English

This seminar studies literary and artistic production during the Modernist era, seen as a period of crisis that is both a moment of rupture and a critical moment in the field of art and literature after the First World War. It covers Picasso’s Cubism; Bartok’s and Stravinsky’s music; Diaghilev’s Russian ballet; and the European literary scene including Virginia Woolf, James Joyce, and D. H. Lawrence in Great Britain; and Marcel Proust and André Gide in France. The course also examines this new literary “modernity” in American fiction, including Dos Passos’s 1919 (1932), Hemingway’s THE SUN ALSO RISES (1926), and F. Scott Fitzgerald’s TENDER IS THE NIGHT (1934). Each novel provides an opportunity to study the tension between satiric representation and formal experimentation, or the “creative violence” characteristic of Modernism. The second part of the course looks at how modernist writers engage with ordinary life and objects, not only from a phenomenological standpoint as they explore the sensible aspect of subject/object relationships, but also from a political one underwritten by gender and economic considerations. The course considers how numerous, sometimes uncanny, encounters with daily matter in modernist fiction are not only critical in the characters’ existence but also of the materialistic and consumerist turn of 20th century society.

This course uses an array of primary and secondary source readings to explore the emergence of the system of intensive colonial exploitation that we know as the plantation system. The course investigates the economic, political, legal, cultural, intellectual, and technological innovations that undergirded the development of the plantation as a colonial institution. It will also explore the role of bound and enslaved people in resisting and reshaping the institution. The seminar engages extensively with the historiographic debate about the relationship between the plantation system and the emergence of capitalism. It focuses upon developments across the Americas between the 16th and the late-18th century, drawing from the Portuguese, English, French, and Dutch empires and the newly independent United States.

 

In her first book, published in 1997, Saidiya Hartman unfolds a theory of the subject based on the effects of colonialism. She studies the relation between white supremacy and the oppression of Black people through modes of self-constitution and performance. Hartman’s work is one of the canonical readings within Black studies and Black feminism and methodologically situated between history, philosophy, and performance studies. The course engages in a semester of close reading in order to get familiar with some fundamental theoretical motives in Black Studies, such as the notion of antiblackness, slave agency, the aftermath of slavery and its counterparts: the possessive individuality of the bourgeois subject and the liberal notion of freedom.

In this hands-on course, students work in interdisciplinary teams to uncover the rich history of Utrecht and share findings with the public. Combining historical, architectural, and societal data, students develop and design an innovative application for the city of Utrecht. In the process, students cooperate across disciplinary borders, take charge of their own learning process, and experimentally assess the added value of new media and ICT. The course accumulates in presentations and interactive demos of the teams’ final prototypes.

This course introduces the main themes, concepts, and perspectives of sociology. It defines sociology, and examines the theories and methods researchers use to answer sociological questions. It discusses the fundamental social processes and concepts (culture and socialization, social structures, and social inequalities); social institutions (family, education, gender and religion); and environment and social movements.

This seminar introduces the scientific study of European politics. The course applies the basic theoretical tools, concepts, and empirical methods of comparative politics to analyze, understand, and explain some of the systematic relationships that exist between economic, political, and social variables within European countries and the European Union. The seminar is divided thematically into three parts. Following a brief introduction to the course and review of the comparative method, the first section covers the origins of European states and democracy in Europe as well as the democratic transition processes of the ‘third wave’ in Southern, Central, and Eastern Europe. The second section focuses on the domestic political institutions of liberal European democracies and the variation that exists between them and the institutions of the European Union. While the course covers country-specific knowledge, the course is not an in-depth study of individual countries. Instead, the course discusses the similarities and differences in the executive-legislative relations, electoral systems, and party systems across Europe. The final section of the seminar deals with the effects and policy consequences that the variation in these institutional arrangements has on government accountability, representation, economic performance, political stability, and various economic and social policies.