Free University of Berlin

Philosophers, and non-philosophers alike, have fought over the meanings, values and consequences of love and sexual desire from philosophy’s very beginning. The seminar addresses some of these controversial issues, their aporias and paradoxes, and encourages students to find their own interpretations and answers. We will discuss questions such as: Are there different forms of love? What are the differences, if any, between e.g. love and friendship? Is sex or sexual desire essential for love? Do we lose or find ourselves in love relationships? How do we change when we fall in love? Are we free or unfree when we are in a love relationship? How do power and love relate? How much aggressivity, hate and mastery are entailed in love bonds? The seminar will address these (and further) questions by concentrating on four models of love: (1) Love as union or fusion; (2) Love as knowledge; (3) Love as work on oneself; (4) Love as struggle. As conceptual basis for these models, two texts in particular will be read, analysed and discussed, an ancient one, Plato’s Symposium, and a modern one, which however draws upon ancient myths, Heinrich von Kleist’s Penthesilea. The two texts will be studied in light of modern and contemporary insights and issues, as for example those raised by Hegel (and especially his master/slave figure), psychoanalysis, feminism, polyamory theory, and others. There will be space for students to (partially) participate in the articulation of the programme, and for practicing philosophy in some more ‘creative’ ways than usual (by for example staging philosophical theatrical scenes).

The mythologically masculine figure of the creative genius has often been employed to minimize and excuse violence against marginalized people. In exchange for great art, audiences might be more than willing to look the other way when women, people of color, queer people and children get hurt. With the arrival of social media, the violent price of art by monstrous men has become harder to ignore. Their crimes are all over the internet. When knowledge of the wrongdoings by artists spread, it becomes challenging for fans to ignore the reprehensible behavior of people like Michael Jackson, Roman Polanski, Louis CK, Woody Allen, Bill Cosby, Kevin Spacey and R. Kelly. In this course, we reflect on the dilemma this leaves for audiences: How do we deal with great art made by horrible people? Students will learn how to make use of an intersectional feminist toolbox to engage with questions like: -- Does art have to be moral? -- Can we separate art from artist? Is this dependent on the medium? -- Is the audience complicit or culpable if they continue consuming the work created by monstrous men? -- How does the art by monstrous men play into discussions around individual taste and political identity as shaped by cultural consumption? -- What do strategies of ethical cultural consumption look like? -- Can we have harmless, morally sound cultural products in patriarchal, white supremacist capitalism? -- What is “woke capitalism” and does canceling culture ever work? -- What do accountability and consequences look like? -- Can monstrous men redeem themselves through confessions, apologies and contrition?

The seminar examines selected areas of development in early childhood. The focus is on emotional development in infancy and toddlerhood, supplemented by important milestones in early social and social-cognitive development.

American sports culture frequently serves as an example of an alleged American exceptionalism; a fact that a relative indifference towards soccer, the exceptional “big four” pro sports leagues, and collegiate sports culture (NCAA) seemingly underline. This course sets out to make sense of and (maybe) trouble the narrative of American exceptionalism by examining the history of modern sports in the United States. We will consider the aesthetic, social, cultural, and political factors that contributed to the development and practice of sports from roughly the middle of the 19th century into our current age. The class will approach sports history with a focus on the relationship between sports and society, i.e. the role that sports has played in shaping ideology and informing popular thought, for example in the context of nationhood and globalization, but also with regard to modern discourses of health and fitness. The ultimate goal of this course is to encourage critically looking at, thinking, and writing about sports as everyday practice and as a professional field, as connected to discourses of health and (the pursuit of) happiness, as media event and content, and as a prominent repository of liberal narratives of meritocracy.

Since the middle of the 19th century, realistic movements in the visual arts have claimed to show 'real life'. However, this is not about the deceptive illusion of a particularly natural representation, so that one could confuse the image with the model. Rather, a new understanding of the objects worthy of images and the political functions of art is emerging, which not only aims to provide information about reality, but also actively participates in it. The representation of 'real people' and social reality can coincide with the stylistic devices of factual documentaryism as well as with the melodrama and drastic nature of the description, the use of fantastic-magical elements or the artistic processing of everyday objects. The seminar examines and questions various varieties of this understanding of art (e.g. European realism in the 19th century, New Objectivity, Magical Realism, American Realism, Socialist Realism, Nouveau Réalisme, Capitalist Realism, New Leipzig School, Neo-Realism in China). with regard to continuities and changes in demands and means in the respective representation of 'reality'.

Old English was the language spoken and preserved in written texts up to the mid-eleventh century CE in the regions of the British Isles. It developed from the languages spoken by Germanic peoples coming to Britain from the continental mainland and presents the earliest precursor of Modern English. This course focuses on Old English texts written in verse, exploring their themes, styles, meanings, and the challenges of dealing with a language surviving only in a small number of often unique and damaged manuscripts. Texts read include heroic poetry, such as Beowulf, elegies, as well as Old English versions of Biblical texts. The focus of the readings is on the question of how such texts portray concepts of gender, how they construct but also deconstruct gender roles, and how they relate to gender theory in the 21st century. Students are introduced to the grammar and pronunciation of Old English and use their knowledge to work with the original texts alongside Modern English translations.

This course regards autotheory, autoethnography, and autofiction as critical methods, modes of inquiry, and forms of representation in anthropological research. Against the background of debates around positionality, students will learn and explore how the self even when intimate, vulnerable and ambivalent can be a public archive; that it offers a rich mode for thinking through our affective embroilments in the world. We will discuss how writing can embrace but also respond to issues of belonging, experiences of class and queerness, racial or gendered difference, de/coloniality and so on. We will read works that call into question the sharp divides between academic and other forms of writing, theory and poetry, ethnography and fiction. The course is designed to be interactive and workshop-oriented. Participants will engage in short writing exercises in class and will be encouraged to draw on their own experiences of life and learning in research.

This course offers a study of terrorism from ancient times to the present. The course examines the changing understanding and definitions of political violence from ancient times to the September 11th attack in 2001. The course reviews research methods and approaches by examining relevant studies of terrorism definitions and concepts. Terrorism is discussed in relation with freedom, human rights, and security.

Scottish folk tales have always been haunted by ghosts, witches or the devil – and these creatures haunt Scottish literature up to this day. One of the most persistent is the Doppelgänger. It has always been fascinating to writers, but it certainly reached a peak in the nineteenth century. In this period of high moral standards and utilitarian business acumen, questions of how to distinguish between good and evil became more and more pertinent to society – and incidents where moral categories collapsed were as much feared as a financial break-down. In this seminar we will start with the most famous pair, Robert Louis Stevenson's Dr Jekyll and Mr Hyde, before looking at their successors in Emma Tennant's Two Women of London and J.K. Rowling's Harry Potter and the Philosopher's Stone. We will also trace their history on film.