German

This interdisciplinary course examines how gender and sexuality were experienced, represented, and contested in Weimar-era Germany (1918-1933). Drawing on a diverse array of primary sources - including theater, visual art, literature, film, and theoretical texts - students explore how marginalized individuals and communities navigated, expressed, and politicized their identities. Key topics include the emergence of sexual science and the conceptualization of the "third sex"; the proliferation of queer spaces, subcultures, and social movements in 1920s Berlin; intersections of gender, sexuality, race, class, and disability; artistic and literary depictions of gender fluidity and erotic desire; medicalization, criminalization, and the state's response to gender/sexual nonconformity; the rise of fascism and the violent backlash against LGBTQ+ rights. Through close engagement with primary sources and cutting-edge scholarly work, students gain a nuanced understanding of the complex, often contradictory dynamics that defined gender and sexuality in Weimar Germany. This course equips students with the critical tools to analyze the interplay between cultural production, social movements, and the politics of identity.

Foreigners, in particular people from the US or Canada, are often astonished when they hear how fascinated Germans are with Native Americans. So-called “hobbyist” events with Germans “playing” at being and dressing up as North American Indians, shows with Native Americans performing traditional dances or other rituals, but also theatrical festivals devoted to stories around the fictional Mescalero Apache Winnetou and his white (German) blood brother Old Shatterhand draw thousands of visitors, and it is still fair to say that most Germans have some memory of playing Indians when they were children. The creator of Winnetou, Karl May, is more widely read than Goethe or Thomas Mann, although the literary value of his texts is disputed. As puzzling as this may be from the outside: For more than 150 years, America and, in particular, North American Indians have played an important role in narratives about German national identity. Examining these narratives, students discover a complex web of fascination and identification with Native Americans on the one hand, fascination and ambivalence regarding the culture, politics, and economics of the US and white Americans on the other hand. Students study extracts from literary texts depicting Native Americans from the 19th and 20th centuries and analyze films based on Karl May and other authors, produced in the FRG and the GDR (West and East Germany). They discuss the political implications of images of Native Americans in the context of imperial Germany, in National Socialism, and in the GDR, and they review and evaluate concepts such as the “Noble Savage”, “cultural appropriation” and racial/ ethnic stereotyping and exoticism.

German academic writing is a skill that can be learned. By engaging with selected modern literary texts in the writing lab, students practice to develop research questions, prepare outlines, draft exposés, construct arguments, and comment on academic positions. The goal of the course is to enable participants to prepare well-structured term papers, bachelor's or master's theses, dissertations, and presentations. It also address the grammatical and
stylistic peculiarities of the German academic language, including intercultural distinctions. Moreover, students investigate the promise, perils, and limitations of artificial intelligence (AI), and the extent to which AI can facilitate many areas of academic work but not replace the need for critical and innovative thinking. By the end of the course, participants are equipped to successfully stand their ground in German academic discourse. At the same time, they acquire transferable skills to write clearly structured, concise academic texts in their own language.

Language anxiety and linguistic insecurity are central topics in multilingual and transcultural contexts. In this seminar, students investigate the causes and effects of language anxiety, in language acquisition as well as in the day to day. The class looks at different forms of linguistic insecurity and language anxiety that are affected by social norms, language ideologies, and individual experiences. The goal of the seminar is to develop a critical understanding of this phenomenon and how to approach linguistic insecurity. The readiness to work with research literature in English is required. Students need to take this seminar alongside the lecture "Second Language Acquisition and Multilingualism".

This course is for absolute beginners. This course introduces students to the fundamentals of German grammar, reading, and writing while developing some basic communicative skills. This course teaches students simple structures, lexis and phrases which enables them to communicate in a limited number of common everyday situations in German-speaking countries.

Since the Middle Ages, Germany has been part of wider transnational networks of commerce, religion, diplomacy, scholarship, exploration, tourism, and migration that have involved encounters with other peoples, languages, and customs. This course explores ways in which German literature and culture, at different points in its long history, has engaged with these networks and has imagined the resulting encounters with nations, cultures, and languages beyond its boundaries, both in Europe and further afield. Always bearing in mind that these encounters take place as much in the imagination as in reality, students study a range of texts and other forms that represent journeys, whether real or imagined, and the course considers what light can be shed on these by critical theories that explore ideas of otherness, boundaries, and identities.

This course uses Berlin as a case study to analyze the origins of hate discourses and the so-called "gender ideology" by integrating key concepts of queer theory and gender studies into the discussions to explore the cultural politics of emotions and affect. Questions posed include why has Berlin become one of the foremost LGBTQIA+ capitals in the world? What social and political challenges does the Berlin queer community face, such as the emergence of a new wave of far-right movements? Students examine the evolution of a contemporary, multicultural, and artistic queer Berlin. Topics include the 1920s, the rise of fascism and Nazi atrocities, the division of Germany, and its different approaches to sexual liberation movements. The course considers the impact of the HIV/AIDS pandemic and the Reunification of Germany and the 1990s to understand today's vast and diverse queer scene. It explores recent theoretical advancements in critical queer and gender studies, complemented by workshops and cultural excursions, covering topics such as body politics, queer diaspora and migration, and critical solidarity.

This course explores the complex historical and contemporary dynamics of German colonialism, anti-colonial resistance movements, and the impact of colonialism on present-day German society. Divided into four themes that intersect throughout the classes, the course provides a comprehensive understanding of the German colonial past, anti-colonial struggles in Berlin, contemporary Berlin as a site of colonial heritage, and the emergence of post-colonial and decolonial movements in the city. The first main theme is the German colonial era, which examines key historical events, colonial practices, and the territories under German control. The course explores Berlin as a physical and symbolic space that reflects the remnants of German colonialism and consider how these remnants shape the city's identity. The second focuses on resistance movements against colonization. It studies the diverse strategies and initiatives employed by individuals and communities who fought against German colonialism both in the colonies and in Berlin and the capital of the German empire. The third theme investigates the effects of colonialism on contemporary German society. It examines how colonial legacies continue to shape social, political, and cultural structures in Germany today. Topics include the influence of colonialism on immigration policies, racial dynamics, cultural heritage, and the representation of marginalized communities. The fourth theme engages with postcolonial and decolonial contemporary movements. It critically examines different theoretical frameworks and approaches used to deconstruct colonial power structures, challenge Eurocentric narratives, and envision alternative futures. It also explores the global context of decolonial movements and their relevance to Germany and Berlin specifically.

This course is conducted in the German language and is designed to teach students who are new to German or have basic German skills the basic expressions and grammar necessary for daily life. The course enables students to develop the skills of listening, speaking, reading, and writing in German in a range of predictable situations and contexts and allows students to interact in a simple way orally and in writing. 

This course combines seminars and site visits to take students on a cultural, literary journey through the many layers of Berlin. The course takes a historical look at 1920s Berlin, the liberal republic and how the Fascist government came to be. It then goes on to post WW2, when it became a frontline of the Cold War. Students explore the fall of the Wall in 1989 and the birth of Berlin in a new era as a center of creativity.