English

This course examines representative narrative works from various periods of Western civilization, analyzing their overarching themes and close textual details to highlight the distinctive features of Western narrative literature and its evolution throughout history.

This course explores some of the most common techniques, forms, and modes of poetry and develops students' practice as poets. The first half of the semester focuses on aspects of prosody such as metre and rhythm, rhyme and form, register, image, and metaphor, allowing students to reimagine these practices from the point of view of the writing, as well as the analysis, of poetry. The second half of the course concentrates on some of the main genres of poetry, with students encouraged to experiment with their own versions or anti-versions of these modes. The first hour each week is spent on an aspect of poetics, while the second hour is spent workshopping student poems. By the end of the course students have developed in their poetic practice and furthered their oral skills through the recitation of their poems, analysis of other students’ work in workshop, and through weekly discussion of set texts. 

The course examines the genre of science fiction from 1945 to the present. Students learn about the development of the genre, major works within it, and productive theoretical and methodological approaches to it.

The course offers a unique opportunity to learn one of the official languages of Scotland. Students develop simple strategies to learn languages and gain confidence in holding a basic everyday conversation. This course is suitable for students with no previous knowledge of the language. Students achieve the equivalent of the A1 level of the Common European Framework of Reference for Languages (CEFR)and develop their confidence in holding a basic everyday conversation. Students develop these basic linguistic skills through a variety of comprehension and production activities. The course focuses on language that is required for communicating in real everyday situations, such as introducing oneself and others and talking about the daily routine. The course includes autonomous learning activities, which enable students to practice and consolidate their skills.

The world's knowledge is defined by hybridity between oral traditions and written texts. This course is an introduction to Scotland's rich oral/aural traditions of song, storytelling, instrumental music, dance, and folklore. Key concepts and theories relating to the interaction between orality and print, transmission (sharing) of oral material, and intangible cultural heritage as defined by UNESCO are explored in the context of modern (cultural) ethnology. Students learn fieldwork techniques, archival research skills and oral history interviewing. Themes can include children's song, ballads, political song, Robert Burns and Walter Scott, Highland bagpipes, Gaelic folktales, and Scottish legends, and special material is drawn from printed collections and the School of Scottish Studies Archives.

This course explores Berlin through the lens of émigré and exile literature, examining works by writers who either left Berlin or found refuge within it. Through close readings of texts spanning from the late nineteenth and early twentieth centuries to contemporary works, students analyze how experiences of exile, migration, and displacement shape literary imagination and cultural identity. The course moves through Berlin's key historical moments—from the Russian émigré communities of the 1920s, through the forced exile of Jewish writers, to post-war Turkish-German literature and contemporary refugee narratives. By pairing literary texts with theoretical frameworks and conducting original ethnographic research, students investigate how different waves of migration have transformed both Berlin's physical spaces and its literary landscape. Special attention is paid to how writers represent specific Berlin neighborhoods and how various communities have shaped the city's cultural geography. Through engagement with memoir, fiction, poetry, and first-hand accounts, students explore themes of memory, nostalgia, linguistic displacement, cultural adaptation, and the evolving relationship between place and identity in émigré writing.

This course explores questions of memory, remembering, and time as these are refracted and represented via a range of verbal, literary, and cultural forms. The course considers the making of collective and public memory (e.g. the creation of national pasts; cultures of commemoration; oral history; testimonial forms; displacement, exile and global conflict; literatures of war) but also the question of individual and personal memory (e.g. language and identity; narrative and subjectivity; literature and psychoanalytic theory). As such, the course opens onto a wide range of topics, including but not limited to: the relation between the literary text and the history text; life-writing, autobiography and memoir; representations of childhood and ageing; engagements with the archive; the question of silenced, repressed or invisible histories; the historical, post-colonial and post-apartheid novel; discourses of trauma, truth and reconciliation; old age and forgetting; death and commemoration. Course entry requirements: At least second-year status.

This course introduces some of the fundamentals of writing short literary fiction. Read, study, and discuss contemporary short fiction reading, as well as the craft choices that shape those stories. Also engage in creative writing exercises and give and receive feedback on written work. No prior creative writing experience is necessary.

This course develops English language skills to an advanced level through reading and critical interpretation of English literature. Students read, discuss, and write about selected well-known literary fiction in English literature, ranging from traditional canonical works to contemporary science fiction. The focus of the course is to introduce essential themes as well as elements of literary form and technique, while developing the analytical skills necessary to produce sophisticated interpretations of texts. Critical reading involves reading actively and reflectively, and being able to understand, analyze, interpret, and communicate intelligently about literary works. Through a broad study of various texts, this course supports both language development and growth in critical thinking. 

This course considers how American literature explores the relationship between various American peoples and the land from the earliest colonial settlements to the present day. It ranges across genres, from philosophical writing and journalism, through the novel and poetry, to the short story and theatre, to narrate the spaces that accommodate the current U.S.A and the contingency, precarity, and fragility of human and animal life upon them. From famed urban spaces, through the plantations that perpetuated slavery, to ideas of the wilderness and the seascapes of the whaling industry, the course tracks how literary texts of the U.S. canon and countercanon manifest, and often too critique, American political projects and geographical fictions that have contributed to current environmental conditions.