Trinity College Dublin

This course introduces students to theoretical approaches to studying international relations, including scholarly debates old and new. This course is an introduction to the positive, descriptive study of international relations. Why do states make war? What are the conditions for the growth of cross-border trade and finance? What is the impact of international organizations on relations between states? This course considers these questions by looking at differing theoretical approaches to international relations and a selection of topics in historical and contemporary politics. 

The course covers contemporary monetary economics and its application to the conduct of monetary policy. As well as reviewing the relevant academic literature, the course deals with the experience of the main central banks, with a particular focus on the European Central Bank. The course first analyses the nature of money and the long-run relation between money and prices and economic activity. It then examines a number of key issues in regard to contemporary monetary policy: monetary policy rules, the role of expectations and the transmission mechanism. For this purpose, the course presents the New Keynesian model which is now widely used for the purpose of analyzing monetary policies. The course then looks at the monetary policy strategies of the major central banks as well as the operational frameworks by which they steer interest rates. The course concludes by looking at the conduct of monetary policy during the financial crisis, covering issues such as non-standard measures, the implications of the zero bound on nominal interest rates and the role of monetary policy in contributing to financial stability.

What is childhood? Was it invented? How has the concept of childhood differed in different historical, geographical, and socio-economic contexts? These are the questions that will preoccupy students in this course. Focusing on the 19th and 20th centuries, but with reference to earlier periods, and covering Ireland, Britain, Europe, and the wider world – including colonial settings and China – the class explores how the experience and perception of childhood changed. Students examine the hypothesis that childhood as a time of innocence, development, and play was not a natural category but had to be "invented," and they consider different periods and locations as possible candidates for its invention or adaptation. From child labor and children in war to the children of elites and youth culture, students construct a nuanced picture of male and female childhood. 

This course provides beginners with the foundations of Latin, an ancient and influential European language. Students will learn fundamental aspects of Latin grammar (phonology, morphology, syntax, semantics, pragmatics) and read simple original Latin texts that will enable students to acquire a substantial vocabulary. Students will start to consider approaches to analysis and translation, and receive a taste of how Latin was used in different literary and non-literary contexts and genres. Latin is famous for its literature (Cicero, Virgil, and others), and this course is the first step towards being able to read that literature in its original form; but Latin was also for many centuries an everyday language spoken by ordinary people, and the students will uncover some of that Latin too.

This course covers Cuban cinema since the creation of the film institute (ICAIC) in 1959. The course considers films by Cuban directors, and representations of Cuba by foreign filmmakers and Cuban filmmakers in exile, thus focusing on screenings of Cuba and Cuban topics from multiple viewpoints. Specific aesthetics are studied to contextualize applications of Cuban theoretical texts in relation to imperfect cinema, and the viewer's dialectics. Students explore the effects of non-chronological sequencing and distancing in film; black humor, subjectivity, and alterity; allegorical interpretations leading to censorship; the self and the State, with particular attention to gender and sexuality in relation to law; film autobiography as a genre; auteur cinema; revolution and the creation of the "new man"; revolutionary national identity and marginality; and diaspora, exile and inner exile, among other topics. Overall, the course studies film as a political medium across modern and postmodern contexts, using theoretical texts and key films to illustrate pivotal turning points in socio-historical contexts specific to Cuba and the impact of its 1959 revolution on all aspects of public and private life.

The course is mostly focused on self-directed learning through the completion of weekly 2-hour lab with a number of exercises. In addition, there is one lecture per week. Notes and videos are available to progress through the course via blackboard. Students should be able to create 3D models of complex engineering components using CAD software; build engineering assemblies of components using CAD software; interpret manufacturing engineering drawings; construct manufacturing drawings of components and assemblies using CAD software; and analyze engineering components using simulations techniques.

What will the city of the future look like? To what extent are our models of city-making sustainable? Is the road that we are taking leading us towards an environmental utopia in which societies will grow in balance with nature, or are we paving the way for the collapse of our civilization? These are the key questions that will drive students' exploration of the different ways through which, today, sustainable urban development is understood and practiced across the world. Students use the tools of geography to examine the most critical socio-environmental issues faced by cities (climate change, consumption, happiness, environmental degradation, etc.), and discuss both the theory and practice of urban sustainability.
 

The course considers such matters as the iconography of major religious and mythological subjects, issues of style and the functions of works of art and architecture. Art works are considered in the context of influential factors such as historical period, geographic location, inter-cultural influences and the prevailing social, political and religious environments. This course offers a survey of art and architecture up to the end of 17th century, with a focus primarily, although not exclusively, on the Western world. It provides an introduction to the critical analysis of artworks, including painting, mosaic, fine metalwork, manuscripts, sculpture and building types.

This course examines finance and climate justice, and the links between them. As the worsening climate chaos threatens the very existence of humanity, it is increasingly clear that a climate justice approach is needed for both climate change mitigation and adaptation. Climate justice approaches emphasize the need for a fundamental transformation of society and the economy, while applying the principles of social justice and economic equity. However, there is a growing realization that such a socio-economic transformation is not possible without radical changes in the sphere of finance. Going beyond the proposition that finance needs to be mobilized to fund "green" transition, this course examines the view that the entire global financial architecture must be transformed to safeguard a better, healthier, more stable, and a more just future for all. Special attention is given to central banks and their role in the financialized economic system, their relation to climate change and their role in hampering and/or promoting climate justice. Alternative economic and financial models, including de-growth and post-growth approaches, are examined. The course also highlights a critical role of geography in understanding both the climate justice issues and the operation of finance in capitalist economies.

This course helps students appreciate the philosophical foundations for conducting qualitative research and to understand why and how qualitative research is carried out in psychology. A sample of current qualitative methodologies and examples of how qualitative methods may be applied in psychological settings are provided. The student is introduced to the processes involved in making sense of qualitative data and how qualitative data can and should be analyzed. Designing qualitative research reports is also covered.