to carve out roles for themselves in a secular world.

This course examines China’s changing international relationships in Asia and beyond through frameworks and concepts in the international relations literature. Part I sets out the context, Part II examines some of the main approaches in international relations, while Part III applies these to questions of regionalism in East Asia, maritime politics, and the Belt and Road Initiative.

This course examines the History of the Modern World – the events, people, and long-term developments which, since the end of the Middle Ages, have shaped and reshaped human society – with a focus on the growth of international developments and the creation of today’s globalized world. Throughout the semester, we will also be interrogating the continued tensions between local identities and dynamics, state centralization and the rise of nationalism, the spread of Western notions of universalism, and non-Western societies’ adaptation to or rejection of those dynamics. What role did the Christianization of Latin America play in the imperial project? What did it mean for a sparsely-populated settler-colonial society to declare that all men are created equal? How “anti-colonial” were the Marxist movements of the Global South?

This course examines the connections between different cinemas within East Asia and between East Asia and the rest of the world from a genre perspective. Hong Kong and Korean film noir, Chinese swordplay and Japanese samurai films, horror films from Hong Kong and Japan: all are examples of the transnational circulation of genres, involving processes of both localization and globalization. Students will be invited to explore genre theory, trace complex webs of creative influences, and appreciate the sameness and difference that characterize both genre films and our globalizing world. They will also have a chance to apply this new knowledge in practice, by making a short “genre film” for screening at the end of the term.