Free University of Berlin

Around the globe, right-wing populist and extremist movements and parties are on the rise. In some democracies, they have marginalized or even replaced mainstream conservative parties, in others – like in the US – they have radicalized them. In light of their typically ultranationalist (“America first”) and frequently isolationist and protectionist policy positions, it is somewhat counterintuitive that these actors would form cross-border alliances. And yet, the transnational networking of radicalized conservatives, right-wing populists and even extremists has increased in recent years. Gatherings such as the US-based Conservative Political Action Conferences (CPAC) have featured more and more international participants and high-level speakers. Common themes such as the “anti-woke agenda” can be observed across many different countries. In the seminar, we will explore the extent and relevance of these transnational networks, focusing on ideological exchanges and cross-border learning of strategies and tactics, including political communication.

Classical music is the only art form that goes directly to the human spirit, states Pierre Bourdieu. More than any other genre, classical music has been stated to divide society by race and class. Orchestras base their business model typically on a visions of a white middle-class (and middle-age) audiences.. At the same time, even modern pop musical forms often presume but rarely do cross racial lines. Why is that so and where does the racial divide in music stem from? This course examines the interplay of music and race in North American history. We will examine different genres of music across time and space with a particular eye on agency and target audience, sound and word. We will look at mostly classical musicians of the African-American diaspora and North America, including their their experiences, their art and politics, and their receptions. Through an interdisciplinary approach using history, critical race theory, and cultural sociology, we will discuss and define racism, bias, inequality, and scripts of exclusion and inclusion in both pop and classical music. Moreover, we will examine to what extent and how shared empathy through sound may have the potential to influence, perhaps even change racial conscience, decreasing discrimination and exclusion in and outside stages ranging from street gigs to the concert hall. The seminar seeks to fulfill two objectives: first, we will spend a significant amount of time considering some of the most recent literature dedicated to the history and present experience of music and race. Both historians and musicologists have identified peculiar factors informing the interplay of music and politics. These include specific music genres, minstrelsy, jazz clubs, the music industry, and the interplay of music and civil rights. What cocktail, we’ll ask eventually, does it take to activate music as an instrument of both power and suppression and how do race and music interplay? Second, we will try to understand the mechanism of sound in the name of identity, discrimination, political action and discuss whether there are particular lessons for the impending future.

As we observe increased news-avoidance, particularly among young adults, questions arise as to how journalists can counteract the trend and at the same time potentially redefine their role in public discourse. In this context, we will explore the role of constructive journalism in navigating and reporting on crises, such as natural disasters, pandemics, political upheavals, social and armed conflicts. Through a combination of theoretical discussions, case studies, and practical exercises, we will examine how journalism can go beyond traditional reporting to foster constructive dialogue, promote solutions, inspire change, and offer multiple perspectives during times of crisis. Thus the course objectives include: understanding the principles and concepts of constructive journalism, analyzing the challenges and opportunities of reporting on crises, examining case studies of constructive journalism in various crisis contexts, developing critical thinking and analytical skills in evaluating media coverage of crises, as well as practicing constructive journalism techniques through hands-on exercises and projects.

The media landscape and associated industries are in a constant state of evolvement, repeatedly undergoing transformations in their manner of production and positioning within social and thus market contexts. These dynamic processes of change within the broader field of media products and services are often intertwined with and conditioned by associated innovations in the enabling and underlying technological frameworks employed to produce, distribute and consume them. Innovations in communication technology thus also entail an impact on individual, social and psychological aspects of modern life. While this impact has long been influential, pressures of digitization and digital transformation have been making the need for a scholarly assessment of aforementioned processes ever more apparent. In this seminar we will thus explore current research and theory aiming to shed light on the intricacies of such developments, getting to know different dimensions of innovation and connecting them to practical examples of how these processes take shape within the wider media landscape. The course thus offers a rather broad perspective on what characterizes media innovation, how it develops, and what structural conditions facilitate and shape it.
 

In this class, students learn about the characteristics of social ventures that are driven by a dual mission: a strong social, societal and/or ecological purpose alongside their economic mission. The class invites students to reflect how social and economic purpose can be aligned in their ventures and how their own personal values can drive the various blocks of a venture creation process. To reflect and build upon the individual set of values, we are using the method 'Theory U’ by Otto Scharmer. To that end, students learn about, discuss, and reflect upon social and economic purpose during ideation, team building and business modelling. This knowledge is applied to a business idea that supports both the social and economic mission of the founding team.

This seminar seeks to provide an overview of the philosophy of Arthur Schopenhauer and Friedrich Nietzsche. It starts by looking at Schopenhauer’s central work – The World as Will and Representation (1819), touching upon each of the central themes found therein: epistemology, ontology, aesthetics, and ethics. Subsequently, we will partially mirror the themes covered in studying Schopenhauer, this time providing Nietzsche’s take on these. We will approach Nietzsche’s work initially by looking at his On the Genealogy of Morality (1887) – one of his clearest and most systematically argued work. We will find that this not only provides insight on morality but will provide a good foundation for exploring Nietzsche on topics such as art, truth or the will to power. The final part of the seminar will be student driven. Three alternative options have been prepared, covering either A. Nietzsche on Knowledge, Causality and Truth; B. Nietzsche on Art; or C. Nietzsche on Nihilism and The Will to Power. Students will be asked to make a joint decision as to which one of these three topics they will choose for us to cover. This way, in addition to the topic of morality we will be able to cover in some detail Nietzsche’s take on one of the other topics that we explored at the beginning of the seminar from Schopenhauer’s perspective.

Depression is a painful existential situation that seems to be quite widespread in our contemporary capitalist, ultra-individualistic societies. Recent and current interrelated crises, as for example the financial crisis, the climate crisis and the threat of a global war, seem to have exacerbated the phenomenon. But what does it mean exactly to be depressed, or to live with depression? How could we better conceive of it: as mental and bodily disorder, condition, disposition, mode of experience, habit, …? What kind of relations – to oneself, to fellow human beings, and to the world – does depression foster and is fed by? If one agrees to consider it as a pathology, is it just an individual or also a social, collective pathology? What does constitute its ‘pathological’ (i.e. ‘wrong’) character? Does depression also entail ‘positive’ aspects? This course follows various paths for developing a critical philosophy of depression, an undertaking that finds itself, in the current philosophical landscape, at its outset. Note that the preposition “of” has a double meaning: on the one hand, we will study and articulate philosophical, conceptual and also nonconceptual tools for understanding what depression is; on the other hand, we will explore the cognitive (and affective) resources that the depressive experience disclose and unleash, what their epistemological, ethical and political values can be. The seminar aims at addressing and discussing the topic by drawing upon a vast range of theoretical and literary resources, from psychoanalysis to philosophy, from sociology to literature.

We live in an age of multiple crisis where basic gender equality is as much under threat as the earth’s climate. Why not combine different approaches to think through the looming Armageddon in search for alternatives to humanity’s demise – or at least a better understanding of it? The course uses Cara Daggett conceptualisation of Petromasculinity (2018) as a starting point to explore the intersection of Gender Studies and Ecocriticism. We will discuss the dualism of culture and nature uncovering the importance of gender in our perception of these two organizing concepts. From there, we will turn to Energy Humanities and Ecofeminism to understand how the extraction of non-renewable energies relates to discourses of The End of Man (Joanna Zylinska 2018) and see where that path will lead us. The primary texts for the course will come predominantly from African, South Asian, and Southeast Asian creatives and where not easily accessible will be made available through a course reader.