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This course for advanced undergraduate students covers components and biochemical processes of terrestrial ecosystems. Human activities have altered more than half of the ice-free terrestrial ecosystems. Students learn the components of Earth system including atmosphere, ocean, soil, and biota, and understand how these components influence the cycles of elements, water, and energy. Students are expected to discuss temporal and spatial changes of the components and consider the integrated effects of these changes on soil functions at diverse scales ranging from plots, regions, and the globe.
Topics include History of ecosystem ecology, Water and energy balance, Plant photosynthesis: carbon input to terrestrial system, Plant and ecosystem carbon budgets, Terrestrial carbon losses, Terrestrial nutrient cycling, Temporal and spatial dynamics, Anthropocene.
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This is a studio art course in which students create aesthetic works using various metals and methods. Based on each student’s individual research in the field of metalcraft, this course allows students to explore and deepen personal topics, and to creatively apply them to thesis work and research. Through this process, students develop their abilities as independent metalcraft artists and educators.
Students are expected to propose a topic and conduct research on that topic and work on creating an art piece that aligns with their theoretical, conceptual, and contextual research.
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This course is intended for undergraduate students in the Department of Brain and Cognitive Sciences who have some background knowledge in Neurobiology and Behavioral science. This class covers the basics of cognitive neuroscience. Cognitive Neuroscience is a subfield of neuroscience that examines behavioral and neurobiological foundations underlying cognitive functions including perception, movement, attention, learning and memory, emotion, language, decision-making, and social cognition.
Students will explore the methodology of cognitive neuroscience and its applications to investigation of human behavior and decision. The course focuses on 8 major functions of the brain: Perception, Movement, Attention, Emotion, Memory, Executive functions, Decision-making, Social cognition. Students are expected to actively participate in questions and answers, debates, and discussions during class.
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This course covers human-computer interaction (HCI) design methods and principles. Human-computer interaction deals with the design of interactive systems to support the ways people communicate and interact in their everyday and working lives. The central goal of HCI is to develop usable systems that are easy to learn, effective to use, and offer an enjoyable experience.
In this course, students explore well-known design principles on usability aspects (e.g., learnability, efficiency, human errors) and design methodologies (e.g., user-centered design, task analysis, prototyping, heuristic evaluation, and user testing). Design assignments and term projects help students enhance their user interface design skills in web, mobile, and IoT environments.
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This course introduces feminist perspectives into established aesthetics by illuminating the systematic elimination of sex, sexuality, and the body from conceptual frameworks such as beauty, the sublime, pleasure, and reason. At the same time, the course analyzes and critiques artwork and practices from feminist perspectives, examining art produced or performed by women.
The main concepts of modern aesthetics, such as 'beauty', 'hobbies', 'art', and 'genius', were surprisingly not evenly distributed to everyone. In other words, they were ideological, sometimes very gendered. As a result, there were people who questioned these aesthetic concepts, and these questions provided a place for a new view of new art. In this lecture, starting from the question of the gender ideologies hidden by the basic concepts of aesthetics, we examine the novelty opened up by feminist aesthetics with a focus on contemporary art, and furthermore, we will glimpse the future imagined by feminists' posthuman-centered thinking.
Topics include body and mind, subject and object, the debate of nude representation, beauty and the sublime, theory of genius and romanticism, gender in modern aesthetics, art as other, woman as other, modernism, rethinking body, abject body, queering body and performativity, anti-human, non-human, and posthuman, and more.
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This course covers economic development in various regions of the world and introduces students to major development problems and policies, both domestic and international. Students explore and analyze models of economic growth, population growth, poverty, income distribution, urbanization and rural-urban migration, health, education, the environment, and international trade and finance, problems of debt burdens, foreign aid, and private and foreign investment. Topics include Economic Growth and Development, Growth Models, Poverty, Income Inequality and Development, Population Growth and Economic Development: Causes, Consequences, and Controversies, Rural and Urban Migration: Theory and Policy, Human Capital and Economic Development, Agricultural Transformation and Rural Development, The Environment and Development, Trade and Economic Development, The Policy Debate: Export Promotion, Import Substitution, and Economic Integration, Balance of Payments, Developing-Country Debt, and Macroeconomic Stabilization Controversy, Foreign Finance, Investment, and Aid: Controversies and Opportunities, and Finance and Fiscal Policy for Development.
Prerequisite: Introductory economics
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This course covers processes and techniques that help corporate managers make financial decisions in an international setting.
Instead of introducing fundamental international finance concepts in a simplified one-country setting, this course takes a global approach and studies different nations (with each their own currency) who interact politically, economically, and financially.
Students examine qualitative and quantitative financial methodologies for making major financial decisions in the international business setting and learn to identify global issues and trends in both academic and practical areas of international finance.
Prerequisite: Financial Management
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This course explores the organic connection between design and theory and builds an effective and integrated design methodology by examining how design interacts with social contexts and diverse relationships.
The course investigates how discourses traditionally considered external to the field of architecture—such as those from the social sciences, cultural studies, and environmental theory—inform, shape, and enrich architectural practice and production.
Students learn the design principles that appear in architecture and art, and based on this, they study how to apply them to architectural forms.
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This advanced topics course covers neuro- and neuroscience-related topics via a combination of 1 hour lecture and 1.5-hour student discussions. The weekly topics are presented by the professor and guest lecturers. Topics may include Neuroscience Research and Treatment of Brain Disorders, Sensory Processing and Integration, The Neurobiology of Cancer, Cell-cell Interactions in Neuroimmunology, Panel Discussions, etc.
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