Comparative Literature

This course involves intensive reading on American literary masterpieces. The course begins with an introduction to American literature from 1914 to 1945. Readings include works by such authors as Edwin Arlington Robinson, Wallace Stevens, Willa Cather, Ezra Pound, Katherine Anne Porter, William Faulkner, Flannery O'Connor, Toni Morrison, Mazine Hong Kingston, and Alice Walker. 

This course is divided into three parts. The first part covers Dante, topics include the evolution of the Latin language; an overview of medieval Romance literatures; Italian lyric poetry before Dante; Dante’s life; and Dante’s VITA NOVA (selected passages), DE VULGARI ELOQUENTIA, CONVIVIO, INFERNO (selected cantos), PURGATORIO, and PARADISO. The second part of the course discusses Petrarch, topics include his biography within the historical and cultural context; literary production (in Latin and Italian); his multifaceted relationship with the Roman Antiquity and the Christian doctrine (selected readings from THE SECRETUM and THE SENILES EPISTLES); in-depth study of RERUM VULGARIUM FRAGMENTA with attention on its genesis, structure, contents, and features; and Petrarch’s legacy and impact on the Italian language and literature, and on the early-modern Western literary production. The last part of the course discusses Boccaccio, topics include his biography and literary production (Italian and Latin works); his intricate links with eminent predecessors (both Dante and Petrarch); in-depth study of the DECAMERON with focus on its genesis, structure, themes, and features; Boccaccio’s erudite, humanistic, and lyrical texts; his multifarious relationship with women and the varied ways in which he depicted them; and Boccaccio’s impact on later authors. This course is taught in a degree program which introduces students to knowledge of Italian language throughout the degree. The first year of instruction in this degree begins in English and then gradually shifts to Italian by the third year. Because this course is taught in the first semester of the first year of the degree, the course is mostly taught in English with some Italian and is appropriate for students who do not speak Italian.

The course examines children's literature to find topics appearing in contemporary culture. It explores the question 'What is the value of our (adults') reading of children's and adolescents' literature?' Topics include the nature of a child and their growth; nature or animals versus human beings, science and dystopia; and imaginary space of fantasy, trauma and recovery, compassion and complicity, elements of storytelling , etc. It also discusses English-teaching methodology through the use of children's literature.

How do religious and literary texts interact and influence each other? What is the place of the sacred in literary writing? How do ideas about the divine operate in a secular framework? These are some of the themes that are explored in this course. Students trace a large narrative arc going from ancient religion to contemporary world literature to investigate the myriad ways in which the two discourses affect each other, and map the spaces wherein these effects are most legible. Although the focus is largely on the Abrahamic monotheisms, students will be encouraged to explore other traditions in their essays.

This course examines trends in the depiction of European cities in literature and film from the 1980s to the present. It explores the relationship between aesthetic representations and social-cultural contexts, paying attention to traditions of literary and cinematic urbanism while also engaging with contemporary questions concerning urban identity and culture. The course provides students with the opportunity to pursue a substantial research project of their choosing, focusing either on one author's representation of more than one city, or on one city's representation by more than one author (/film-maker etc).

This is a special studies course with projects arranged between the student and faculty member. The specific topics of study vary each term and are described on a special study project form for each student. The number of units varies with the student's project, contact hours, and method of assessment, as defined on the student's special study project form.

After completing this course students are able to:  

1.     familiar with a number of literary works from different periods and regions
2.     familiar with key concepts in literary studies (such as reader response criticism, narratology, intertextuality, adaptation, postcolonial studies)
3.     able to use these key concepts to analyse primary materials
4.     able to use basic research skills (search literature, write and reference academically, present and chair a discussion)

Content

The course provides an introduction to key concepts in literary studies and acquaints students with a number of literary texts from world literature.

What is literature and how can we study it? This course allows you to become acquainted with a variety of literary works from different periods and languages, and it introduces you to some basic concepts in literary studies. Each week we focus on a different aspect of writing and reading in relation to particular works. This way, you will improve your knowledge of literary history and the literary canon, as well as your ability to ask interesting questions about the works you read. We will consider how texts are written, what their possible effects on readers are, in what ways they reflect or envision the society in which they were composed, why societies cherish some literary works and censure others, how certain writers acquire or lose value over the course of time, and how literature helps to shape the sense of who we are as individuals and as members of society.