Film & Media Studies

The course is part of the Laurea Magistrale program and students are permitted to take the course with instructor consent. Commerce and art collide in the film marketplace every day. Is there a line between business and art, content and promotion, the bottom line and award accolades? This course explores the reality behind big budget art. The course details the life of two fundamentally different products: the independent and studio film. From concept inception to final net revenue reality, the course investigates basic aspects of development, finance, production, marketing, and distribution by investigating two roles 1) indie producer and 2) studio executive. The course focuses on the history of the U.S. production distribution studio machine as the primary market maker that has recently shifted towards international distribution and streaming. It provides an overview of the history of film from a business perspective, outlines the basic terminology of filmmaking development, finance, and production, and outlines indie to studio structures. The course also focuses on the major tools of the marketing executive, their budget, partnership structures, and the essence of timing media for film campaigns.

This course covers the procedures, formats, and conventions of scriptwriting, and the skills and attitudes necessary to produce acceptable writing according to those conventions. This is partly a “creative writing” course, and regular reading and writing is required. Students learn advanced skills in writing scripts for selected media (e.g. film, television, theater, computer games); become aware of how script-writing skills are shaped by production processes; create plots, narrative structures, characters, and dialogue suitable for different media; and learn how existing stories can be adapted and developed in the writing of scripts for different media.

This course offers a panoramic overview of American cinema from the 1970s to the present including different historical periods, genres, movements, styles, and principal auteurs. 

This course is designed for students wishing to clarify and/or advance their career goals through a 6-week internship. It provides a structured and guided learning environment to help students make the most of their internship experience in Korea. Course components facilitate students' professional development, focusing on the transition from the role of a student to the role of a working professional. 

Media and popular culture have long played a key role in shaping and reflecting gendered power relations as well as processes of identification. This course provides an introduction to the representations and constructions of gender in contemporary culture and media. It develops students' understanding of gender, media, and culture in a period of time of rapid globalization and digitization. Through this course, students acquire theoretical and methodological tools to study gender in the media, and across a range of contemporary cultural phenomena. They apply a critical lens to the representations of gender in popular cultural media, focusing on the production, circulation, and reception of media representations of masculinity, femininity, and sexuality. The course also explores the ways in which questions of gender and sexuality might shape and inform identities. It adopts an intersectional approach and analyzes the way gender intersects with race, class, and sexuality.

This course examines the core of persuasive communications: the ability to reach a deep understanding of the people you are communicating with. This means listening, thinking critically, and asking the right questions. Who are they? Where are they? What do they desire? What keeps them awake at night? How do they make sense of the world? These questions are the building blocks for crafting the insightful campaigns that transform a clients' problem into a strategic and creative public relations or advertising solution. To answer them you need the right tools to understand and analyze consumers, publics, and media audiences.

The course offers a study of the role of the director of photography and develops the necessary skills for managing cameras and other equipment. It is divided into three broad units: techniques; the camera; lighting.

This course offers an introduction to documentary filmmaking with a focus on the renewal of the Spanish and Catalan film scene of the last 15 years. It presents examples of documentary works to understand the genre. During the workshop, students complete their own documentary project.