Free University of Berlin

This course consists of an overview of the third wave of cognitive therapy, particularly Acceptance and Commitment Therapy (ACT). ACT focuses on strategies of mindfulness and acceptance as well as interventions to clarify values and modify behavior. This seminar focuses on the following questions: (1) What is mindfulness and what forms of mindfulness-based therapy are there? (2) What are the basic assumptions and goals of ACT? (3) What is psychological flexibility and through which processes can it be promoted? (4) How and when can ACT be used in adults and children and adolescents to treat mental disorders? Students develop workshops on an ACT process in groups and carry them out as part of the seminar. The seminar is experience-oriented and interactive and includes practical exercises. The bulk of the course content is distributed in the form of research papers and interactive classroom presentations and discussions.

This pre-semester course prepares foreign students for academic study at a German university. The focus is on the introduction and consolidation of basic grammatical structures, as well as on the continuous development of a basic vocabulary. Student develop listening, reading, speaking and writing skills for specific everyday situations, work on oral and written exercises, and are introduced to independent learning methods. They work with and reflect on cultural topics in everyday situations in Germany, in Berlin, and at the university. In this class at the A1 level according to CEFR, students review and learn basic grammar points and are systematically introduced to basic vocabulary. All four skills are developed and applied to everyday situations and some study-related situations. The A1 level is split into two courses, the A1.1 course covers the first half of the level and the A1.2 course covers the second half of the level.

There is hardly any musical style, genre, or context which has not been significantly affected by the pervasive digitalization of recent decades. From digital audio workstations to computer-generated music, from laptop performances to fan remixes, from cloud computing to commercial distribution channels – digital technology has profoundly changed the ways in which music is produced, performed, disseminated, and consumed. This course examines the nature of these shifts and samples salient and productive intersections of music and technology. Through specific case studies, the course tackles the following questions: How have digital technologies enabled unprecedented modes of making, using and perceiving music? In what ways has digital mediatization shaped our experiences with musical content and style? And how do we reconcile the long-established connections between music, performance and liveness in an era when the paradigm of reproduction seems to be omnipresent? In the first five sessions the course considers the impact of digital technologies on the production of music. After an introducing outline of basic shifts in music and musicianship caused by digitalization and the computer, the course looks at concrete musical examples in order to understand the influence of digital technologies both on the creative process of music making and on the aesthetic reflection on it. The second half of the course starts with exemplary examinations of digital music technologies in music-related genres and domains, such as film, video games, or sound art. At the end of the semester the course extends the scope and considers cultural issues that are entailed by digital possibilities of sharing, disseminating, and consuming music. In particular, we discuss the intertwining of digitization and commodification as well as its impact on the experience of music in everyday life.