German

This course explores the dynamic landscape of global social movements, taking Berlin as a focal point and lens to analyze broader international trends. Students engage with theories and case studies that illustrate how social movements emerge, evolve, and impact societies, especially in contexts marked by globalization, migration, and socio-political change. Berlin’s rich history as a hub for activism provides an ideal backdrop for examining the intersections of local and transnational movements. During the semester, students explore the complex historical and contemporary dynamics of social movements in and beyond Germany. Presenting different approaches of studies of collective action, the course provides a comprehensive understanding of the multiple contemporary social movements shaping our contemporary world, and it will highlight their contribution for the democratization of the world in which we currently live. Each class will connect a theoretical discussion on collective action with a case of a specific social movement, especially with cases from Berlin history with global entangled connections. The first section of the course is composed of theoretical texts with three different approaches to social movements: contentious politics, new social movements and dynamics approach. From the understanding of these perspectives, the students are able to navigate the different analyses discussed in the following sections and the case studies throughout the course. Next, the class focuses on the ways global social movements produce resistance, concrete utopias and position themselves in anticolonial and postcolonial struggles. By discussing these concepts, the students gain an understanding of social movements as an entry point to apprehend a society in a more comprehensive way. The third part of the course focuses on discussions of contemporary social movements and what their studies bring to understanding political action, their possibilities, their limits, their contributions to democratization in Germany and around the world. Students discuss the cases of feminism, climate justice, queer and trans liberation, housing and other social movements. Throughout the course, students are able to develop critical thinking skills, gain historical knowledge, and engage in interdisciplinary analysis on social movements. By examining the German colonial past, anti-colonial resistance movements, and decolonial theories, students gain a comprehensive understanding of the complexities surrounding this area of studies and the struggles for social justice and democratization in and beyond the Berlin context.

In this class on the A2 level according to CEFR, students learn to understand sentences and frequently used expressions related to areas of most immediate relevance (e.g. basic personal and family information, shopping, local geography, employment). They study to communicate in simple and routine tasks requiring a simple and direct exchange of information on familiar and routine matters. Students work to describe in simple terms aspects of their background, immediate environment, and matters in areas of immediate need. Topics are taken from Berlin and German history and culture and also include politics as well as intercultural topics and current events. The A2 level is split into two consecutive courses, the A2.1 course covers the first half of the level and the A2.2 course covers the second half of the level.

This course explores Berlin through the lens of émigré and exile literature, examining works by writers who either left Berlin or found refuge within it. Through close readings of texts spanning from the late nineteenth and early twentieth centuries to contemporary works, students analyze how experiences of exile, migration, and displacement shape literary imagination and cultural identity. The course moves through Berlin's key historical moments—from the Russian émigré communities of the 1920s, through the forced exile of Jewish writers, to post-war Turkish-German literature and contemporary refugee narratives. By pairing literary texts with theoretical frameworks and conducting original ethnographic research, students investigate how different waves of migration have transformed both Berlin's physical spaces and its literary landscape. Special attention is paid to how writers represent specific Berlin neighborhoods and how various communities have shaped the city's cultural geography. Through engagement with memoir, fiction, poetry, and first-hand accounts, students explore themes of memory, nostalgia, linguistic displacement, cultural adaptation, and the evolving relationship between place and identity in émigré writing.

In this course, students review, consolidate, and expand their knowledge of basic German grammar. They practice structures needed in everyday communication.

This course is for students without prior knowledge of German to explore various aspects of German culture and the basic linguistic and communicative structures of the language. Students learn to communicate in simple everyday situations and personal interaction. The course adopts an integrated approach to language learning and emphasizes equally all four skills of reading, writing, listening and speaking as well as application of learning strategies.

This course examines how the University of Berlin (now Humboldt University) became Europe's philosophical center, tracing its evolution from its revolutionary founding in 1810 through its various transformations. By exploring the dynamic relationship between the university's philosophers and Berlin's cultural and political life, this course follows how philosophical ideas developed within its walls and resonated beyond them. The course examines key figures who taught, studied, or lectured at the university—from Hegel's influential tenure and the Young Hegelians, through Dilthey's establishment of the human sciences and Cohen's Neo-Kantianism, to the philosophical responses to war, division, and reunification. Furthermore, students explore how the University of Berlin shaped major philosophical movements while being shaped by Berlin's dramatic historical transformations: from Prussian reform era through imperial expansion, from Weimar culture through Nazi persecution, from Cold War division through reunification. By examining philosophical texts alongside historical documents and cultural materials, students understand how the University of Berlin fostered philosophical innovations that responded to and influenced some of the most significant political and cultural developments of modern Europe.

