UC Center, Rome

This course provides students with a sound basis for communicating effectively and accurately in oral and written Italian. Authentic materials (songs, videos, advertisements, and film clips) are used in a communicative-based approach, and emphasis is placed on the four skills of listening, speaking, reading, and writing. Students participate on field trips take them outside the classroom to engage with the city and Romans to reinforce their skills. The course is conducted entirely in Italian.

Exploring Rome is divided into two components: language instruction (mostly in class), and a culture component (mostly on-site). The course is structured for exposure to the language and the opportunity to engage directly with Italian culture. The language component of the course provides the tools and skills to navigate the city and complete tasks in real-life situations and specific contexts. Through small group work, the course builds basic communicative structures to react effectively to authentic communicative situations. The culture component of the course investigates different aspects of Italian life by making Rome its classroom. Onsite lectures complement and contextualize the language component by studying the city’s history, its traditions, and current events in situ.

Rome has played a pivotal role in the construction of a global scale culture. It first contributed to unifying the ancient world system as the capital of an empire. Then, in the early modern period (parallel to the age of explorations and colonialism), it became a laboratory for interactions between the local and the global. This course focuses on these interactions roughly between 1550 and 1750, the so-called Counter Reformation and Baroque Age.  Although this is mainly an on-site art history course, each art work, building, or urban plan is studied as a document to understand broader concepts related to geography, politics, religion, science, and philosophy. To assess the value of early modern art and architecture students develop multidisciplinary skills to investigate the multilayered meanings of objects, buildings, and urbanism. Focusing first on Caravaggio, then on the rivalry between Bernini and Borromini, and finally on the Renovatio Urbis (the new avenues connecting the main churches of the city), this course simultaneously explores the micro and the macro context of every commission. From the private fashioning of papal families (Borghese, Barberini, Pamphili, and Chigi) to the impression of orbialization (the concept that pervades the papal blessing addressed to the city and to the world), the city promised to be a topographical space of universal salvation. From the different approaches to art and architecture by Bernini and Borromini (theatrical and philosophical respectively) to the impact of the interreligious encounters of the new religious orders, Rome appeared as the laboratory of a globalization actualized in tandem with the colonial powers of Portugal, France, and Spain. The Spanish Ignatius Loyola, founder of the Society of Jesus in 1540 in Rome, shifted the religious discourse toward the universal good setting the program for a possible global society. The Jesuit system with their missionary and educational activities throughout the world was the most important institution for “interactions”. No wonder that in the 17th century, the Roman main educational institutions (Studium Urbis, Collegio Romano, Propaganda Fide) focused on the study of languages and the publication of dictionaries and grammar books. The impact of the Jesuit father Athanasius Kircher over 17th century Rome is as polyhedric as his writings. Kircher created one of the biggest cabinets of curiosities (wunderkammer) of Europe. His collection of Egyptian, Greek, and Roman antiques, embalmed animals, botanical rarities, scientific instruments, and a myriad of objects coming from China, India, Mexico, etc. was referred to as theatrum mundi (the theatre of the world), a metaphoric representation of the culture of the early modern city. By the end of the 17th century, Rome simultaneously assumed the connotations of new Jerusalem, Athens, Constantinople, Alexandria, and Babel mirroring the world as if in a theatre of memory and geography while other cities in different continents took the name of Rome of the East or Rome of the West through a religious and architectural response. The visual arts reveal the global resonance of Rome but also the presence of different ethnic groups in the city. The Eternal City was, undoubtedly, one of the loci where the subjective dimension of globalization originated.  

This course provides students with a sound basis for communicating effectively and accurately in oral and written Italian. In this course, students continue to practice recognizing and using complex Italian grammatical and syntactic structures, such as verbs in all tenses and moods, connective words, and all uses of the subjunctive mood in hypothetical sentences, conjunctions, or indirect speech. Authentic materials (songs, videos, advertisements, and film clips) are used in a communicative-based approach, and emphasis is placed on the four skills of listening, speaking, reading, and writing. Students participate in several sessions of language exchange with Italian university students, and field trips take them outside the classroom to engage with the city and Romans to reinforce the grammatical skills learned in class. The course is conducted entirely in Italian.

The life of the ancient Romans was guided by two important concepts, otium, or leisure time, and negotium, a more structured use of time that may be associated with work of varying kinds. A good Roman life could, and often did, include both. This course explores Roman daily life and the many activities associated with both otium and negotium. The business of ancient Rome was largely conducted in the central and market areas of the city, and students study the ancient Roman Forum, the ancient river port in Rome and its associated features (wharves, warehouses, and rubbish heaps), as well as the ancient port city of Ostia. The leisure time of the aristocracy was noticeably different than that of the poor. They often spent leisure time in a relaxing environment outside of the city, such as villas, where they could pursue all types of activities deemed beneficial to the mind and body. The poor, instead, tended to stay in Rome, and spend their unstructured time at state-sponsored events and venues such as the games held in the Flavian Amphitheater, or at a monumental bath complex, such as the Baths of Caracalla. Alternatively, they would congregate in small taverns or popinae, or they might just sit on the stairs of a city building and play a game. Students visit and study the places where the Romans spent their leisure time looking closely at the leisure activities. As students get to know the Romans by studying what they have left us in terms of physical and literary remains, they discuss how much of what is "reconstructed" from the evidence can be certain, and how much must remain debatable. This course includes visits to Rome-area museums and sites, and special outings to the Roman cities of Ostia and Pompeii.