University College London

In this course students study the determinants of economic growth, as well as explanations for the current wide disparity of income levels across countries.

The last few years have seen a remarkable increase in our understanding of the basic biological mechanisms underlying human neurodegenerative diseases. Identification of mutations in a variety of genes found to encode proteins present in neuro-pathological inclusions, has suggested that a common feature of all these diseases might be the intracellular accumulation of fibrous protein aggregates within neurons, resulting in neuronal cell death. This course will discuss this hypothesis in the light of contemporary research and provide a foundation for our current understanding of neurodegenerative diseases. It will focus on the genetics, cellular and molecular biology of Alzheimer’s, Huntington’s, Parkinson’s, Motor Neuron Disease and Prion diseases, with the main emphasis on the mechanisms leading to cell death. 

This course is a challenging introductory course and is specifically for non-History of Art students. It examines early modern European art from the 13th to the 16th century, focusing on objects in London's galleries and museums and taught predominantly in front of works in these collections. The specific content of this course changes each year but the aim is to introduce students to key issues in Italian Renaissance and northern European art, focusing on paintings, sculpture, and the decorative arts in London institutions such as the National Gallery and the Victoria & Albert Museum. 

This course introduces students to global health by exploring the history of global health, the global disease burden, topical issues in health and development, and key interventions to improve health worldwide. At the same time, this course helps students understand how different disciplines - such as economics, political science, and anthropology - relate to global health.

The course comprises a set of interdisciplinary lectures designed to enquire into the brain systems that are engaged during the experience of subjective mental states such as those of beauty, desire, and love. 

This course investigates the concepts of liberty, equality, and reconciliation. The course approaches these concepts by studying a sequence of authors including Hobbes, Locke, Wollstonecraft, Betham, Mill, Nozick, and Rawls. Students also explore important considerations of class, gender, and race, with readings from Marx and Engels, MacKinnon, and Delaney.

This course is a challenging introductory course and is for non-History of Art students. It examines modern and contemporary art focusing on objects in London's galleries and museums. The content of this course changes each year, but it introduces students to key issues and themes in British, European, and North American art from the mid-19th century through to the present day, by focusing on works in institutions such as Tate Britain and Tate Modern as well as smaller contemporary galleries such as The Whitechapel.

This course develops the knowledge of econometric techniques that are useful in the analysis of financial markets and macroeconomic phenomena.

This course familiarizes students with the way in which science & technology interact with the economy on different scales illustrated by empirical data and introduces them to the notion of engineering production functions and their relation to ordinary production functions and how they are amended by technological progress. The course also introduces students to analyzing scientific progress and Science through knowledge engineering relations and gives them hands-on experience in modeling technological progress in growth models. It gives students insight in science & technology funding and the distinct roles played by private investors and governments, a proper grasp of the key international and national institutions facilitating and/or funding scientific research, an introductory knowledge of how to model networks and the flow of information or other assets through networks.

One of the primary functions literature serves is as a vehicle for memory. From the portrayal of national histories, to the embodiment of collective myths, to the expression of individual identities, literature has both lent authority to and constructed contentious arguments for our image of our past. The literature of central and eastern Europe is particularly rich in explorations of history and memory. While in earlier times literature was called upon to lend social and historical legitimacy to communities without nation-states, more recent literature of the region has played a major role in attempts to come to terms with the catastrophes of the 20th century.