Communication

This course explored and analyzes major institutions, actors, and trends in contemporary French and European Media and attempts to situate them in the larger contexts of “unifying” Europe and “globalized” world-media-scene. Students examine the operational schemes, performances, and internal decisional and power structures of different branches of French media: print national & regional press, specialized magazines, the publishing industry, advertising, radio, television, and the Internet. The course attempts a specific analysis regarding the international and French implications of the growing potential of social networks and “New Media.” Students review aspects of the growing confusion –both in terms of competition and compatibility—between “new” and “old” media and their political, social, and cultural impacts. In the domain of social and political presence students study and question practices of newsgathering, deontological principles and constraints, media performance under pressure of time, context, profit-making-structures, politics, violence, ethics, and ideologies. The course examines forms and styles of “information,” editorial policies and the variety of notions of “Democratic pluralism” and “freedom of expression” across the French and European Media landscapes. We will try to define, decode, and interpret distinctions between “news,” “commentary,” and “analysis” as they are being treated on the French and European media scenes. The course analyzes what all these may mean, encourage, cultivate, or block in terms of politics, society, culture, and media during “high times” of political turmoil, violent crisis, or social unrest. In the domain of entertainment and “services” offered by the Media, students examine different variations of publishing, broadcasting, and “accompanying” practices over the last 20-30 years. We may attempt a parallel analysis of possible interaction between these two domains (News/Entertainment), following political and ideological lines and some study of the dynamics of change along the ambitions, the strategies and the priorities of the media industries alongside “public demand.”

The first objective of the course is to explore and understand the storytelling epic, the symbolic imaginaries, and the ideological architectures of media events, both planned and unplanned. The specific focus on the recent "trauma television," the coverage of dramatic moments in human and medium history will provide students a further direct-experience based occasion to develop a critical and meaning creation oriented approach towards the medium. The final goal is to let students appreciate how television works, how it’s able to take a precise picture of constitutive parameters, problematic conjunctions, practices, moods, and contradictions of society, and why it still plays such a strategic role in social, cultural, and political issues in national and international contexts. The course main subject is essentially the relation of reciprocal influence between television and society. Built on a solid critical basis, mostly linked to cultural studies, sociology and journalism theories, the course is designed under the theoretical umbrella of the most important medium scholars, from McLuhan to Beaudrillard, and from Kellner to Dayan and Katz. The course discusses topics including television communication in general, its main theories, its complex spectrum of meanings, its storytelling processes, and its numerous social implications; the media events field, with ritual planned events (typically contests, conquests, coronations) and disruptive unplanned ones (disaster, terror, and war); and the "trauma television" of the last two years that is putting unexpected events in the television central stage as never before, even in some cases questioning their very notion – specifically the pandemic, the Capitol Hill riots, the various natural disasters caused by the climate change, and the Taliban takeover of Aghanistan – ground-breaking examples of the link between medium, contemporary history and our everyday life.

A research project that assigns students to expert professors in their proposed research topic. The course takes the students' research capabilities to a more professional level. This can be most closely compared to what is called a supervised research project in the USA.

This course is an upper-division introduction to linguistics, the scientific study of human language, and to what characterizes human language and makes it different from other animal communication systems and other human cognitive systems. The course introduces the different components that human language is made of and how linguists investigate them. In particular, it looks at sounds (and signs) and how they can be combined to form bigger units up to words (phonetics, phonology, and morphology); it looks at words and how they can be combined to form bigger units up to sentences (syntax); finally, it looks at how words and sentences can be used to convey meaning (semantics and pragmatics). While doing so, it emphasizes the innate cognitive aspects of human language but also touches on those aspects that are sensitive to culture and society and determine some of the variation and differences among human languages. Some of the question the course addresses include: what is a language and what does knowledge of a language consist of; are human languages fundamentally different from other systems of animal communication; are some languages better than others; what's a dialect and how does it compare to a language; how do children acquire language, does our knowledge of language derive entirely from experience, or do humans come “hardwired” with certain innate capacities for language; how do languages develop and change over time? For practical reasons, English is the primary source of data and examples for the course for practical reasons as the lingua franca. Still, data from other languages are presented throughout the course, with special attention to Italian, other languages (aka "dialects") spoken in Italy, and languages spoken by the students in the course.

This course examines current discussions and evidence about the psychological significance of media. It encompasses analyses of the psychological impacts of media content and presentation; how individuals process media content as well as how the media affects individuals' knowledge, attitudes and behaviors. Topics include: psychological processing of media; media violence; media realism; sexual content; stereotyping; media effects on collective opinion, and the effects of new communication technologies. 

This course provides an overview of the traditional media and the newer technology-oriented media in Korea. The course is divided into three main parts: examining the role of the traditional media in the social and political development and change of the Korean society; examining the influence of the newer media such as the Internet and social media that have brought about further changes in Korean society; and examining the content and Influence of the Korean entertainment media. The first part of the course starts by examining the general media landscape and then looks at the various factors in the development of Korean media. Since the development of Korean media is closely linked with various social and political factors in the development of democracy in Korean society, a critical aspect of is and understanding of Korean political history. We watch the movies “Peppermint Candy”and “Tae Guk Gi: Brotherhood of War” to this effect. Factors that affect the characteristics of Korean newspapers are examined in the first part of the course. In the second part of the course, we examine the extent of the influence of traditional media such as newspapers and broadcasting and compare it with the influence of newer forms of media that are being offered through the Internet such as Blogs, SNS, youtube videos, and podcasts. We try to understand the influence of these newer media in changing the Korean political and social culture. The third and last part, we look at the Korean media audience and try to understand the “Korean Wave”(Hanryu, Hallyu) not just in Asian countries but also around the world.