African Studies

This course overviews the challenges and opportunities for the international community in contemporary Africa. Taught by a former ambassador with wide Africa experience, the course exposes students to the major themes in the world's interactions with Africa, ranging from humanitarian intervention to economic opportunity, from struggles against terrorism and instability to great power competition. The course is intended for future practitioners in diplomacy, business, or media with an interest in Africa and more widely for those seeking to understand global engagement with a great continent.

This course explores the viability of the Afro-Gothic as a distinctive sub-genre of the postcolonial Gothic. It seeks to answer the question "What is the Afro-Gothic?" through a historicization of the concept Gothic in relation to narratives about, and by, continental and diasporic Africans. In the postcolonial Gothic, the classic tropes of the Gothic—incarceration within labyrinthine structures, tyrannical patriarchs, histories of hidden brutalities, suppressed and deadly secrets, haunting by the past oppressed and abused, and appearances of ghosts and other un-dead figures—are appropriated to exposes legacies of colonial trauma. Our more focused inquiry stems from the peculiar racialization of the Gothic during the 19th century, when Gothic darkness became increasingly associated with African blackness. 

How have global forces shaped Africa’s states and economies—and how will today’s shifting world order define its future? In this course, students explore the evolution of contemporary Africa, examining the uneven trajectories of nations and regions through the lens of geography, history, geopolitics, and global markets. Students trace Africa’s place in the global system from the colonial era to Cold War developmentalism, to the neoliberal “Washington Consensus,” and the “Africa Rising” narrative driven by China’s ascent. Finally, students contemplate today’s tectonic shifts in global geopolitics and the current polycrisis of climate, geopolitics, and deglobalization. Through scholarly readings, policy reports, films, debates, and case studies, students critically engage with these pressing issues, gaining a deeper understanding of Africa’s past, present, and possible futures—while also better understanding the global economic and political shifts since the 1950s.

This course debates issues in green transition in Africa with a focus on governance of natural resources at and between local, national, and international levels. It develops an understanding of key concepts including theories related to governing natural resources towards a green transition in Africa and discusses specific cases from Africa related to green transition with a focus on utilization and/or conservation of Africa's natural resources. The course critically discusses actors in Africa's development and the role they are playing in green transition by governing natural resources in Africa. It considers issues related to green transition linked to discussion about scarcity and abundance, debates conservation in Africa related to the role of state, marked and civil society, and discusses impact and coping strategies related to climate change in Africa.

This beginners’ course is aimed at non-mother tongue speakers of Swahili. This course provides a broad overview of the study of sociolinguistics with specific reference to Southern Africa. Topics such as language and gender, language and power, linguistic prejudice as well as language planning are covered. The latter is a very important and controversial field in Southern Africa, given the liberal constitution, which allows for 11 official languages. The course focuses on two specific arenas or work situations i.e. the legal and medical fraternities, in order to assess what complications and challenges arise in a multilingual work environment. How are these challenges being addressed? Why is it important for you to be a multilingual citizen? DP requirements: Students are expected to complete all tests and assignments and attend at least 80% of all lectures, tutorials and language labs. Assessment: Coursework 50%; exam 50%.

The contemporary era shows a proliferation of film production from all over the African continent, and in this course, students become familiar with some of the most significant developments in narrative styles, genres, themes, and aesthetics in contemporary African cinemas. The course also includes discussions of suitable theoretical and critical frameworks in which to analyze and interpret these new films and film movements.