English

This course provides an introduction to cost accounting with emphasis on approaches and techniques for product costing, cost control, and providing financial information for managerial decision-making. Topics include the manager and management accounting, an introduction to cost terms and purposes, cost-volume-profit analysis, job costing, activity-based costing and activity-based management, master budget and responsibility accounting, flexible budgets, direct-cost variances, and management control, inventory costing and capacity analysis, allocation of support-department costs, common costs, and revenues, cost allocation: joint products and byproducts and process costing.

This course focuses on important moments and crucial cultural texts and performances from roughly the 1920s through the 1990s and thus aspires to come to terms with the changes and continuities of the last century in U.S. pop-cultural production. The performers, artifacts, or performances the course considers here were often popular and unpopular at the same time – not only, but often, depending on the kind of audiences they spoke to or were discussed by. Consider, for example, the 1990s boyband phenomenon, but also performers like Madonna, who are adored by some, but hated by others. It is thus the question of (un)popularity that serves as a guiding light for the seminar at hand to make sense of U.S. cultural production in the 20th century and across media.

A survey of Chinese narrative with its differing topical approaches: justice, history and fiction, romance, and the supernatural. Students are expected to comprehend the legacy of Chinese culture by examining its continuing articulations of archetypes and masterpieces. This class explores diverse narrative forms across time and genre: from the Han dynasty inceptions of historical records to Lu Xun`s personal essays; from the Tang romance to the Ming-Qing vernacular fiction; from the musical theatre in the Yuan dynasty to the revolutionary model plays during the Cultural Revolution, and also to contemporary cinematic representations of those popular themes.

This seminar explores the relations between Transcendentalism and various reform movements and utopian projects of the 1830s, 1840s, and 1850s, in the areas of religion, education, women's rights, socialism, pacifism, and abolitionism. It places special emphasis on three themes: the religious and philosophical roots of the idea of human perfectibility; the self-image of the age (the nineteenth-century as the Age of Progress), and its critics; and the tension between individual and collective ideals of reform.

This course offers an exploration of the histories, theories and practices of democracy. It provides students with a systematic overview of the complex discourses on democracy today. What is democracy? Where does the idea of democracy come from? Has the idea one or many origins? Can democracy be justified, and if so, on what grounds? What are the limits of democracy? These, and many more, questions lie at the heart of democratic theory and of this course.

This course focuses on British poetry written in traditional forms from 1770 - 1850, as well as some modern and contemporary poetry. It introduces the major writers of the Romantic period: William Blake, William Wordsworth, Samuel Taylor Coleridge, George Gordon (Lord Byron), Percy Bysshe Shelley and Mary Wollstonecraft Shelley, and John Keats.  Works from other Romantic period authors including Charles Lamb, William Hazlitt, Thomas De Quincey, and Jane Austen will also be covered. 

Students will be expected to read poetry from the British Romantic period and show their understanding of the text and contexts by writing their own translations/imitations. The course covers traditional English poetic forms such as quatrains, the sonnet, the Spenserian stanza, ottava rima, the English ode, and others. 

Officially, there are no prerequisites for this course; however, History of English Literature I (LIT106) (Anglo-Saxon - 1800) and History of English Literature II (LIT107) (1800 - Contemporary) are *strongly* recommended. GEH024 World of English Literature ('Lyric to Lyrics') is also recommended for a basic understanding of English poetic form. (For visiting students, the course requires some background knowledge of English poetry and the Romantic period, for example a 100-level survey literature course.) In the past, students who have not taken LIT106 and LIT107 first sometimes struggled with LIT226. 

This course studies the literature, art, history, and politics of Classical Athens. It looks at a variety of myths that were popular in Classical Athens, the contexts and mediums through which these myths circulated. It discusses the relationship between these stories, democratic ideology, and the Athenians' understanding of their history.