English

The course builds effective communication strategies for the various complex situations that are encountered upon entering the business world, with a focus on both written and oral communication.

Picasso is the most densely inscribed artist of the 20th century, a key figure in histories of modernism and the avant-garde. This course tracks his production across narratives of art, culture and ideology, placing it in historical and theoretical contexts, while attending to the themes and fictions of the reception. Notwithstanding Picasso’s continuing recuperation as an institution or brand-name, his practice submitted the European world-picture to an unprecedented interrogation. This course brings this radical questioning of identity and meaning to the fore.

This course introduces students to the changing nature of modern medicine. It offers insights into the emergence and evolution of modern medicine, its key actors and institutions, as well as discourses and practices. Health and disease are more than medical matters. They are shaped by social, cultural, political, and technological forces. Questions of health and disease are inextricably linked with questions of science, technology, modernity, religion, colonialism, capitalism, racism, globalization, humanitarianism, and the state.

This course focuses on structure, functions, and current issues in the agri-food economy from input industry to farm processing to distribution and retail in Denmark, Europe, and internationally. The course covers issues such as the Danish agri-food industry; the European agri-food systems and trends; the economic organization of the agri-food industry; quality, food safety, and the consumer; globalization of food markets; chain management and organization in agri-food chains; and agri-food cooperatives and organizations.

This course examines the media industries in Aotearoa New Zealand through a series of case studies, including television, radio, newspapers, telecommunications, and film. These are discussed in terms of how ownership, regulation, funding/revenue, cultural norms and technological convergence affect media practices. It considers how the NZ media sector is influenced by global media markets, how media value chains are changing in response to new media and evolving audience demands, and the public policy issues these raise (e.g. cultural identity, democratic engagement and Maori representation).

This course offers a comprehensive overview of key issues in the study of international migration and immigrant integration. A dynamic approach that follows migrants’ journey from their origin countries to their receiving societies and examines the interethnic relations that develop therein is taken. The course is structured around three main themes: theories of immigration and immigration governance; categorization of migrants; integration outcomes and policies. A combined multidimensional perspective (comparing the integration of immigrants and their descendants in various domains of life, including the education system, the labor and housing markets, the neighborhood, politics, etc.) with a cross-national lens (comparing classical immigration countries and more recent immigrant-receiving countries) and a multilevel and multi-actor analytical framework (considering immigrants in relation to both their home/sending and host/receiving countries, and the networks of actors with which they interact, such as families, ethnic communities, government agencies, local administrators, NGOs, etc.) is used. The course has a strong empirical focus: it critically analyzes and discusses empirical studies that test theoretically derived hypotheses in various contexts. The perspective adopted is primarily sociological but insights from other disciplines such as human geography, political science, social psychology, economics, and anthropology are used.