English

This course focuses on the critical reading of narrative texts in English. 

While this course is based around primary Victorian comic texts, it allows students to understand and apply key concepts in the wider study of comedy: these include forms such as irony, satire, farce, comedy of manners, parody, and black comedy; and theoretical concepts in comedy, such as superiority, incongruity, and relief theories. Students also have the opportunity to study the work of key comedy theorists such as Freud, Bakhtin, and Bergson.
 

From boy bands to Valentines, our ways of expressing sexual love were first formulated in the Middle Ages. This course traces the early history of the language of love, through poetry and songs composed between the 12th and 15th centuries. With the help of English translations, students explore different types of poetry in various languages: Spanish, French, Catalan, Galician-Portuguese, and the Occitan language of southern France. They learn to analyze complex poems, and to understand and respect cultural differences, through a range of activities including creative rewriting of translations.

This course examines current issues in the theory and practice of English Language Teaching (ELT). It provides a comprehensive introduction to the specific approaches, methods, procedures, and techniques used in the teaching and learning of English as a Foreign Language/English as a Second Language (EFL/ESL) and addresses newer trends such as Content and Language Integrated Learning (CLIL), English as a Lingua Franca (ELF), or gamification.

This course engages with literary and theoretical texts that stage and reflect on the political dimensions of noise, following the transformations of its theory and practice in the course of history.

The goals of this course include improving listening comprehension, enhancing leadership capabilities, summarizing and connecting ideas, building vocabulary and expressions, addressing cultural topics, and sharing views/ideas with others. 

This course examines the world of the bustling and controversial theaters of the Anglo-Atlantic Eighteenth Century. Taking a dramaturgical approach to a number of dramatic texts produced in this important period in the history of popular entertainment, this course will examine key developments in literary innovation such as character development and the rise of interiority from within the context of new theatrical technology, the rise of new forms of media, the growing power of government censorship, an emerging imperial identity, nationalism, and increased social mobility. We will also focus on the rise of celebrity culture in the period and examine the development of popular obsession with “stars” within the broader social contexts of shifting gender norms, new regimes of sexual expression, and the rise of consumer culture. We will also examine plays alongside other forms of texts such as published gossip, celebrity memoirs, newspaper advertisements, playbills, and acting manuals, making use of existing databases hosted at the Folger, Huntington, and the British Libraries. This course also aims to serve as a general introduction on how to read literary texts historically, and how the study of literature can benefit from an interdisciplinary approach.

In this course, students study literature produced in the context of settler nations, focusing in particular on writing and visual art from Canada, Latin/South America, Australia, and New Zealand. Students look at writers and artists of settler descent as well as indigenous and immigrant narratives and how each of them negotiate issues of place, race, and belonging. Texts include poetry, novels, and short fiction, as well as theoretical engagements with settler colonialism, landscape painting, and histories of migration.

In this course, students study how Shakespeare’s plays have travelled around the world in stage productions, literary adaptations, and films during the 20th and 21st centuries. Students consider how many of these adaptations combine aesthetic and political concerns and agendas and how they incorporate elements of literary, dramatic, and cinematic traditions from around the world. Students also learn how the stage productions, film, and animated versions, and literary adaptations on the syllabus might be illuminated by current theories of translation, globalization, nationalism, and appropriation. In addition to the films, productions, and rewrites of the plays on the syllabus, students also are asked to read some scholarly articles and/or book chapters on each of the adaptations as well as relevant reviews, interviews, and artist biographies. Students are asked to read or re-read each of the four Shakespeare plays (Hamlet, Macbeth, Othello, Romeo and Juliet) that most of the adaptations covered is based on.

This course is an introduction to medieval literature.