History

This course reflects on the limits of the field of Conflict Studies to help us understand and explain the international dimensions of violent conflict and how and why advanced militaries wage war. Invigorating a field of War Studies, we will explore various definitions of war and trace how different forms of 21st century warfare impacts our understanding of what war is. Reflecting on several case studies, the course further strengthens conflict analysis skills by studying how these different forms of warfare interact and have an impact on local conflict dynamics and civilian harm.  This course includes inter- and transdisciplinary (guest) lecturers working at the forefront of academic as well as policy debates on these topics. Conflict analysts are trained to translate these academic and policy insights to a broader public through writing a review and making a podcast series. This course equips participants with the knowledge and skills to analyze the changing character of war in the 21st century.

This course offers an introductory study of ancient history, focusing on the Ancient Near East and Greco-Roman antiquity. The course explores the main political, socio-economic, and cultural developments in this epoch between ca. 800 BCE and 500 CE. The course utilizes textbooks, visuals, tutorials, ancient sources, and modern literature in order to offer insight into current scientific debates and to examine specific themes in Greek and Roman history. The course consists of lectures, seminar discussions, assignments, and group work.

This course offers an in-depth discussion of key topics in the history of Brazilian art and its relation to other cultural spheres such as architecture, literature, and popular music. It examines the trajectory of avant-gardism in Brazil, starting with its consolidation in 1920s debates apropos of notions such as futurism, modernismo and
anthropophagy; its constructivist inflection in the 1950s, with the appearance of Museums of Modern Art and the São Paulo Biennial and provisional cultural alliances with cosmopolitan sectors of an emergent urban bourgeoisie; the growing social and political tensions that marked the resurgence of figuration in the 1960s and the
development of what artist Hélio Oiticica called his “environmental program”; and finally the dispersion of the avant-garde during the harshest years of the military regime and the rise of new experimental tendencies by Brazilian artists who either remained in the country or took exile abroad in the 1970s. The course also discusses the broader background of modernism in Brazil (as opposed to the narrower sphere of the avant-garde) and developments in the fields of architecture (such as the construction of Brasília) and popular music (such as musical Tropicalism) that proved impactful also to visual artists. Throughout the course, students investigate the issue of nationalism x internationalism in the arts, highlighting different strategies of critical assimilation of international tendencies by Brazilian artists and critics.
The course includes not only classroom lectures and discussion seminars, but also occasional visits to museums and architectural landmarks in Rio de Janeiro.

This course examines some of the main themes and issues of Korean history and cultures since the late 1980s. We often use literature and media, including short stories, feature films, documentaries, TV, and popular music, as a vehicle for understanding contemporary Korean history, culture, and society. Among the major issues we are exploring are democratization, the legacy of national division, new generation, culture industries and hallyu, cinematic re-writing of history, IMF crisis and neoliberal culture, family and gender, narratives of women, multiculturalism, and hallyu in the digital, multi-platform era. Topics include Postwar Development of South Korea, Democratization, Minjung and Democratization Movement and New Wave Cinema, New Generation and Individualism, Sunshine Policy, The Development of Culture Industries and the Korean Wave, Discourses on the Korean Wave, Asian Financial Crisis and Its Impact on Korean Society Family and Gender Relations, Gender and Sexuality in Popular Culture, Narratives of Women, Re-writing Colonial History in Film, Multiculturalism, and Hallyu 2.0 and the Korean Wave in a Digital, Multiplatform Era.

The course focuses on the new media technologies that have emerged and spread from the time of the Second World War and onwards. A clear emphasis is on digital media and network cultures, as well as the broad influence of television. Highlighted themes are the cultural understanding of technological development, convergence culture and intermedial relations. Different aspects of media and communication as moral panic, paper bureaucracy and tourism are also discussed. Finally, the arguments of some of the most influential late 20th century media theorists such as Raymond Williams and Marshall McLuhan are analyzed.

This course examines the history of British radicalism, with a focus on two moments: the late 19th century around the work of William Morris, and the post-war years, up to the 1980s. It explores the intellectual, artistic, and material production both of Morris and his circle and of alternative cultures in the post-war period. The course first examines the evolutions of radicalism in post-war Britain through the development of alternative cultures and “new social movements,” while exploring intellectual debates within the British left. It pays close attention to artistic expression and cultural practices within radical cultures. The themes covered include the intellectual debates of the New Left in the late 1950s and early 1960s; the cultural politics of the underground in the 1960s; the challenges of feminism; the emergence of participatory forms of political action around “community politics” and “community arts” practices; the influence of Black and Asian political and cultural organizations on a post-colonial critique of Britain’s imperial legacies; the cultural and class politics of Punk and the question of its position in the British history of radicalism. The second part of the course focuses on the work of William Morris. NEWS FROM NOWHERE (1890), “a Utopian romance” as well as a book supporting anarchist ideology, details the radical reconstruction of society. It serves as a base for the exploration of late-Victorian aesthetics and politics, and highlights the contemporary scope and significance of William Morris’s revolutionary cultural legacy.

This course traces the main historical contexts in which democracy has emerged as an idea, practice, and set of institution. Main thinkers on democracy are read and discussed on the basis of primary sources. Their ideas are interpreted in the historical context of transforming practices and institutional change. Historical explanations and philosophical interpretations of democratization and de-democratization are analyzed in their interaction.

This course introduces students to the environmental humanities, a multidisciplinary formation that brings the visual arts, literature, theatre, history, music, languages, philosophy, politics, law, film, media/cultural studies, anthropology, and cultural geography, into relation with the sciences in response to the environmental crisis. The course focuses on how history/history of art and architecture have responded to the challenge described by Chakrabarty and how these disciplines now contribute to the project of the environmental humanities by rewriting histories and reimagining futures. Students will learn about the climate crisis as a product of modern histories, including histories of science, extractive economies, technology, and media. The course also critically appraises concepts that feature prominently in public and academic debates about the climate crisis, such as Sustainable Development, the Anthropocene, and Planetary Boundaries. 

In this course the views of a number of classical thinkers on capitalism will be discussed: Adam Smith, Karl Marx, Max Weber, Friedrich Hayek, John Maynard Keynes, Milton Friedman and Thomas Piketty. What was, in their view, the nature of capitalism? Which problems does the system have? And how should these shortcomings be remedied?