Berlin and Warsaw were two central theaters of the Holocaust. While in Berlin the Nazis planned the global murder of the Jews and attempted to transform the city into the capital of Nazi Europe, it was in Warsaw that they created Europe’s biggest ghetto, in which 100,000 Jews died before the first deportations to the Treblinka death camp in July 1942. In this seminar, the course studies and compares how the Jews were persecuted and murdered in Berlin and Warsaw; who helped them, how and why; and how the local population reacted to their persecution. In studying the Holocaust in both cities, students concentrate on the general frameworks for understanding the Holocaust, the plans of the perpetrators, the behavior of the collaborators, and the fate of particular actors, especially survivors, while analyzing their diaries, memoirs, and interviews. In this seminar, students read theoretical texts about the Holocaust and discuss the urban aspect of the genocide, while concentrating on persecution, murder and help. The course includes visits to museums and memorial sites in Berlin.

Jenny Erpenbeck’s Go, Went, Gone, published in German in 2015, is a politically charged novel about the situation of African refugees in Berlin. Richard, an older German with a GDR background, gets involved with, and befriends, a number of African refugees at a protest camp on Oranienplatz in Kreuzberg. A former Classics professor who was recently forced into retirement, he empathizes with the refugees, who are not allowed to work under German asylum laws. Richard researches their plight and helps them with administrative and everyday tasks, even giving piano lessons to one of them. After a break-in at Richard’s house, he and his friends question their own prejudices and attempt to learn from the experience. The novel serves as a starting point for the exploration of the political and human rights issues surrounding the situation of African refugees in Berlin. Some additional materials are provided to round out the discussion.

This interdisciplinary course examines how gender and sexuality were experienced, represented, and contested in Weimar-era Germany (1918-1933). Drawing on a diverse array of primary sources - including theater, visual art, literature, film, and theoretical texts - students explore how marginalized individuals and communities navigated, expressed, and politicized their identities. Key topics include the emergence of sexual science and the conceptualization of the "third sex"; the proliferation of queer spaces, subcultures, and social movements in 1920s Berlin; intersections of gender, sexuality, race, class, and disability; artistic and literary depictions of gender fluidity and erotic desire; medicalization, criminalization, and the state's response to gender/sexual nonconformity; the rise of fascism and the violent backlash against LGBTQ+ rights. Through close engagement with primary sources and cutting-edge scholarly work, students gain a nuanced understanding of the complex, often contradictory dynamics that defined gender and sexuality in Weimar Germany. This course equips students with the critical tools to analyze the interplay between cultural production, social movements, and the politics of identity.

Foreigners, in particular people from the US or Canada, are often astonished when they hear how fascinated Germans are with Native Americans. So-called “hobbyist” events with Germans “playing” at being and dressing up as North American Indians, shows with Native Americans performing traditional dances or other rituals, but also theatrical festivals devoted to stories around the fictional Mescalero Apache Winnetou and his white (German) blood brother Old Shatterhand draw thousands of visitors, and it is still fair to say that most Germans have some memory of playing Indians when they were children. The creator of Winnetou, Karl May, is more widely read than Goethe or Thomas Mann, although the literary value of his texts is disputed. As puzzling as this may be from the outside: For more than 150 years, America and, in particular, North American Indians have played an important role in narratives about German national identity. Examining these narratives, students discover a complex web of fascination and identification with Native Americans on the one hand, fascination and ambivalence regarding the culture, politics, and economics of the US and white Americans on the other hand. Students study extracts from literary texts depicting Native Americans from the 19th and 20th centuries and analyze films based on Karl May and other authors, produced in the FRG and the GDR (West and East Germany). They discuss the political implications of images of Native Americans in the context of imperial Germany, in National Socialism, and in the GDR, and they review and evaluate concepts such as the “Noble Savage”, “cultural appropriation” and racial/ ethnic stereotyping and exoticism.