Trinity College Dublin

This course asks whether the welfare state is justified, how extensive it should be, and what level of inequality and/or poverty is acceptable in a just society. Thus, the course examines the main theories of distributive or social justice in contemporary analytical political philosophy. Distributive justice is about the fair distribution of burdens and benefits in a society and some of the main approaches to this issue that we look at include liberal egalitarianism, libertarianism (left and right), luck egalitarianism, and relational egalitarianism and republicanism. The course also looks at some of the critiques, alternative approaches and applications of these theories, to areas like health and education.

This course provides students with a solid grounding in various aspects of software engineering process related to building large software systems. The course covers various aspects related to building software systems ranging from the use of software lifecycle models, to project management, to large-scale software architectures. Specifically, software lifecycle models, including variations of the waterfall and spiral models as well as extreme programming and agile, are introduced along with concepts that are relevant to the specific model stages. These concepts include domain analysis, requirements and specification analysis, testing and debugging, and version control. Moreover, strategies for managing large software projects and their contracts as well as project teams are presented and contrasted.

This course is a detailed study of selected topics from the Archaic period, c.750-490 BC. It focuses on the origin and development of socio-cultural phenomena in the Greek world, from South Italy to Asia Minor. Topics include the development of new political systems such as tyranny, the origins of law and literacy, the formation of the polis, warfare and empire, as well as social issues such as the symposium and slavery.

In contemporary cinema and media studies, few concepts are invoked as often the ‘the digital’. Despite our familiarity with the term, the issues associated with it are complex and part of a much longer relationship between media, technology, and production practices. To address these issues from a theoretical and practical perspective, this course explores a range of topics related to digital aesthetics, data, bodies and performers. Across the course, students engage in related practical tasks that provide an experiential form of understanding and encourage embodied reflection on the topics under focus. The tasks offer students increased awareness of the range of easily accessed digital tools, and instill increased confidence when it comes to incorporating such tools into practice-based work.

In the high and late middle ages, monarchs and urban governments across Europe enacted laws dictating what people could wear, what hairstyles they could have, what they could eat, what types of hawks they could hunt with, as well as creating a range of other restrictions on visual display. This course examines why. What was the purpose of these ‘sumptuary’ laws (as historians have named them)? What conditions led to their enactment? How did they differ across time and space? What types of people were regulated and who was allowed to dress as they pleased? Through weekly seminars, students interrogate these questions of the original sources and select a subset of sumptuary law to examine in their essay.

This course explores the origins and development of the Heavy Metal genre, from its beginnings in classic and hard rock through to contemporary forms. The aesthetics of the genre are also discussed, and some focus is given to some of the more prominent movements within the genre, such as the NWoBHM (new wave of British heavy metal), death metal, and black metal.

This is a practical language course for beginner learners of Polish. This course gives students a basic knowledge of Polish language, culture and modern Polish society. Students learn to: 1) use Polish to express information about themselves and others, tell a story, express an opinion; b) use Polish in the classroom; c) correctly use the case system and the verbal system; d) express the following meanings: quantity (how many?), time (when?), location + direction (where?), means (how?), cause (why? how come?), purpose (to what end?); e) comprehend and extract main points from Polish language texts, correctly identify the general idea of a text, locate specifically required information, summarize; f) comprehend contextual information (people, places and events) in Polish-language texts; g) use reference tools (dictionaries and grammars) to obtain grammatical and lexical information; h) formulate questions about structures they do not understand. Students arrive at the lower A1 level of language competence (the Common European Framework of Reference for Languages).

This course covers Cuban cinema since the creation of the film institute (ICAIC) in 1959. It considers films by Cuban directors, and representations of Cuba by foreign filmmakers and Cuban filmmakers in exile, thus focusing on screenings of Cuba and Cuban topics from multiple viewpoints. Specific aesthetics are studied to contextualize applications of Cuban theoretical texts in relation to imperfect cinema, and the viewer's dialectics. The course explores the effects of non-chronological sequencing and distancing in film; black humour, subjectivity, and alterity; allegorical interpretations leading to censorship; the self and the State, with particular attention to gender and sexuality in relation to law; film autobiography as a genre; auteur cinema; revolution and the creation of the 'new man'; revolutionary national identity 2 and marginality; and diaspora, exile and inner exile, among other topics. Overall, this module studies film as a political medium across modern and postmodern contexts, using theoretical texts and key films to illustrate pivotal turning points in socio-historical contexts specific to Cuba and the impact of its 1959 revolution on all aspects of public and private life.

This course explores a variety of both qualitative and quantitative social science research to develop the skills for explaining causal mechanism in political phenomena. In particular, the class focuses on the logic of scientific inference, research design and measurement. This course also explores the uses and abuses of statistical reasoning in social and political studies. Students learn the basic rules of data analysis and the logic of statistical inference. It is a prerequisite for Research Methods B, which covers more advanced statistical techniques and research methods.

This course explores the complex connections between religion and human rights, both in terms of the evolution of the contemporary human rights regime, and in relation to the specific disputed issue of gender. The relationship between religion and human rights is controversial and contested. On the one hand is the claim that human rights require a religious grounding. This course explores the complex connections between religion and human rights, both in terms of the evolution of the contemporary human rights regime, and in relation to the specific disputed issue of gender, and have their antecedents in religious traditions, while on the other hand is the view that human rights provide a necessary antidote to the prejudices and inequalities that are characteristic of religion. The course begins with a consideration of contemporary understandings of human rights, of the role of religion in the evolution of the language, values and norms of human rights, and of contemporary debates about orientalism, colonialism and post-colonialism in the articulation and implementation of human rights. The second section considers debates about the nature and politics of gender, the role that different religions play in the construction and maintenance of gender norms, and the manner in which different religions deal with the issue of women’s rights.