Latin American Studies

This course covers the topic of food to explore the history of Mexico and its diaspora from the time of the Conquest, with a particular focus on food as national and cultural identity as reflected in cinema and literature. It will also explore how food provides a multifaceted lens through which to examine issues such as food and poverty, food as a transnational site of both community and exclusion, and ecological issues, such as control of natural resources essential to food production and security. Students will examine the topic of food as both a political issue and a source of creative inspiration through our analysis of texts, art, films and television series.

This course explores the evolution of women's work inside and outside of the home; traditional and emerging views relative to women and domestic and/or care work; and current models that include greater State involvement and societal support for domestic and care work as prerequisites for gender equity and more robust democracies in Latin America. Students derive the conceptual tools for their own critical analyses, developing an amplified understanding of the role of care and domestic work in Latin America; the role that women play in the same, and what this classic equation has meant for the region's development trajectories. Likewise, the course introduces existing models and policy alternatives. It is divided into two parts: the first part covers Latin American women's inequality in labor and in society, and the second part considers emerging responses.

This course examines musical phenomena from an anthropological perspective. From this perspective, music is approached as a social practice and symbolic production, as a performance that produces meanings and agency for musicians and listeners. Present in all societies, music tends to be a collective and ritualized activity through which its practitioners - including listeners - reaffirm shared values ​​and a sense of belonging to local, national, and transnational communities or social groups. At the end of the course, students are expected to 1: improve their ability to deal with the experience of musical otherness and, 2: understand the implications of the cultural, social, and political context in defining the different concepts of music and meanings that are collectively attributed to it.

Through the review and viewing of various documentaries and works of art, the aim is for students to recognize some of the impacts generated by the 1973 Coup d'état in Chilean society, emphasizing how it has affected the subjective constitution of societal impunity and the problems in the articulation of a social memory.

This is a special studies course involving an internship with a corporate, public, governmental, or private organization, arranged with the Study Center Director or Liaison Officer. Specific internships vary each term and are described on a special study project form for each student. A substantial paper or series of reports is required. Units vary depending on the contact hours and method of assessment. The internship may be taken during one or more terms but the units cannot exceed a total of 12.0 for the year.

This course explores the origins, contemporary manifestations, strategies, impacts, and responses to extremism in Europe and the Americas, with a focus on right-wing examples. It examines the political, social, and cultural dimensions of these movements. The course also distinguishes extremism from related phenomena such as populism and nationalism, explores the motivations and ideologies behind extremism, and assesses the consequences for democracy and social cohesion in these regions. The course begins with a brief introduction to the definitions and distinctions surrounding extremism. In Section II, the course takes a closer look at how extremism has developed in contemporary European and American contexts. Section III focuses on analyzing extremist ideologies and discourses, including propaganda and online strategies, through various case studies. Finally, Section IV reflects on the social and political impacts of extremism, as well as the responses from governments and civil society. The course is taught through lectures, cross-sectional analysis, group discussions, and the use of primary and secondary sources alongside case studies.

This course covers the topic of food to explore the history of Mexico and its diaspora from the time of the Conquest, with a particular focus on food as national and cultural identity as reflected in cinema and literature. It will also explore how food provides a multifaceted lens through which to examine issues such as food and poverty, food as a transnational site of both community and exclusion, and ecological issues, such as control of natural resources essential to food production and security. Students examine the topic of food as both a political issue and a source of creative inspiration through our analysis of texts, art, films and television series.

This is an independent research course with research arranged between the student and faculty member. The specific research topics vary each term and are described on a special project form for each student. A substantial paper is required. The number of units varies with the student’s project, contact hours, and method of assessment, as defined on the student’s special study project form.

This course examines the idea of the communication revolution from two perspectives. First, how have changes in communications technology altered the speed and nature of communication between individuals and societies? The course explores how inventions such as the printing press, the camera and the radio helped connect Latin Americans to national and international networks and gave rise to new political and cultural identities. Second, how have individuals and groups used mass communication to both push for and resist revolutionary change? Examples include the role of print culture in the Atlantic Revolutions, printmaking in the Mexican Revolution and the pioneering use of radio education in the Andean countryside during the 1960s.