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This course offers a study of happiness in relation to science and education as well as discussion of the pursuit of personal happiness.
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This course is a study of international journalism, beginning with a review of the background of global journalism and its theoretical framework. Particular emphasis is paid to the rapidly changing landscape of journalism in the digital era. Topics of study include: war and conflict journalism; correspondents, envoys, and legal coverage; censorship, propaganda, and the ethical response; Al Qaeda and cyberterrorism; coverage of climate change, earthquakes, floods, hurricanes, volcanoes, and accidents; news from international organizations; leading think tanks and their analysis; elections, regime change, and international politics; social networks and the WikiLeaks case; and regional geopolitical coverage.
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COURSE DETAIL
This course examines the cultural production of the 1960s in the United States, a period of enormous socio-cultural and political change. Topics include: New Journalism; the Civil Rights Movement; politicization of rock and roll; student protests; the Summer of Love; Vietnam; rioting in Chicago 1968; Hunter Thompson and the Hell's Angels; Tom Wolfe's Electric Kool-Aid Acid Test.
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This course provides a study of the main elements that make up the Spanish financial system, its institutions (European Central Bank, Bank of Spain, banking and non-bank financial intermediaries), and its markets (monetary and capital). It examines the current state of financial systems, including the role played by financial institutions, central banks, and different regulators.
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COURSE DETAIL
COURSE DETAIL
This course focuses on the main theoretical and empirical tools to create, develop, and implement a business project in a digital economy.
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COURSE DETAIL
This course chronologically examines art in its historical context from the 15th century to the present. Emphasis is placed on the main styles of Western art, specifically from the Renaissance, baroque, and neoclassical periods in addition to modernism and the avant-garde.
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