Architecture

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrolment is by permission of the instructor. This course offers, through theoretical references and case studies, the basic knowledge on the implementation of a complex urban project. The adopted design approach consists in working on urban space starting from the recognition of the structuring value of open spaces. The perspective assumed is that of the "reverse city" (Viganò) or the "soil project" (Secchi), and the design tools adopted in the urban dimension can be traced back to consolidated international experiences such as "landscape urbanism" (Waldheim) or "ecological urbanism" (Mostafavi and Doherty). Within this theoretical and methodological framework, the laboratory engages with the "Bologna green footprint" proposal, focusing on the dimension of open spaces and the structures of ecological networks across scales. Tools and materials are provided to the students for studying in-depth themes and sites assigned to each group, and developing the urban project. In the end, students learn the adequate knowledge of the principles, tools, and rules of urban planning and they are able to develop protection and transformation plans and projects in urban contexts, identifying the actions to be implemented by the subjects involved. Teaching methods include series of lectures, design exercises, and seminars.

This course provides a systematic survey of the development of Scottish architecture from the 11th Century to mid-17th century. There is strong focus on the social and political context and the development of the castellated tradition and its transformation to domestic and civic forms. Students examine buildings, styles and designing, vernacular buildings, and designed landscapes. There is a strong emphasis on archival skills and interpretation and the way that different historiographies impact on our understanding. 

Towards the end of postmodernism, and at the dawn of the "internet age," thinkers such as Michel de Certeau and Marc Augé developed a conceptual model to describe the rather vague feeling of arbitrariness and interchangeability of space they experienced in modern cities, the idea that the few remaining identifiable "places" in our contemporary urban environments were mere remnants of earlier, culturally inscribed sites, re-manufactured for commercial (touristic) purposes. The vast remaining areas of the city were "non-places" and urban "filaments" that did not provide a sense of belonging. This freed city dwellers to (artistically or otherwise) misappropriate or re-inscribe objects of the urban fabric. In the early 1990s, the term hypermodernism (or supermodernism) was introduced to provide a framework for these observations in fields ranging from philosophy to anthropology and architecture. We will consider this concept and its more recent iterations with respect to new and planned buildings in Berlin (by international firms such as OMA and Herzog & de Meuron), to places of infrastructure (train stations, airports), shopping centers, so-called POPS (privately owned public spaces) and urban wilderness areas. Course participants will be encouraged to explore the city on their own and "respond" to particular sites through visuals, audio recordings, (creative) texts and other forms of artistic expression

This course examines the ways in which light interacts with surfaces, objects, and the human visual system. It covers some of the fundamental properties of light, mechanisms of human perception, and the ways that light interacts with surfaces. 

This course provides a theoretical overview of the key historical developments and on-going contemporary debates in Norwegian architecture and design. The interplay between architecture, city planning and design, and the specific Norwegian cultural, economic, and political environment in which they are practiced as applied design disciplines, is a central focus for exploration and discussion in the course. Norway’s role within overlapping Scandinavian, European, and increasingly global, contexts is also explored through the study of key international developments and the impact of these upon Norwegian architectural, city planning, and design discourse. The City of Oslo especially (considered in terms of its key historic and contemporary buildings, cultural institutions, public space and contrasting urban environments) is actively used as a "living classroom" for exploration of these issues and the wider questions that the issues subsequently raise. 

The course examines topics in the field of architecture and their connection to Brazil. Topics vary each term.

This course explores the challenges we face and identifies collaborative processes for nature-based solutions in urban planning, design, implementation, adaptation, and care. Through a range of creative processes, with reference to exemplar projects and contributions from industry experts and academics, students learn the principles and application of an urban green infrastructure approach for resilience, health and wellbeing, and social and environmental justice.

This course introduces students to key ideas and practices in architectural heritage and conservation, and to a range of practical and digital skills. The course is structured as a mixture of lectures, interactive/practical sessions, and tutorials. The lectures introduce the history, key ideas and philosophies which shape current heritage practice. In parallel, tutorials introduce some of the key policies, processes and practical skills used by architectural historians and heritage professionals.


 

This course provides a broad foundation in architectural acoustics and the human perception of sound ("psychological acoustics", or "psychoacoustics"), that may be grasped by students from a range of backgrounds. The course brings these subjects together through both theoretical study and a range of practical applications. For example, students explore how the principles of architectural and psychological acoustics have recently come together to drive a revolution in the world of augmented (AR) and virtual reality (VR) systems. This course provides a broad foundation in both architectural and psychological acoustics that combines aspects of acoustics, architecture, engineering, informatics, and music. Whether you are a student of one of these subjects or not, the only formal requirement is that you should have achieved a good pass in mathematics at Higher/A-Level.