History

This course offers an introduction to the historical film genre by examining American, British, European, and Japanese films made during the past 20 years. It considers the debates surrounding the representation of history on film, and the influence and impact that historical films have on the public imagination and understanding of history. Students explore the aesthetic pleasures that historical films offer to audiences, as well as the wider public discussion and debate that historical films provoke among scholars, critics, and journalists in print and online. 

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The course's main emphasis is on cultural heritage; it offers a bridge between the past and the future by means of the present. The course investigates the formation of the concept of cultural heritage in historical perspective and the European geographical spectrum. It also dwells on the cases of destruction of cultural heritage occurring throughout history. Starting from the shaping of urban landscapes through the ages, the course also addresses the heritage values of urban space, which are overall values derived from the integration of different components. The course provides: an understanding of the significance of urban environments through the transformations that occurred over time in relation to various political and institutional phases; a comparative view between Italian and European cities through specific examples; an ability to use sources such as aerial photos of urban settlements to identify the stages of their development from antiquity to the present; and recognition of the reasons for the shaping of Europe's cultural heritage and in particular its historical urban landscape.

This course introduces the language, culture, and society of Catalonia and builds basic linguistic and cultural competence. It provides a study of the Catalan language, as well as general information about the culture and society: traditional festivals of Catalonia, customs, and distinctive characteristics of this autonomous community, which has its own language and culture.

This course covers the essential lines of food history in an economic, social, and cultural perspective, based on reading documentary, narrative, literary, and scientific sources, by way of examples of document interpretation and an introduction to proper historical work. The course introduces the use of original documents, narratives, and literary and scientific sources as starting points for historical research. The course provides the general outlines of food history and food cultures, with special emphasis on Italian and European history between the Middle Ages and the Modern Age. Its 15 lectures are structured in such a way that each includes a theoretical part and an analytical part discussing sources relevant to the topic covered in part 1. Topics include: the birth of Food History as a discipline, methodology, birth, and evolution of dietetic science in the West, food in Antiquity and Middle Ages, food in Europe, food production and land management, city supply and markets, eating behaviors, food and social identities, birth of written cookbooks, dissemination of European gastronomic cultures, the Colombian Exchange, Italian identity in the kitchen, and history and myth.

This course will investigate the ways in which the policing of gender and sexuality intersected with the policing of (ethno) national boundaries in Central-Eastern Europe, with a focus on the state-socialist period (1945-1990) but including the interwar period and the post socialist period as contextual bookends. At the same time, it will explore the ways in which the socialist ideologies of gender equality and internationalism were actually (and selectively) implemented in these countries, the effect this had on women and men from both ethnic majority and minority populations in these countries. Finally, it takes a transnational approach, looking at the role of gender and sexuality in positioning Central Eastern Europe within the (white) West, and in the West’s perception and ‘othering’ of the region.

The city and language course introduces students to French history, culture, and language through team-taught instruction. In the “City as Public Forum” sessions, students are introduced to French history and culture through a series of lectures and site visits. Students discover some of the fascinating ways the core principles of social justice were tested in theory and practice on the streets of Paris in the past and explore how they evolved into the pillars of French society today. The course focuses on just how an ideal society should be forged, where all are free individuals and members of a cohesive community at the same time. Trying to make individuals believe—as religions do—in the primacy of the collective, and in its concomitant goal of protecting human rights, is at the core of social justice in France. From 52 B.C.E to today, France has been an exemplar of how—and how not—to construct a just society. To render these values visible, and therefore legible, to all by adding a physical dimension—whether constructive or destructive—to the usual means of establishing laws or setting policies, is what distinguishes the history of France's capital city of Paris. Those who control Paris—be they monarchs, revolutionaries, or presidents, past and present—believe that erecting all kinds of physical structures will render their values concrete and immutable. The ideal French society did not always necessarily mean a democratic or inclusive one. Since the French Revolution, however, institutionalizing the concept of “liberty, equality, and fraternity” has been France's greatest universal achievement and a source of constant upheaval, eliciting a unique form of secular activism that has led to targeting buildings and monuments that no longer reflect the collective's values. Students discuss how the diverse social actors, who constitute “the French,” continue to thrust their bodies and minds into the physical spaces of the public sphere in the pursuit of social justice. In the “Unlocking French” sessions, students learn targeted language skills through situational communication, so they have the opportunity to use everything they learn as they go about their daily activities.

Classical music is the only art form that goes directly to the human spirit, states Pierre Bourdieu. More than any other genre, classical music has been stated to divide society by race and class. Orchestras base their business model typically on a visions of a white middle-class (and middle-age) audiences.. At the same time, even modern pop musical forms often presume but rarely do cross racial lines. Why is that so and where does the racial divide in music stem from? This course examines the interplay of music and race in North American history. We will examine different genres of music across time and space with a particular eye on agency and target audience, sound and word. We will look at mostly classical musicians of the African-American diaspora and North America, including their their experiences, their art and politics, and their receptions. Through an interdisciplinary approach using history, critical race theory, and cultural sociology, we will discuss and define racism, bias, inequality, and scripts of exclusion and inclusion in both pop and classical music. Moreover, we will examine to what extent and how shared empathy through sound may have the potential to influence, perhaps even change racial conscience, decreasing discrimination and exclusion in and outside stages ranging from street gigs to the concert hall. The seminar seeks to fulfill two objectives: first, we will spend a significant amount of time considering some of the most recent literature dedicated to the history and present experience of music and race. Both historians and musicologists have identified peculiar factors informing the interplay of music and politics. These include specific music genres, minstrelsy, jazz clubs, the music industry, and the interplay of music and civil rights. What cocktail, we’ll ask eventually, does it take to activate music as an instrument of both power and suppression and how do race and music interplay? Second, we will try to understand the mechanism of sound in the name of identity, discrimination, political action and discuss whether there are particular lessons for the impending future.

This course focuses on the rise of dictators between 1915-1945: Mussolini, Franco, and Hitler and the demise of old liberal governments during the interwar period in Europe. Topics include historical analysis of these events and the rise of Bolshevism and of various Fascist regimes. 

As a global conflict impacting society and culture, the Cold War poses a unique challenge for Musical historiography. While historians concentrate on the „superpowers“, the USA and the Soviet Union, the developing field of Cold War studies is emphasising the importance of smaller countries caught between west and east governments. With this expansion and new focus of our perspective, we are revising and pluralising our historiographical methods to make the dynamic national/historical borders of the Cold War more visible. The course uses the approach of political musical history to conceptualise the era. At the same time we also study broader Cold War history and new perspectives on national/international musical historiography.

This is a course in the history of ideas that introduces students to important shifts in the ways in which history, society, and politics have been thought about from the Renaissance to the 20th century. The course covers key figures in the history of political thought and philosophy, including Niccolo Machiavelli, Mary Wollstonecraft, Karl Marx, Mohandas Gandhi, and Hannah Arendt, and addresses influential debates about such issues as the relationship between politics and morality, the justification for violence, the nature and causes of inequality, the rise of capitalism, imperialism, and the rights of women. Attention throughout is focused on a careful scrutiny of primary sources. By the end of the course, students have deepened their understanding of some of the critical issues that have dominated modern history.