Women’s & Gender Studies

This course offers a critical analysis of masculinity. Topics include: links between masculinities, gender studies, and feminisms; masculinities and human rights; mapping the living conditions of men, women, and dissidents in Chile; body, sexualities, and masculinities; sexual diversities and non-hegemonic masculinities in the current social context; media, social networks, and representations of masculinities; contributions to changing gender relations in times of social transformations.

Philosophers, and non-philosophers alike, have fought over the meanings, values and consequences of love and sexual desire from philosophy’s very beginning. The seminar addresses some of these controversial issues, their aporias and paradoxes, and encourages students to find their own interpretations and answers. We will discuss questions such as: Are there different forms of love? What are the differences, if any, between e.g. love and friendship? Is sex or sexual desire essential for love? Do we lose or find ourselves in love relationships? How do we change when we fall in love? Are we free or unfree when we are in a love relationship? How do power and love relate? How much aggressivity, hate and mastery are entailed in love bonds? The seminar will address these (and further) questions by concentrating on four models of love: (1) Love as union or fusion; (2) Love as knowledge; (3) Love as work on oneself; (4) Love as struggle. As conceptual basis for these models, two texts in particular will be read, analysed and discussed, an ancient one, Plato’s Symposium, and a modern one, which however draws upon ancient myths, Heinrich von Kleist’s Penthesilea. The two texts will be studied in light of modern and contemporary insights and issues, as for example those raised by Hegel (and especially his master/slave figure), psychoanalysis, feminism, polyamory theory, and others. There will be space for students to (partially) participate in the articulation of the programme, and for practicing philosophy in some more ‘creative’ ways than usual (by for example staging philosophical theatrical scenes).

This course considers some of the most important debates and trends in feminist theory over the last five decades. It considers the intersections of academic and popular, intellectual, and activist dimensions of feminist literary theory. In particular, it focuses on French Feminism and its influence in the United States, the rise of the Wages for Housework Movement in Italy, and in the relations of race and gender theory forged in the United States. The last weeks of the course explore some of the new debates in Queer and Trans theory and investigates how they build on the feminist history previously explored. In each case, the course foregrounds this specialty as ENGEROM scholars able to think in detail about how feminist ideas have travelled back and forth between Europe and the United States, both through literal and cultural translation. The course explores whether feminism is truly a transatlantic phenomenon; what happens to some of these key texts as they move from one language to another; the debates about individual differences and rights; and the impact of race, specific to US, French, Italian, and German contexts; and where the archives of feminism are held in these different national settings.

This is a graduate level course that is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course focuses on the diverse methodologies employed in gender and feminist studies in an interdisciplinary perspective. In particular, the course moves from the debates between second and third wave feminism, the course investigates some feminist research methods in literary criticism focusing on how feminist and gender studies challenge the major methodologies employed for the interpretation of literary texts written by both men and women. The course provides students with critical tools which enable them to re-read women’s access to knowledge and education, the canon formation, and the process of exclusion and inclusion of female writers from and within the literary canon and the public sphere. The course is divided into two parts. The first part introduces students to the main important methodologies in women’s and gender studies with specific reference to the rise of feminist literary criticism and to some manifestos of second and third wave feminism(s) and their temporal rhetoric of “awakening” and “space.” In particular, it explores the debates on canon formation and female genealogy and explains the notion of re-vision, resisting reading, and situated knowledge. It also examines the categories of gender, class, ethnicity, race, and sexuality and their interconnection. The second part of the course is devoted to the close-reading of some extracts from emblematic literary texts written by women in different historical moments. These texts which significantly belong to different literary genre, are explored in order to interrogate how women negotiated their agency in the public sphere, in the print market and in the political, economic, and social order. They are also examined in order to discuss the way in which they resist or perpetuate patriarchy, gender inequality, and a heterosexual politic of desire and sexuality. But they are also interrogated to see how they contributed, together with their interpretation and appropriation across time and space, to place the female self within a specific social order, to define the otherness of race and gender, and to establish relations of power between men and women, but also subjects who become geographically, ethnically, and culturally distinct. Required texts covered in this course may include: Margaret Cavendish, THE CONVENT OF PLEASURE, (1668); Aphra Behn, OROONOKO, 1688; Mary Astell, A SERIOUS PROPOSAL TO THE LADIES, PART 1 (1694/1696); M. Shelley, FRANKENSTEIN, 1816 (1831); and C. Bronte, JANE EYRE.

This course is driven by very simple questions. What is gender? Does gender have only two categories as a man and woman? Or do we have another category? Sexual minorities have been growing in many countries as a worldwide debate ensues over their rights. The difficulty of legalization for same-sex marriage or prejudice and discrimination for sexual minorities remain around the world.

In Samoan culture, a “Third Gender” category exists for a biological man who considers himself as a woman. However, people of Samoa strongly insist that Samoan ways of “Third Gender” are not the same as “gay” or “transgender” as they are understood in the West.  Through reading Margaret Mead’s “Coming Age of Samoa,” this course addresses these inquiries and their differences. 

This course examines questions such as whether gender matters on the internet; how patriarchy, misogyny, and racism get coded into our digital tools; and if a feminist internet is possible. It engages with feminist scholarship from sociology, communication, and technology studies to discuss key theories about the relationship between technology, power, and gender and consider how they are applied to describe various digital pursuits – from Instagram influencer labor to Google searches to data visualizations. The course investigates how feminist theory makes sense of our digital and technologically mediated world. The last third of the course pivots to reviewing feminism put into practice by communities of technologists, designers, and data scientists.

This course offers an introduction to gender studies, extending to the study of feminist and queer theories, women's and LGBTQI+ movements, and masculinities. The course explores critical questions concerning gender in society while introducing key issues, questions, and debates in gender studies scholarship. It develops a gender prism to conduct gender analysis in a range of spheres, including political institutions, the labor market, healthcare systems, and media, cutting across various disciplines such as law, political science, sociology, and economics. Additionally, it provides the necessary critical tools to evaluate and participate in contemporary policy debates, such as same-sex marriage, surrogacy, and #metoo. The course provides a solid foundation in gender studies to be able to analyze gender dynamics in various contexts and engage thoughtfully in ongoing discussions about gender-related issues and contemporary debates.

Based on an exploration of visual and literary culture, this course addresses the place of women photographers and writers in the history of art; the expression of gender stereotypes in literary production and visual culture; and the deconstruction of these clichés by a new generation of artists, favoring a female gaze.

This advanced course offers a comprehensive examination of women's engagement in politics worldwide, with a primary focus on the French context. Through a nuanced and comparative lens, it explores the complex dynamics surrounding women's participation in political spheres. Students critically analyze the multifaceted challenges that women encounter in their pursuit of political power and decision-making roles but also in influencing political and intellectual debates. Drawing on extensive research and scholarly works, the course investigates the historical, social, and political factors that have shaped women's involvement in politics from a global perspective. 

This course examines sexuality and gender in Asia, where there are evidences that in pre-colonial societies, gender pluralism and societal inclusivity persisted and celebrated those within and beyond today's ideas of sexualities and genders. From the matriarchal practices in ancient and pre-colonial societies, to promised marriages, to the prohibition of women in artistic and political spaces, to the binding of feet and being leftover women, as well as the various cultural queer realities such as the Bissu, Maknyah, Asog, Sao Praphet sang, Hijra, among others; this course investigates these phenomena and realities. It also explores migration and diasporic narratives as well as how sexualities and gender are practiced and performed in media and culture.