National Taiwan University

This course is for international students gain a better understanding of Taiwan. Local students also participate to reassess their understanding of local history and culture and compare it with view of students from foreign countries. The course focuses on four themes: cinema of Taiwan, history and social change in Taiwan, religious and folk culture in Taiwan, and population and gender issues in Taiwan. Through in-class lecture, video screening, seminar discussion and field trips, students go through a succinct yet thorough introduction of how the Island of Formosa became modern Taiwan, and look into some traditional beliefs, customs and local lives in Taiwan. They are led to appreciate films produced in different periods and explore how various issues or events are presented in those films, as well as study Taiwan's demographic transition, marriage transformation and stalled gender relationship.

The course introduces various basic projects at the implementation level of theater lighting technology, which are roughly divided into the introduction of theater lighting systems; common theater lamps; basic electricity and color paper; optical angles of lamps, and basic practical operations. 

This course provides an understanding of Southeast Asian cultures and peoples, by explaining the general historical change from the 19th century to the 1990s by focusing on cultural change. This course is not meant to be a memorization of detailed names and times, but a creation of soft thinking for cultural change in this complicated wide area. The course looks the following important historical waves: Early Colonization (the period of mercantilism: before 18th century); Imperialism (19th century); birth of Nationalism (first half of the 20th century); Decolonization (the 1940s and 50s); Cold War (the 1960s); and New Change Period (the 1970s and 80s). This course focuses on material cultural elements or pictorial data in each period.

It is commonly known that the experiences of pain help both humans and animals to avoid potentially harmful situations. In recent two decades, progress in research techniques substantially helps researchers to investigate the neural mechanisms of pain. The perception and expression of pain engages the whole neural axis from the peripheral to central nervous system, and an interdisciplinary approach is needed to elucidate the whole picture of pain. How animals and humans process pain and what the influence of emotions and cognitions on pain remain largely unknown. As for the aspect of investigation, how researchers approach pain in animals and humans is a critical issue. What is even more challenging is the neural basis for chronic pain, which results from the aberrant interactions among the bottom-up pain transmission, descending pain inhibition and top-down emotional and cognitive modulations. In this course, we will discuss the neural mechanisms responsible for both physiological and pathological pain and discuss future research ideas, which would provide a promising direction for conquering pain in the future.

This course introduces the system of Chinese characters. The first part focuses mainly on overall characteristics and peculiarities of Chinese characters, beginning with an explanation of the difference between ideographic and phonetic Chinese characters, and herewith to clarify various phenomena of Chinese characters (in form, pronunciation, and meaning) from this basic difference, in addition providing an understanding of the dictionary and its usage. The second part surveys the evolution of Chinese characters in specific eras: starting from the prehistoric age which marks the birth of Chinese characters, students trace how Chinese character structures evolve, and how the genesis of famous forms of calligraphy came to be. Finally, the modern reform and innovation of Chinese characters is introduced.

This course introduces the basic concepts of public finance, including the scope of public expenditure and public revenue, financial regulation (public debt management), and local finance. The first part of course covers the expenditure side of public issues, including market failure correction, public goods, externalities, income distribution and social transfer payments, public choice, cost-benefit analysis, public utility pricing, and social insurance. The second part covers public revenue (tax system, etc.) and other issues, based on "Expenditure and Revenues" principle, including the tax structure, tax efficiency, effectiveness, tax incentive effects, tax equity, financial regulation (public debt management) and local finance and other issues. Other topics include public goods provision and cost sharing, the social security system and income tax, sales tax, property tax.

This project instructs on the basics of image processing a professor's lab, including use of Python, OpenCV, and numpy. Students are expected to write a code for license plate identification by the end of the semester. 

This is a first part of a year-long intermediate-level macroeconomics course. Specifically, in this semester the main topic is economic growth. Throughout this semester, the course answers the following questions: What are key factors for economic growth? Why do some countries grow faster than other countries? The course strengthens understanding of macroeconomics by exaimining economic theory and economic models. Mathematical models are applied in this course. Prerequisite: Principles of Economics.

This lab conducts research into high speed DC/RF 2D materials, specifically graphene and MoS2. Skills taught include DC, RF, and optical measurements, layer structure design, TCAD simulation, photomask design, ADS circuit modeling, and band diagram simulation. Reading materials assigned every week along with discussion section and lab work.

This course deals with the concept of soundscape and the practices of sound art. Soundscape is a mental tool to listen to and to understand environment; it is also an engaging dialogue with our “umwelt.” Sound art is an array of actions and interventions to enhance and distort perception of sounds. This course includes presentations of research and artwork dealing with these topics; video documentation, attentive listening, explanation of the background of the artists and discussion about the aesthetic questions that they raise; practical processes; assemblage, a collective creation; production of a flow of small-scale creations that are progressively gathered into a publication; some outdoor sessions, some of the class happen in various urban or semi-urban environment to be able to discuss about field practices and in-site artworks where it happens. Assessment: participation, assignements, final project.