Keio University

This course aims to educate on the theories and concepts relevant to the field of stratification and inequality. The course covers the following topics:  intergenerational social mobility; educational inequality in comparative perspective; institutional arrangements in shaping educational inequality; education and labor market; the role of social capital and labor market; gender inequality, and racial and ethnic inequality.

While the history of Japan as a modern nation begins in the Meiji era, much of what we recognize as typical of 'modern life' in Japan begins in the Taisho period, or more generally in the 'interwar' period which extends into the early years of the Showa era. This course examines several aspects of this new 'modern life' with particular attention given to the new social roles, new gender roles, new lifestyles, and new forms of culture that emerged among the new middle class.

This course will be conducted as a seminar, but short 'mini lectures' will be given from time to time on several of these topics. Our main text will be 'House and Home in Modern Japan' by Jordon Sand; this book will serve as the basis for weekly class discussions. In addition, students will be assigned a book (on reserve in the library) to summarize (in small groups) in the form of a group presentation. Finally, students will be asked to produce an essay, based either on a topic related to our main textbook, or a topic related to the book they have been asked to summarize.

Modern Japanese literature is filled with ghosts and goblins—if you know where to look. This introductory course surveys some of the strangest, scariest, and wildest fiction in modern Japan. The course begins at the “beginning” of modern Japanese literature in the late nineteenth century up through more contemporary works, with the stories ranging from ghost stories and fairy tales to the literary equivalent of the splatter film.

The course addresses the following questions: How did the broad genre of what is today known in Japanese as gensō bungaku (roughly corresponding to supernatural, horror, and fantasy genres), emerge and develop as a set of assumptions about the nature of modern life in Japan? How do these assumptions challenge our way of interacting with the world, with other people, and ultimately with our own sense of self? What kind of new understandings of various boundaries—between the real and the unreal, the present and the past, the foreign and the native, the living and the dead—might these stories suggest? And how are these texts part of a larger global network of weird fiction—what, in other words, does it mean to call a Japanese text “Gothic”?

This class requires a significant amount of reading outside of class.

This course is designed for students learning Japanese for the first time. The course focuses on the acquisition of grammar and sentence patterns based on the textbook Elementary Japanese for Academic Purposes Vol.1 (Lesson 1 to 6). Students must understand hiragana before taking this course.

This course provides an opportunity to observe and analyze conduct and/or language usage in contemporary Japanese society. The course introduces the basics of qualitative research methods and provides an opportunity to utilize the methods through a group research project investigating socio-cultural aspects of Japan identified in a student's daily life.

In the 1950s, Noam Chomsky revolutionized the study of linguistics by treating language as something produced by the human brain. From this change in perspective, the study of language became an indirect way of studying the human mind. In addition to opening new ways to approach the subject, this change also built a foundation for doing linguistics as a science. Grammar is seen not as a known set of rules that people need to study to learn but rather as the rules that result from the human mind trying to make sense of the language it is exposed to. This course looks at three sub-areas of linguistics from this perspective: morphology (the study of word structure), phonetics (the study of the physical sounds of language), and phonology (the study of the structure of sounds in language).

This course is designed for students at the advanced levels to acquire comprehensive Japanese language proficiency. The purpose of the course is to increase student knowledge of grammar, vocabulary, and kanji and to improve their reading and writing ability through close-reading of textbooks. In addition, students will develop speech techniques necessary to participate in discussions and to explain content that they have understood.

This course addresses the meaning, expression, material, and technique of Japanese visual art masterpieces.  It teaches the skills to appreciate fundamental and diverse characteristics of Japanese visual art from the ancient times to the contemporary.

This course introduces learners to various socio-cultural issues and debates impacting schools, universities, and education systems in Asia-Pacific societies. Using case studies, the course aims to provide:

- Debate and discussion of the cultural and philosophical ideas that have shaped education in East Asia.
- An exploration of debates about the purposes of formal schooling, and the role of shadow education (cram schools/private tutoring) in various Asia-Pacific contexts.
- Consideration of how education is used as a political tool to shape national identities through moral, civic, and history curricula.
- An exploration of the tensions between nationalism, internationalization of education and globalization in Asia-Pacific contexts.
- Comparison of cultural approaches to early childhood education in Eastern and Western cultures.
- Observation of the developments in higher education in the region, including participation rates, rising research outputs, regional collaboration, and the possibilities for study abroad to contribute to peace and stability among East Asian countries.
- Consideration of issues of diversity and inclusion with regard to ethnic, gender and sexual minorities in Asia-Pacific contexts.

Inviting leading poets, novelists, and other guests who have contributed to the literary magazine Mita Bungaku, participants will learn how to create literary works in a workshop format. Poet Hiroyuki Kasai, novelist Anna Ogino, and critic writer Maiko Kodaira will be featured guest speakers. This course welcomes future writers as well as those interested in literary creation. The class is considering applying for newcomer awards and submitting to literary magazines. The order of the workshops may differ from the schedule listed, depending on the interval between creative submissions and instructor discretion.