University of Stirling

This course introduces students to key theoretical debates that have emerged in the study of Scotland’s relationship with the film and television industries. Important questions include: Who is responsible for constructing Scotland’s identity onscreen? How are Scotland and Scottishness depicted? Why do certain representations dominate over others? The course begins by exploring "Hollywood Scotland," concentrating on the commercial cinematic representation of Scotland and Scottishness found in Mel Gibson’s BRAVEHEART (1995). This is then contrasted with a more local construction of Scotland found in the long running television show TAGGART (ITV, 1983-2011). The class concludes by considering filmmaking in contemporary Scotland, first through contemplation of the importance of short films in the Scottish context, focusing in particular on the shorts and careers of Lynne Ramsay, Peter Mullan, and Morag McKinnon, and second through examination of the Scottish/Danish co-produced Advance Party initiative.

The course provides students with a thorough understanding of the phenomena of witchcraft belief and prosecution in Scotland between the 16th and 18th centuries. The course focuses mostly on social and cultural themes but an understanding of the political, economic, and religious context is important. Topics include the functions and meanings of witchcraft and magic, elite and popular beliefs, witches and community relations, witchcraft and gender, witchcraft and religion, witchcraft and the law, and the decline and survival of witchcraft beliefs.